CameraReview

Canon EF 16-35mm F/2.8L II USM vs Canon EF 17-40mm F/4L USM — Which Is Better?

Canon EF 16-35mm F/2.8L II USM versus Canon EF 17-40mm F/4L USM
Side by side42 specifications
Canon · f/2.8 · Canon EF mount Canon EF 16-35mm F/2.8L II USM
83
WINNER
Canon · f/4 · Canon EF mount Canon EF 17-40mm F/4L USM
59
SCORE
Canon EF 16-35mm F/2.8L II USM
Canon EF 17-40mm F/4L USM
General
Read the General Comparison

General

The Canon EF 16-35mm F/2.8L II USM and Canon EF 17-40mm F/4L USM are L-series wide-angle zooms for Canon EOS full-frame bodies. The 16-35mm II arrived in 2007, four years after the 2003 17-40mm, so it is the newer design. Both carry the same professional L branding and full-frame coverage, which keeps the choice focused on aperture, size and weight.

Release Year 20072003
Production Status
ⓘ
Current status of lens manufacturing (e.g., in production, discontinued).
DiscontinuedIn Production
Version
ⓘ
The iteration or release number of a particular lens model.
IIN/A
Pro Branding
ⓘ
Specific branding codes used for professional-tier lenses.
LL
Lens Mount
ⓘ
The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras.
Canon EFCanon EF
System
ⓘ
Indicates which camera system the lens is designed to attach to.
Canon EOSCanon EOS
Maximum Format
ⓘ
Largest sensor size compatible with the lens.
Full FrameFull Frame
Physical100/10078/100
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Physical

The 17-40mm is the smaller and lighter lens, at 500 g against 635 g for the 16-35mm II, a saving of 135 g. It is also shorter, at 97 mm versus 112 mm, and slimmer at 84 mm versus 89 mm in diameter. Front threads differ, with 77 mm on the 17-40mm and 82 mm on the 16-35mm II, so each takes different direct-fit filters.

Lens Weight 635 g500 g
Lens Diameter
ⓘ
Width of the lens at its widest point
89 mm84 mm
Lens Length
ⓘ
How long the lens is from front to back.
112 mm97 mm
Front Filter Compatible
ⓘ
Some lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove.
YesYes
Front Filter Size
ⓘ
Diameter of attachable filters.
82 mm77 mm
Optics77/10067/100
Read the Optics Comparison

Optics

The 16-35mm II is the stronger choice for dim interiors and evening street work, thanks to its constant f/2.8 maximum aperture against the 17-40mm's constant f/4. That one-stop advantage keeps shutter speeds usable inside venues and permits shallower depth for wide environmental portraits.

The 17-40mm counters at the long end, reaching 40mm against 35mm, while the 16-35mm II starts slightly wider at 16mm. Both focus as close as 28 cm, with maximum magnification of 0.24x for the 17-40mm against 0.22x for the 16-35mm II.

Focal Range
ⓘ
Shortest to longest focal length of the lens (zoom range start - end )
16–35 mm17–40 mm
Aperture Range
ⓘ
Largest aperture at the lens's shortest focal length to longest focal length (aperture range start - end)
2.84
Focal Length Angle of View 107.03°–63.44°103.68°–56.82°
Flange Focal Distance
ⓘ
Distance from lens mount to sensor.
44 mm44 mm
Diaphragm Type
ⓘ
Structure and design of the aperture
AutomaticAutomatic
Blades
ⓘ
Number of diaphragm blades in aperture
70207020
Zoom Lens
ⓘ
Zoom allows you to vary the focal length, change between long shots and close-ups
YesYes
Zoom Mechanism
ⓘ
System enabling zoom function
ManualManual
Zoom Ring
ⓘ
If zooming is adjusted using a zoom ring
YesYes
Zoom Type
ⓘ
The design or approach to zooming
RotaryRotary
Closest Focusing Distance
ⓘ
Minimum distance for a subject to be in focus.
28 cm0150028 cm01500
Maximum Magnification
ⓘ
Largest size a subject can be reproduced
0.22x0.24x
Autofocus Mode YesYes
Manual Mode YesYes
Manual Focusing Ring YesYes
Features32/10032/100
Read the Features Comparison

Features

Weather sealing is a shared strength, so both suit landscape and reportage work in rain or dust. Neither lens offers image stabilisation, a fluorine coating, a zoom lock or teleconverter compatibility, so you will depend on body settings for handheld work in low light.

Weather Sealing
ⓘ
Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions.
YesYes
Fluorine Coating
ⓘ
Coating to repel water and oil from lens elements.
✗✗
Built In Lens Hood ✗✗
Lens Hood Type PetalPetal
Zoom Lock
ⓘ
Zoom lock allows the zoom ring to be locked at the desired focal length
✗✗
Teleconverter
ⓘ
A teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification
✗✗
Image Stabilization ✗✗
Construction31/10032/100
Read the Construction Comparison

Construction

The 16-35mm II uses the larger optical formula, with 16 elements in 12 groups against 12 elements in 9 groups for the 17-40mm. Both designs include one aspherical element and one low-dispersion element, and the 17-40mm also includes one super-low-dispersion element.

Elements
ⓘ
Lens elements refer to individual pieces of glass within the lens.
1612
Groups 129
Aspherical Elements
ⓘ
The number of aspherical lens elements which can help correct aberrations such as spherical aberration.
11
Bi Aspherical Elements
ⓘ
Elements with two non-spherical surfaces
00
Low Dispersion
ⓘ
Elements that reduce chromatic aberration
11
Super Low Dispersion
ⓘ
Advanced elements further reducing chromatic aberration
01
CA Reduction
ⓘ
Built-in features to reduce chromatic aberration
00
Internal Focusing
ⓘ
Internal Focusing means that the lens does not change in size during focusing, and the front element does not rotate.
✗✗
Read: Verdict

Verdict

Choose the 16-35mm II if you shoot handheld in low light, such as weddings, interiors or dusk cityscapes, where its constant f/2.8 buys a full stop over the 17-40mm. Choose the 17-40mm for tripod-based landscape and travel photography, where f/4 normally suffices and its lighter 500 g build and extra reach to 40mm serve well. With weather sealing, 28 cm close focus and the EF mount shared, the aperture difference should anchor your decision.

Your comparison

Choose two to four lenses.

Shop Canon EF 17-40mm F/4L USM

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