Canon EF 100mm F/2 USM vs Canon EF 100mm F/2.8L Macro IS USM — Which Is Better?
Side by side38 specifications |
Canon · f/2 · Canon EF mount
Canon EF 100mm F/2 USM
51
SCORE
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Canon · f/2.8 · Canon EF mount
Canon EF 100mm F/2.8L Macro IS USM
86
WINNER
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| General | ||
Read the General ComparisonGeneralThe Canon EF 100mm F/2.8L Macro IS USM and the Canon EF 100mm F/2 USM are both full-frame primes on the EF mount, so either covers the same frame on the same Canon EOS bodies. They aim at different work, though. The F/2.8L Macro, from 2009, is built around life-size close-up photography, while the F/2, from 1991, is a fast, compact telephoto for portraits and detail. | ||
| Release Year | 1991 | 2009 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). |
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Pro Branding ⓘSpecific branding codes used for professional-tier lenses. |
N/A | L |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Canon EF | Canon EF |
System ⓘIndicates which camera system the lens is designed to attach to. |
Canon EOS | Canon EOS |
Maximum Format ⓘLargest sensor size compatible with the lens. |
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| Physical | 43/100 | 100/100 |
Read the Physical ComparisonPhysicalThe F/2 is the lighter, shorter lens for a smaller kit. It weighs 1 lb 0.2 oz (460 g) and measures 2.91 in (74 mm) long, against 1 lb 6 oz (625 g) and 4.84 in (123 mm) for the Macro. The Macro is also slightly wider, at 3.07 in versus 2.95 in. Their filter threads differ, so filters fit directly on only one lens at a time. The F/2 takes 58mm filters and the Macro takes 67mm, and both accept front filters. | ||
| Lens Weight | 460 g | 625 g |
Lens Diameter ⓘWidth of the lens at its widest point |
75 mm | 78 mm |
Lens Length ⓘHow long the lens is from front to back. |
74 mm | 123 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. |
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Front Filter Size ⓘDiameter of attachable filters. |
58 mm | 67 mm |
| Optics | 80/100 | 82/100 |
Read the Optics ComparisonOpticsFor close-up work, the Macro is the clear choice. It focuses to 1 ft (30 cm) and reaches 1x magnification, so a flower or insect fills the frame at life size. The F/2 stops at 3 ft (90 cm) and 0.14x, which keeps it a modest close-focus telephoto rather than a macro tool. The F/2 answers with a brighter aperture for portraits, letting in more light at f/2 than the Macro can at f/2.8 and drawing tighter backgrounds of a distant subject. Both focus automatically and offer a manual focusing ring at the same 100mm focal length. | ||
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) |
100 mm | 100 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) |
2 | 2.8 |
| Focal Length Angle of View | 24.415582858783463° | 24.42° |
Flange Focal Distance ⓘDistance from lens mount to sensor. |
44 mm | 44 mm |
Diaphragm Type ⓘStructure and design of the aperture |
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Blades ⓘNumber of diaphragm blades in aperture |
8020 | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups |
✗ | ✗ |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. |
90 cm01500 | 30 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced |
0.14x | 1x |
| Autofocus Mode | ||
| Manual Mode | ||
| Manual Focusing Ring | ||
| Features | Unscored | 54/100 |
Read the Features ComparisonFeaturesThe Macro offers image stabilization with a 4-stop rating, which helps handheld shooting in lower light. It also has weather sealing, a practical advantage for outdoor work in rain or dust. The F/2 offers neither stabilization nor sealing. In a shared limitation, neither lens supports a teleconverter or a fluorine coating on the front element. | ||
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
No | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. |
✗ | ✗ |
| Built In Lens Hood | ✗ | ✗ |
| Lens Hood Type | ||
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification |
✗ | ✗ |
| Image Stabilization | ✗ | ✓ |
IS Efficiency ⓘIS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides. |
N/A | 4 stops |
| Construction | 23/100 | 15/100 |
Read the Construction ComparisonConstructionThe Macro uses a more elaborate optical design, with 15 elements in 12 groups, including one low-dispersion element that helps control chromatic aberration. The F/2 is a simpler 8-element, 6-group construction with no special-dispersion elements. The F/2 has internal focusing, so the barrel does not extend while focusing. The Macro extends toward the subject as it focuses closer, which is worth remembering when working at very short distances. | ||
Elements ⓘLens elements refer to individual pieces of glass within the lens. |
8 | 15 |
| Groups | 6 | 12 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. |
0 | 0 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces |
0 | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration |
0 | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration |
0 | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration |
0 | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. |
No | |
Read: Verdict
Verdict
Choose the Canon EF 100mm F/2.8L Macro IS USM if close-up photography matters, because its 1x magnification, 1 ft close focus, 4-stop stabilization and weather sealing cover macro work and handheld shooting outdoors. It is also the safer pick for damp conditions.
Choose the Canon EF 100mm F/2 USM for portraiture and travel, where its f/2 aperture gives brighter shooting and smoother backgrounds than the Macro's f/2.8. For life-size macro, though, the F/2's 0.14x magnification will not deliver it; that work belongs to the Macro.

