What’s the best camera for outdoor photography? Well, it depends on what you mean.
“Outdoor” genres include wildlife and nature photography, sports, street, travel, and landscape photography. Even portrait and wedding photographers are known to take pictures outdoors!
Superb image quality, wide dynamic range, and autofocus. Currently the best all-around camera available.
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I’m a wildlife photographer myself. So I have first-hand experience with full-frame DSLR cameras and mirrorless cameras such as the Nikon D850 and the Sony a1. But I’ve also picked out a few models that fulfill a particular need, such as the Fujifilm X-T4 mirrorless APS-C.
What is the Best Cameras for Outdoor Photography in 2022?
Before we discuss each camera in detail, here are my recommended best cameras for outdoor photography:
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10 Best Cameras for Outdoor Photography (in Detail!)
Let’s dive into the list and take a closer look at the key features of each camera—where they excel, where they need to be improved, and who will benefit most from shooting with them!
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Highest frame rates only for JPEG, HEIF, and lossy compressed RAW files
Eye tracking only selected manually
Small rear LCD screen
No GPS
I recently traded all my Nikon cameras, lenses, and accessories for two Sony Alpha a1 mirrorless cameras.
They may be expensive, but they’re currently the best all-around cameras available. And I’m a no-compromise sort of guy!
Most other cameras offer high-resolution sensors or high frame rates—but not both. The Sony has a 50MP sensor, and it can shoot at 30fps!
It’s certainly a step up from my old D850. But it’s also ahead of its nearest mirrorless competitors—the Nikon Z 9 and the Canon EOS R5.
For a wildlife photographer like myself, the speed and accuracy of the autofocus are critical. The Sony a1 has that covered. At the end of last year, I went to Canada to see the polar bear migration and to Antarctica to see the penguins. I hardly used my DSLR because I was enjoying the a1 so much!
The Sony a1 ticks all the boxes regarding image quality, wide dynamic range, autofocus, continuous shooting speed, and usability. For landscape photography, that’s all you need to know! We also named the a1 our best camera for safari photography and bird photography!
If you want more food for thought, try these popular comparisons with the Sony a1:
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The EOS R5 has very similar specs to the a1 with excellent Dual Pixel AF (autofocus). But it disappoints in terms of sensor resolution and frame rate for what you’re paying.
The electronic shutter also causes exposure “banding”—large portions of a single color—under artificial light. Plus, shooting at the maximum of 20fps leads to a slight loss in dynamic range.
The video quality is superb. But it does have problems with overheating if you want to use the highest-quality 8K format. Given the pre-launch teasers about the R5’s 8K capability, it’s a shame.
Here’s some camera comparisons with the Canon R5 for more inspiration:
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The Nikon Z9 arrived a whole year after the Sony a1—which meant it wasn’t available when I needed it! But they used that time to produce a very affordable camera with the best specs on paper of any mirrorless full-frame model.
The Nikon Z9 sensor is slightly smaller than the a1’s. And the frame rate is vastly superior—if you don’t mind 11MP files!
Nikon boasts that the Z9’s AI-driven autofocus is “class-leading” and “mind-blowing.” The 493-point AF system allows excellent subject tracking across the frame. And there are 10 AF-area modes to choose from. You can also stop worrying about buffering as the Z9 can take over 1,000 high-quality images in one continuous shooting burst.
Video capture is also a breeze compared to its mirrorless rivals. The Z9 offers an incredible 8K/60p resolution (with the latest firmware update).
Plus, it has a maximum recording time of 2.5 hours—and no limit for lower-resolution formats!
If you want further info, have a look at these comparisons with the Z9:
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Slow 7 fps or 9 fps with an expensive battery grip
The D850 is my old camera. And I have to say it served me pretty well (See my full D850 review for yourself!.
There was the occasional moment on safari in Africa when a few loose screws in the lens mount caused the camera and lens to stop working together. That meant the aperture value was wrong, and the autofocus didn’t work. But that’s not too bad.
It survived four months in the back of a jeep on bumpy Kenyan tracks and fell off the back seat—twice!
All in all, I think this is the best Nikon DSLR on the market. With its large, back-illuminated sensor and fast and accurate autofocus system, it’s perfect for any branch of outdoor photography, be it sport, wildlife, or landscape.
The only real downsides are the poor frame rate and the lacklustre video feature set.
