CameraReview

Canon EF 100mm F/2 USM vs Canon EF 100mm F/2.8L Macro IS USM — Which Is Better?

Canon EF 100mm F/2 USM versus Canon EF 100mm F/2.8L Macro IS USM
Side by side38 specifications
Canon · f/2 · Canon EF mount Canon EF 100mm F/2 USM
51
SCORE
Canon · f/2.8 · Canon EF mount Canon EF 100mm F/2.8L Macro IS USM
86
WINNER
Canon EF 100mm F/2 USM
Canon EF 100mm F/2.8L Macro IS USM
General
Read the General Comparison

General

The Canon EF 100mm F/2.8L Macro IS USM and the Canon EF 100mm F/2 USM are both full-frame primes on the EF mount, so either covers the same frame on the same Canon EOS bodies. They aim at different work, though. The F/2.8L Macro, from 2009, is built around life-size close-up photography, while the F/2, from 1991, is a fast, compact telephoto for portraits and detail.

Release Year 19912009
Production Status
ⓘ
Current status of lens manufacturing (e.g., in production, discontinued).
DiscontinuedIn Production
Pro Branding
ⓘ
Specific branding codes used for professional-tier lenses.
N/AL
Lens Mount
ⓘ
The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras.
Canon EFCanon EF
System
ⓘ
Indicates which camera system the lens is designed to attach to.
Canon EOSCanon EOS
Maximum Format
ⓘ
Largest sensor size compatible with the lens.
Full FrameFull Frame
Physical43/100100/100
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Physical

The F/2 is the lighter, shorter lens for a smaller kit. It weighs 1 lb 0.2 oz (460 g) and measures 2.91 in (74 mm) long, against 1 lb 6 oz (625 g) and 4.84 in (123 mm) for the Macro. The Macro is also slightly wider, at 3.07 in versus 2.95 in.

Their filter threads differ, so filters fit directly on only one lens at a time. The F/2 takes 58mm filters and the Macro takes 67mm, and both accept front filters.

Lens Weight 460 g625 g
Lens Diameter
ⓘ
Width of the lens at its widest point
75 mm78 mm
Lens Length
ⓘ
How long the lens is from front to back.
74 mm123 mm
Front Filter Compatible
ⓘ
Some lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove.
YesYes
Front Filter Size
ⓘ
Diameter of attachable filters.
58 mm67 mm
Optics80/10082/100
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Optics

For close-up work, the Macro is the clear choice. It focuses to 1 ft (30 cm) and reaches 1x magnification, so a flower or insect fills the frame at life size. The F/2 stops at 3 ft (90 cm) and 0.14x, which keeps it a modest close-focus telephoto rather than a macro tool.

The F/2 answers with a brighter aperture for portraits, letting in more light at f/2 than the Macro can at f/2.8 and drawing tighter backgrounds of a distant subject. Both focus automatically and offer a manual focusing ring at the same 100mm focal length.

Focal Range
ⓘ
Shortest to longest focal length of the lens (zoom range start - end )
100 mm100 mm
Aperture Range
ⓘ
Largest aperture at the lens's shortest focal length to longest focal length (aperture range start - end)
22.8
Focal Length Angle of View 24.415582858783463°24.42°
Flange Focal Distance
ⓘ
Distance from lens mount to sensor.
44 mm44 mm
Diaphragm Type
ⓘ
Structure and design of the aperture
AutomaticAutomatic
Blades
ⓘ
Number of diaphragm blades in aperture
80209020
Zoom Lens
ⓘ
Zoom allows you to vary the focal length, change between long shots and close-ups
✗✗
Closest Focusing Distance
ⓘ
Minimum distance for a subject to be in focus.
90 cm0150030 cm01500
Maximum Magnification
ⓘ
Largest size a subject can be reproduced
0.14x1x
Autofocus Mode YesYes
Manual Mode YesYes
Manual Focusing Ring YesYes
FeaturesUnscored54/100
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Features

The Macro offers image stabilization with a 4-stop rating, which helps handheld shooting in lower light. It also has weather sealing, a practical advantage for outdoor work in rain or dust. The F/2 offers neither stabilization nor sealing.

In a shared limitation, neither lens supports a teleconverter or a fluorine coating on the front element.

Weather Sealing
ⓘ
Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions.
NoYes
Fluorine Coating
ⓘ
Coating to repel water and oil from lens elements.
✗✗
Built In Lens Hood ✗✗
Lens Hood Type RoundRound
Teleconverter
ⓘ
A teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification
✗✗
Image Stabilization ✗✓
IS Efficiency
ⓘ
IS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides.
N/A4 stops
Construction23/10015/100
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Construction

The Macro uses a more elaborate optical design, with 15 elements in 12 groups, including one low-dispersion element that helps control chromatic aberration. The F/2 is a simpler 8-element, 6-group construction with no special-dispersion elements.

The F/2 has internal focusing, so the barrel does not extend while focusing. The Macro extends toward the subject as it focuses closer, which is worth remembering when working at very short distances.

Elements
ⓘ
Lens elements refer to individual pieces of glass within the lens.
815
Groups 612
Aspherical Elements
ⓘ
The number of aspherical lens elements which can help correct aberrations such as spherical aberration.
00
Bi Aspherical Elements
ⓘ
Elements with two non-spherical surfaces
00
Low Dispersion
ⓘ
Elements that reduce chromatic aberration
01
Super Low Dispersion
ⓘ
Advanced elements further reducing chromatic aberration
00
CA Reduction
ⓘ
Built-in features to reduce chromatic aberration
00
Internal Focusing
ⓘ
Internal Focusing means that the lens does not change in size during focusing, and the front element does not rotate.
YesNo
Read: Verdict

Verdict

Choose the Canon EF 100mm F/2.8L Macro IS USM if close-up photography matters, because its 1x magnification, 1 ft close focus, 4-stop stabilization and weather sealing cover macro work and handheld shooting outdoors. It is also the safer pick for damp conditions.

Choose the Canon EF 100mm F/2 USM for portraiture and travel, where its f/2 aperture gives brighter shooting and smoother backgrounds than the Macro's f/2.8. For life-size macro, though, the F/2's 0.14x magnification will not deliver it; that work belongs to the Macro.

Your comparison

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