Canon EF 100mm F/2 USM vs Sigma 85mm F/1.4 DG HSM | A — Which Is Better?
Side by side37 specifications |
Canon · f/2 · Canon EF mount
Canon EF 100mm F/2 USM
51
SCORE
|
Sigma · f/1.4 · Nikon F mount
Sigma 85mm F/1.4 DG HSM | A
75
WINNER
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|---|---|---|
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| General | ||
Read the General ComparisonGeneralThe Canon EF 100mm F/2 USM and the Sigma 85mm F/1.4 DG HSM | Art are both full-frame primes at portrait-friendly focal lengths, 100mm and 85mm respectively. This Sigma record is the Nikon F version, though the Art series is offered for Canon EF, Sony E, Leica L and Sigma SA as well. Canon's lens dates from 1991, while Sigma's Art version is from 2016. | ||
| Release Year | 1991 | 2016 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). |
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Pro Branding ⓘSpecific branding codes used for professional-tier lenses. |
N/A | Art |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Canon EF | Nikon F |
System ⓘIndicates which camera system the lens is designed to attach to. |
Canon EOS | Nikon F |
Maximum Format ⓘLargest sensor size compatible with the lens. |
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| Physical | 43/100 | 92/100 |
Read the Physical ComparisonPhysicalThe Canon is the lighter and far more compact carry at 460 g, against 1130 g for the Sigma. It measures 74 mm long and 75 mm across, while the Sigma runs 126.2 mm long and 94.7 mm across, so it takes up more room in a bag. Both take front filters, but the threads differ, 58 mm on the Canon against 86 mm on the Sigma, so direct-fit filters do not interchange. | ||
| Lens Weight | 460 g | 1130 g |
Lens Diameter ⓘWidth of the lens at its widest point |
75 mm | 94.7 mm |
Lens Length ⓘHow long the lens is from front to back. |
74 mm | 126.2 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. |
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Front Filter Size ⓘDiameter of attachable filters. |
58 mm | 86 mm |
| Optics | 80/100 | 86/100 |
Read the Optics ComparisonOpticsFor light gathering the Sigma's f/1.4 aperture is the stronger tool, admitting more light than the Canon's f/2 for candlelit receptions and stage portraits. The Canon answers with 15 mm more focal length for tighter head-and-shoulders framing from the same position, plus a 0.14x maximum magnification against 0.12x. Both are primes with autofocus, a manual focusing ring and an automatic diaphragm. | ||
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) |
100 mm | 85 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) |
2 | 1.4 |
| Focal Length Angle of View | 24.415582858783463° | 28.560464963937992° |
Flange Focal Distance ⓘDistance from lens mount to sensor. |
44 mm | 44 mm |
Diaphragm Type ⓘStructure and design of the aperture |
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Blades ⓘNumber of diaphragm blades in aperture |
8020 | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups |
✗ | ✗ |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. |
90 cm01500 | 85 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced |
0.14x | 0.12x |
| Autofocus Mode | ||
| Manual Mode | ||
| Manual Focusing Ring | ||
| Features | Unscored | 52/100 |
Read the Features ComparisonFeaturesThe Sigma offers two protections the Canon lacks: weather sealing for shooting in rain or dust, and a fluorine coating that helps the front element shed water and wipe clean of smudges. Neither lens has image stabilization, so sharp handheld results depend on shutter speed or a stabilized body. Neither supports teleconverters. | ||
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
No | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. |
No | |
| Built In Lens Hood | ✗ | ✗ |
| Lens Hood Type | ||
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification |
✗ | ✗ |
| Image Stabilization | ✗ | ✗ |
| Construction | 23/100 | 31/100 |
Read the Construction ComparisonConstructionThe Sigma is the more elaborate optical design, with 14 elements in 12 groups including one aspherical and one low-dispersion element, against the Canon's classic 8 elements in 6 groups. The Canon uses internal focusing, so its barrel does not extend while focusing; the Sigma does not have internal focus. | ||
Elements ⓘLens elements refer to individual pieces of glass within the lens. |
8 | 14 |
| Groups | 6 | 12 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. |
0 | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces |
0 | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration |
0 | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration |
0 | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration |
0 | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. |
No | |
Read: Verdict
Verdict
For low-light portraits and the shallowest depth of field, the Sigma 85mm F/1.4 Art is the stronger choice, and its weather sealing suits outdoor sessions. Pick the Canon EF 100mm F/2 USM when portability and working distance matter: its 100mm framing keeps you farther from a nervous subject. Because the Art line is offered for Canon EF as well as Nikon F, the aperture-versus-reach choice applies within either system.