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Unreliable autofocus when using the optical viewfinder
4K video has a soft focus
No in-body image stabilization
Limited video codecs and frame rates
The EOS 90D is an APS-C (crop sensor) DSLR with the resolution of a full-frame camera!
The 32.5 MP sensor guarantees excellent image resolution and a wide dynamic range. A large, bright optical viewfinder, fully articulating touch LCD, WiFi and Bluetooth connectivity, AF joystick, microphone, and headphone jacks, and good ergonomics make this a user-friendly camera. Although, the menu system is a bit confusing.
The 90D performs better in live view than the optical viewfinder because the autofocus offers greater coverage and accuracy. But face and eye detection both work well.
As you might expect from an APS-C camera, it has fewer video options and features (like 24p or log gamma).
Plus, the lack of in-body stabilization makes it hard to shoot handheld.
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Until the a1 came along, the a7R IV was Sony’s top-of-the-range mirrorless camera in terms of sensor size, frame rate, and autofocus performance.
With an impressive 60.2MP high-resolution sensor, it’s effectively a medium format camera. Given the impressive image quality, excellent dynamic range, and low noise levels, it’s ideal for landscape photographers.
It has a larger sensor than the Sony a1, and you can even shoot in a unique four- or sixteen-shot, hi-resolution mode called Pixel Shift. It allows you to create 240MP images. But the camera can’t stitch the images internally, and the fastest shutter speed is 1/8 s. So it’s only suitable for the kind of static subjects you get with landscape photography.
The relatively low frame rate for a mirrorless camera prevents this from being your first choice for wildlife or sports photography. It’s wiser to make the most of the large sensor to produce large, high-quality prints of landscapes or portraits.
It’s also capable of shooting 4K video, and the excellent detail and market-leading autofocus tracking make it a very accomplished performer.
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Quality sensor produces detailed and vibrant images even at high ISOs
Dual Pixel AF with eye detection
User-friendly touch-to-focus screen
900-shot battery life
Cinema-quality (DCI) 4K video
Cons
Unreliable, imprecise subject tracking
Limited dynamic range
No in-body stabilization
No bluetooth
64x crop factor with 4K video
The EOS-1D X Mark III is probably Canon’s “flagship” camera body. But the 5D Mark IV replaces it in this list. It started as an entry-level full-frame DSLR. But the latest version is now an excellent and versatile camera for enthusiasts and professionals alike.
The body looks very similar to earlier versions, but it’s 2.6 oz (75g) lighter despite improved weather-sealing. There are only a few customization options. But the major controls are all within reach of your thumb and forefinger. That means they’re easy to change as you keep your eye on the viewfinder.
The 5D’s full-frame sensor is smaller than the 90D’s APS-C version. Still, the on-chip, analog-to-digital conversion means far less noise in shadowy areas and excellent detail even at the highest native ISO of 32000 (despite the anti-aliasing filter). Although, it struggles slightly with dynamic range.
Like the 90D, the 5D Mark IV offers Canon’s excellent Dual Pixel tracking system. It works down to -4 EV across 80% of the frame, meaning you can toggle between individual faces in a crowd scene. But it doesn’t offer good eye detection.
Video performance is a mixed bag. The 5D does capture high-quality footage in 4K—but it’s cropped. It fills up most memory cards pretty quickly, but the HDMI-out is limited to 1080p. That means you can’t use an external recorder with a better codec. On the other hand, the Dual Pixel AF and touch-to-focus functionality make it easy to get smooth rack focus (switching focus between shots).
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Autofocus speed and accuracy depends on the lens and the subject
Unreliable face and eye detection
No external battery charger provided
Limited video recording time
No subject tracking in video mode
These days, you could get a full-frame mirrorless camera for the price of an X-T4. But if you shoot both stills and video and prefer the lighter body and lens combination of crop sensor digital cameras, this might be the model for you.
The X-T4 has a decent sensor and offers frame rates anywhere from 8-30fps, depending on the shutter type and file format. The looks, handling, and ergonomics arguably make this an enjoyable camera. But it’s a bit let down by the autofocus system.
Switching between stills and video is easy. And the addition of image stabilization and features such as focus peaking, zebra stripes, punch-in recording, line-level mic input, and the corrected log preview make this the best Fuji camera for shooting video ever.
