CameraReview

Canon EF 16-35mm F/4L IS USM vs Canon EF 17-40mm F/4L USM — Which Is Better?

Canon EF 16-35mm F/4L IS USM versus Canon EF 17-40mm F/4L USM
Side by side42 specifications
Canon · f/4 · Canon EF mount Canon EF 16-35mm F/4L IS USM
76
WINNER
Canon · f/4 · Canon EF mount Canon EF 17-40mm F/4L USM
59
SCORE
Canon EF 16-35mm F/4L IS USM
Canon EF 17-40mm F/4L USM
General
Read the General Comparison

General

The Canon EF 16-35mm F/4L IS USM and Canon EF 17-40mm F/4L USM are both L-series full-frame zooms for the Canon EOS system, so either mounts directly on any Canon EF camera. The 16-35mm arrived in 2014, eleven years after the 17-40mm.

Both are constant F/4 wide-angle zooms for landscape, architecture and reportage work. The choice comes down to focal range, stabilisation and optical construction.

Release Year 20142003
Production Status
ⓘ
Current status of lens manufacturing (e.g., in production, discontinued).
In ProductionIn Production
Pro Branding
ⓘ
Specific branding codes used for professional-tier lenses.
LL
Lens Mount
ⓘ
The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras.
Canon EFCanon EF
System
ⓘ
Indicates which camera system the lens is designed to attach to.
Canon EOSCanon EOS
Maximum Format
ⓘ
Largest sensor size compatible with the lens.
Full FrameFull Frame
Physical100/10078/100
Read the Physical Comparison

Physical

The 17-40mm is the lighter, shorter carry: it weighs 500 g against 615 g and measures 97 mm long versus 112.8 mm. Diameters are nearly identical at 84 mm and 82.6 mm.

Filters are a similarity rather than a difference: both share a 77mm front filter thread, so one set of polarisers and ND filters serves both lenses.

Lens Weight 615 g500 g
Lens Diameter
ⓘ
Width of the lens at its widest point
82.6 mm84 mm
Lens Length
ⓘ
How long the lens is from front to back.
112.8 mm97 mm
Front Filter Compatible
ⓘ
Some lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove.
YesYes
Front Filter Size
ⓘ
Diameter of attachable filters.
77 mm77 mm
Optics71/10067/100
Read the Optics Comparison

Optics

The 16-35mm gives you a wider view for tight interiors and sweeping landscapes, starting at 16mm instead of 17mm. The 17-40mm answers with 5mm more reach at the long end, reaching 40mm for slightly tighter framing without changing lenses.

Their maximum apertures are a similarity: both hold F/4 across the zoom range, so neither offers a light-gathering advantage. Both also focus to 28cm for close foreground detail, with maximum magnifications of 0.23x and 0.24x.

Focal Range
ⓘ
Shortest to longest focal length of the lens (zoom range start - end )
16–35 mm17–40 mm
Aperture Range
ⓘ
Largest aperture at the lens's shortest focal length to longest focal length (aperture range start - end)
44
Focal Length Angle of View 107.03°–63.44°103.68°–56.82°
Flange Focal Distance
ⓘ
Distance from lens mount to sensor.
44 mm44 mm
Diaphragm Type
ⓘ
Structure and design of the aperture
AutomaticAutomatic
Blades
ⓘ
Number of diaphragm blades in aperture
90207020
Zoom Lens
ⓘ
Zoom allows you to vary the focal length, change between long shots and close-ups
YesYes
Zoom Mechanism
ⓘ
System enabling zoom function
ManualManual
Zoom Ring
ⓘ
If zooming is adjusted using a zoom ring
YesYes
Zoom Type
ⓘ
The design or approach to zooming
RotaryRotary
Closest Focusing Distance
ⓘ
Minimum distance for a subject to be in focus.
28 cm0150028 cm01500
Maximum Magnification
ⓘ
Largest size a subject can be reproduced
0.23x0.24x
Autofocus Mode YesYes
Manual Mode YesYes
Manual Focusing Ring YesYes
Features73/10032/100
Read the Features Comparison

Features

The 16-35mm is the only one of the pair with built-in image stabilisation, rated at 4 stops, for handheld interiors, dusk cityscapes and static scenes at slower shutter speeds. The 17-40mm leaves those situations to a tripod or other support.

It also has a fluorine coating on the front element, so dust and fingerprints wipe off the exposed glass more easily in dirty or wet conditions. Weather sealing is a shared strength, guarding both lenses against moisture and dust.

Weather Sealing
ⓘ
Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions.
YesYes
Fluorine Coating
ⓘ
Coating to repel water and oil from lens elements.
YesNo
Built In Lens Hood ✗✗
Lens Hood Type PetalPetal
Zoom Lock
ⓘ
Zoom lock allows the zoom ring to be locked at the desired focal length
✗✗
Teleconverter
ⓘ
A teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification
✗✗
Image Stabilization ✓✗
IS Efficiency
ⓘ
IS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides.
4 stopsN/A
Construction54/10032/100
Read the Construction Comparison

Construction

The 16-35mm uses internal focusing, so the barrel does not extend while you focus, whereas the 17-40mm's front section moves during focusing. A fixed length helps when shooting close to glass, walls or flower beds.

Its optical design is also the more elaborate of the two, with 16 elements in 12 groups including three aspherical elements and two low-dispersion elements. The 17-40mm uses 12 elements in 9 groups with one aspherical, one low-dispersion and one super-low-dispersion element.

Elements
ⓘ
Lens elements refer to individual pieces of glass within the lens.
1612
Groups 129
Aspherical Elements
ⓘ
The number of aspherical lens elements which can help correct aberrations such as spherical aberration.
31
Bi Aspherical Elements
ⓘ
Elements with two non-spherical surfaces
00
Low Dispersion
ⓘ
Elements that reduce chromatic aberration
21
Super Low Dispersion
ⓘ
Advanced elements further reducing chromatic aberration
01
CA Reduction
ⓘ
Built-in features to reduce chromatic aberration
00
Internal Focusing
ⓘ
Internal Focusing means that the lens does not change in size during focusing, and the front element does not rotate.
YesNo
Read: Verdict

Verdict

The Canon EF 16-35mm F/4L IS USM is the stronger buy for most wide-angle shooters. Its 4-stop stabilisation, 16mm start, fluorine coating, internal focusing and more elaborate element design suit handheld travel, interior and dusk photography, where the older lens would leave you reaching for a tripod.

Choose the Canon EF 17-40mm F/4L USM when its extra 5mm of reach matters for slightly tighter framing at 40mm without changing lenses. For tripod-based landscape shooting with 77mm filters, either lens does the job.

Your comparison

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