CameraReview

Canon EF 17-40mm F/4L USM vs Canon EF 24-70mm F/2.8L II USM — Which Is Better?

Canon EF 17-40mm F/4L USM versus Canon EF 24-70mm F/2.8L II USM
Side by side42 specifications
Canon · f/4 · Canon EF mount Canon EF 17-40mm F/4L USM
59
SCORE
Canon · f/2.8 · Canon EF mount Canon EF 24-70mm F/2.8L II USM
87
WINNER
Canon EF 17-40mm F/4L USM
Canon EF 24-70mm F/2.8L II USM
General
Read the General Comparison

General

The Canon EF 17-40mm F/4L USM and the Canon EF 24-70mm F/2.8L II USM are both full-frame L-series zooms for the Canon EOS system, built for different jobs. The 17-40mm, released in 2003, starts at a true ultra-wide 17mm for landscapes, architecture and tight interiors. The 24-70mm II, released in 2012, spans standard to short-telephoto for portraits, events and general work.

Release Year 20032012
Production Status
ⓘ
Current status of lens manufacturing (e.g., in production, discontinued).
In ProductionIn Production
Version
ⓘ
The iteration or release number of a particular lens model.
N/AII
Pro Branding
ⓘ
Specific branding codes used for professional-tier lenses.
LL
Lens Mount
ⓘ
The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras.
Canon EFCanon EF
System
ⓘ
Indicates which camera system the lens is designed to attach to.
Canon EOSCanon EOS
Maximum Format
ⓘ
Largest sensor size compatible with the lens.
Full FrameFull Frame
Physical78/100100/100
Read the Physical Comparison

Physical

The 17-40mm is the lighter carry at 1 lb 1.6 oz (500 g), against 1 lb 12.4 oz (805 g) for the 24-70mm II. It is also shorter, 3.82 in (97 mm) versus 4.45 in (113 mm), and slimmer at 84 mm versus 89 mm in diameter. That suits the 17-40mm to a compact kit built around wide scenes.

Filter threads differ: 77mm on the 17-40mm and 82mm on the 24-70mm II. Both accept front filters directly, so a shared filter collection fits only the matching thread size.

Lens Weight 500 g805 g
Lens Diameter
ⓘ
Width of the lens at its widest point
84 mm89 mm
Lens Length
ⓘ
How long the lens is from front to back.
97 mm113 mm
Front Filter Compatible
ⓘ
Some lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove.
YesYes
Front Filter Size
ⓘ
Diameter of attachable filters.
77 mm82 mm
Optics67/10081/100
Read the Optics Comparison

Optics

The f/2.8 aperture makes the 24-70mm II the stronger choice for dim reception halls and candlelit interiors, where the 17-40mm is limited to f/4 throughout its range. The wider aperture also allows shallower depth for separating a portrait subject from a busy background.

Each lens covers focal lengths the other cannot: the 17-40mm opens at an ultra-wide 17mm for sweeping views, while the 24-70mm II reaches 70mm for tighter framing of people. Close focusing favours the 17-40mm, which focuses as close as 0.9 ft (28 cm) against 1.2 ft (38 cm), and its maximum magnification is higher at 0.24x against 0.21x. Its internal zoom also keeps the barrel at a fixed length while zooming, where the 24-70mm II extends.

Focal Range
ⓘ
Shortest to longest focal length of the lens (zoom range start - end )
17–40 mm24–70 mm
Aperture Range
ⓘ
Largest aperture at the lens's shortest focal length to longest focal length (aperture range start - end)
42.8
Focal Length Angle of View 103.68°–56.82°84.07°–34.35°
Flange Focal Distance
ⓘ
Distance from lens mount to sensor.
44 mm44 mm
Diaphragm Type
ⓘ
Structure and design of the aperture
AutomaticAutomatic
Blades
ⓘ
Number of diaphragm blades in aperture
70209020
Zoom Lens
ⓘ
Zoom allows you to vary the focal length, change between long shots and close-ups
YesYes
Zoom Mechanism
ⓘ
System enabling zoom function
ManualManual
Zoom Ring
ⓘ
If zooming is adjusted using a zoom ring
YesYes
Zoom Type
ⓘ
The design or approach to zooming
RotaryRotary
Closest Focusing Distance
ⓘ
Minimum distance for a subject to be in focus.
28 cm0150038 cm01500
Maximum Magnification
ⓘ
Largest size a subject can be reproduced
0.24x0.21x
Autofocus Mode YesYes
Manual Mode YesYes
Manual Focusing Ring YesYes
Features32/10052/100
Read the Features Comparison

Features

Both lenses are weather sealed, so dust and rain protection is not a deciding factor here. Neither offers image stabilization, and neither is teleconverter compatible.

The 24-70mm II adds a fluorine coating that helps dust and water slide off the front element for easier cleaning. It also has a zoom lock to stop the barrel creeping downward when carried. The 17-40mm has neither.

Weather Sealing
ⓘ
Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions.
YesYes
Fluorine Coating
ⓘ
Coating to repel water and oil from lens elements.
NoYes
Built In Lens Hood ✗✗
Lens Hood Type PetalPetal
Zoom Lock
ⓘ
Zoom lock allows the zoom ring to be locked at the desired focal length
NoYes
Teleconverter
ⓘ
A teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification
✗✗
Image Stabilization ✗✗
Construction32/10032/100
Read the Construction Comparison

Construction

The 24-70mm II carries the more complex optical formula, with 18 elements in 13 groups against 12 elements in 9 groups for the 17-40mm. Their special-glass choices match: each lens uses one aspherical element plus low-dispersion glass that includes a super-low-dispersion element.

Elements
ⓘ
Lens elements refer to individual pieces of glass within the lens.
1218
Groups 913
Aspherical Elements
ⓘ
The number of aspherical lens elements which can help correct aberrations such as spherical aberration.
11
Bi Aspherical Elements
ⓘ
Elements with two non-spherical surfaces
00
Low Dispersion
ⓘ
Elements that reduce chromatic aberration
11
Super Low Dispersion
ⓘ
Advanced elements further reducing chromatic aberration
11
CA Reduction
ⓘ
Built-in features to reduce chromatic aberration
00
Internal Focusing
ⓘ
Internal Focusing means that the lens does not change in size during focusing, and the front element does not rotate.
✗✗
Read: Verdict

Verdict

Choose the Canon EF 24-70mm F/2.8L II USM for people photography: its f/2.8 aperture handles indoor events and low light, and 70mm frames portraits with tighter perspective. Choose the Canon EF 17-40mm F/4L USM for wide work: 17mm captures sweeping landscapes and interiors, its 0.9 ft (28 cm) close focus suits foreground detail, and it is 305 g lighter to carry.

Your comparison

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