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Powerful video capabilities (4K / 60p, 10-bit video) and live streaming
Cons
More expensive than the Sony a7 III
6 fps with 14-bit lossless compressed or uncompressed RAW files
Significant distortion with moving subjects using a silent shutter
Occasional issues with rolling shutter
Requires a fast memory card
The Sony a7 IV is a fine outdoor camera. The new 33 MP sensor provides better sharpness and low-light performance than previous versions of the a7. And the autofocus now offers seamless switching between eye, face, and body tracking—even when shooting video. But the frame rate and autofocus system don’t quite match up to the best mirrorless cameras out there for wildlife or sports photography. Yet it’s still a good option for landscape photography.
The a7 IV is the first a7 to offer 4K video. The in-body image stabilization makes it easy to shoot handheld, and the fully articulating touchscreen makes vlogging easy. There are plenty of video options available, including breathing compensation, Hybrid Log-Gamma (HLG) for playback on HDR TVs, efficient H.265 compression (XAVC HS), and the S-Cinetone color profile.
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To a wildlife photographer like me, the “best” camera on the market is probably one of the three leading full-frame mirrorless cameras—the Sony Alpha 1, Nikon Z 9, and Canon EOS R3.
But there’s more to outdoor photography than wildlife. And I just can’t get over the R3’s relatively small sensor. Yes, it offers outstanding dynamic range and good high-ISO and low-light performance with excellent color rendition. But it certainly won’t give you the image quality you want if you’re a wedding, portrait, or landscape photographer.
Having said that, the R3 does offer excellent frame rates (when using a full battery and a CFexpress card!). And it boasts a unique feature in the form of “Eye Control.” That lets you position the autofocus point simply by looking at the right spot in the frame. You can always switch it off and use the joystick instead if you don’t like it. But I favor innovation, especially when it makes you feel like a fighter pilot using a head-up display!
Like the other Canon bodies in this list, it offers Dual Pixel autofocus and the Deep Learning AF algorithm to guarantee excellent subject recognition. The frame rate is high enough for sports and wildlife photography. The large buffer is also very valuable in those genres. I saw a demo of this camera at a trade show a few years ago, and the rep held down the shutter release for over a minute without the frame rate ever slowing down. Amazing! But the highest frame rate slows to 24 fps when using an SD card and 20fps with a low battery.
The video performance is also impressive. And the R5’s overheating issues are much less of a problem. The R3 offers 6K RAW or C-Log 3 format. Plus, a mode called Cinema Raw Light (CRM) keeps your file sizes down.
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What Makes the Best Camera for Outdoor Photography?
What should you be looking for if you take most of your pictures outside? Whether you’re a wildlife, nature, sport, street, travel, or landscape photographer, there are several factors to consider in terms of image quality, autofocus, performance, and usability.
The best cameras for wildlife photographers like me must have high-resolution sensors, high frame rates, and the fastest and most precise autofocus systems available—ideally with eye detection and focus points throughout the frame. I had a Nikon D850 and now have a couple of Sony a1s for these reasons.
On the other hand, professional landscape photographers or nature photographers might want a larger sensor and weather-sealing at the expense of a high frame rate. And street or travel photographers might be more worried about the size and weight of their cameras and lenses.
If you want the best camera for your style and genre of photography, you have to think about what suits you personally. And what can you afford? Don’t just chase after the best possible camera specs.
I don’t think it’s controversial to say that the best camera for outdoor photography is probably a full-frame mirrorless camera rather than a DSLR.
Mirrorless camera technology hasn’t been around very long. Still, it offers a winning combination of large sensor size, high frame rates, blackout-free shooting, and lag-free EVF with full-frame autofocus coverage. That’s a very attractive package, whatever type of photographer you are.
Yes, the best full-frame mirrorless bodies, such as the Sony a1, are expensive. But Canon and Nikon models are cheaper, and you can always opt for a DSLR if you want to hang on to your old lenses.
Sony a1
Superb image quality, wide dynamic range, and autofocus. Currently the best all-around camera available.
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Alternatively, you can always drop down to a crop sensor camera—either mirrorless or DSLR. The Canon EOS 90D is a great, all-around stills camera, perfect for landscape photography. And the Fujifilm X-T4 is suitable for wildlife or landscape photographers who don’t fancy lugging around a DSLR and a ton of glass in their camera bags… as you can see, the best camera for outdoor photography can mean a lot of different things!