CameraReview

Canon EF 100mm F/2.8L Macro IS USM vs Canon EF 135mm F/2L USM — Which Is Better?

Canon EF 100mm F/2.8L Macro IS USM versus Canon EF 135mm F/2L USM
Side by side38 specifications
Canon · f/2.8 · Canon EF mount Canon EF 100mm F/2.8L Macro IS USM
86
WINNER
Canon · f/2 · Canon EF mount Canon EF 135mm F/2L USM
61
SCORE
Canon EF 100mm F/2.8L Macro IS USM
Canon EF 135mm F/2L USM
General
Read the General Comparison

General

The Canon EF 100mm F/2.8L Macro IS USM and the Canon EF 135mm F/2L USM are both L-series prime lenses for Canon EOS full-frame bodies, but they serve different assignments. The 2009 100mm is built around life-size close-up work, while the 1996 135mm is a fast telephoto for portraits and low-light subjects at distance.

Release Year 20091996
Production Status
ⓘ
Current status of lens manufacturing (e.g., in production, discontinued).
In ProductionIn Production
Pro Branding
ⓘ
Specific branding codes used for professional-tier lenses.
LL
Lens Mount
ⓘ
The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras.
Canon EFCanon EF
System
ⓘ
Indicates which camera system the lens is designed to attach to.
Canon EOSCanon EOS
Maximum Format
ⓘ
Largest sensor size compatible with the lens.
Full FrameFull Frame
Physical100/10078/100
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Physical

The 100mm is the lighter lens for carrying, at 1 lb 6 oz (625 g) against 1 lb 10.5 oz (750 g) for the 135mm, a 125 g difference. It is also the slimmer barrel at 78 mm against 83 mm, though the 135mm is shorter at 112 mm against 123 mm.

A difference in filter threads matters for anyone building a filter kit: the 100mm takes 67 mm filters directly and the 135mm takes 72 mm, so they need different direct-fit sizes.

Lens Weight 625 g750 g
Lens Diameter
ⓘ
Width of the lens at its widest point
78 mm83 mm
Lens Length
ⓘ
How long the lens is from front to back.
123 mm112 mm
Front Filter Compatible
ⓘ
Some lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove.
YesYes
Front Filter Size
ⓘ
Diameter of attachable filters.
67 mm72 mm
Optics82/10080/100
Read the Optics Comparison

Optics

The 100mm is the clear choice for filling the frame with small subjects. It reaches 1x magnification and focuses to 1 ft (30 cm), while the 135mm stops at 0.19x and focuses no closer than 3 ft (90 cm). For flowers, product shots and insects, that gap decides the purchase.

The 135mm is stronger for working distance and dim venues. Its f/2 aperture opens wider than the 100mm's f/2.8, and its 135 mm focal length is 35 percent longer, suiting headshots, stage work and candid portraits across a room.

Focal Range
ⓘ
Shortest to longest focal length of the lens (zoom range start - end )
100 mm135 mm
Aperture Range
ⓘ
Largest aperture at the lens's shortest focal length to longest focal length (aperture range start - end)
2.82
Focal Length Angle of View 24.42°18.21°
Flange Focal Distance
ⓘ
Distance from lens mount to sensor.
44 mm44 mm
Diaphragm Type
ⓘ
Structure and design of the aperture
AutomaticAutomatic
Blades
ⓘ
Number of diaphragm blades in aperture
90208020
Zoom Lens
ⓘ
Zoom allows you to vary the focal length, change between long shots and close-ups
✗✗
Closest Focusing Distance
ⓘ
Minimum distance for a subject to be in focus.
30 cm0150090 cm01500
Maximum Magnification
ⓘ
Largest size a subject can be reproduced
1x0.19x
Autofocus Mode YesYes
Manual Mode YesYes
Manual Focusing Ring YesYes
Features54/10019/100
Read the Features Comparison

Features

The 100mm gives you freedom to shoot handheld and in poor weather. It offers image stabilization rated at 4 stops and weather sealing for rain and dust, while the 135mm offers neither.

The 135mm answers with teleconverter compatibility, letting you extend its reach on days when 135 mm is not long enough. Neither lens has a fluorine coating on the front element.

Weather Sealing
ⓘ
Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions.
YesNo
Fluorine Coating
ⓘ
Coating to repel water and oil from lens elements.
✗✗
Built In Lens Hood ✗✗
Lens Hood Type RoundRound
Teleconverter
ⓘ
A teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification
NoYes
Image Stabilization ✓✗
IS Efficiency
ⓘ
IS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides.
4 stopsN/A
Construction15/10015/100
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Construction

This is a difference in optical formula: the 100mm uses 15 elements in 12 groups, against 10 elements in 8 groups for the 135mm. In a shared design choice, each includes one low-dispersion element and no aspherical elements.

This is a similarity in focusing design: neither lens uses internal focusing, and both do without a floating element system.

Elements
ⓘ
Lens elements refer to individual pieces of glass within the lens.
1510
Groups 128
Aspherical Elements
ⓘ
The number of aspherical lens elements which can help correct aberrations such as spherical aberration.
00
Bi Aspherical Elements
ⓘ
Elements with two non-spherical surfaces
00
Low Dispersion
ⓘ
Elements that reduce chromatic aberration
11
Super Low Dispersion
ⓘ
Advanced elements further reducing chromatic aberration
00
CA Reduction
ⓘ
Built-in features to reduce chromatic aberration
00
Internal Focusing
ⓘ
Internal Focusing means that the lens does not change in size during focusing, and the front element does not rotate.
✗✗
Read: Verdict

Verdict

Choose the Canon EF 100mm F/2.8L Macro IS USM if close-up work is on your shot list. Life-size magnification, a 30 cm minimum focus distance, 4-stop stabilization and weather sealing make it the practical pick for macro, product photography and handheld detail work outdoors.

Choose the Canon EF 135mm F/2L USM when your work keeps you farther from the subject in weak light. Its f/2 aperture, 135 mm focal length and teleconverter support suit portraits, weddings, stage performances and indoor events where reach and shutter speed matter more than close focus.

Your comparison

Choose two to four lenses.

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