Canon EF 17-40mm F/4L USM vs Canon EF 24-70mm F/2.8L II USM — Which Is Better?
Side by side42 specifications |
Canon · f/4 · Canon EF mount
Canon EF 17-40mm F/4L USM
59
SCORE
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Canon · f/2.8 · Canon EF mount
Canon EF 24-70mm F/2.8L II USM
87
WINNER
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| General | ||
Read the General ComparisonGeneralThe Canon EF 17-40mm F/4L USM and the Canon EF 24-70mm F/2.8L II USM are both full-frame L-series zooms for the Canon EOS system, built for different jobs. The 17-40mm, released in 2003, starts at a true ultra-wide 17mm for landscapes, architecture and tight interiors. The 24-70mm II, released in 2012, spans standard to short-telephoto for portraits, events and general work. | ||
| Release Year | 2003 | 2012 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). |
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Version ⓘThe iteration or release number of a particular lens model. |
N/A | II |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. |
L | L |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Canon EF | Canon EF |
System ⓘIndicates which camera system the lens is designed to attach to. |
Canon EOS | Canon EOS |
Maximum Format ⓘLargest sensor size compatible with the lens. |
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| Physical | 78/100 | 100/100 |
Read the Physical ComparisonPhysicalThe 17-40mm is the lighter carry at 1 lb 1.6 oz (500 g), against 1 lb 12.4 oz (805 g) for the 24-70mm II. It is also shorter, 3.82 in (97 mm) versus 4.45 in (113 mm), and slimmer at 84 mm versus 89 mm in diameter. That suits the 17-40mm to a compact kit built around wide scenes. Filter threads differ: 77mm on the 17-40mm and 82mm on the 24-70mm II. Both accept front filters directly, so a shared filter collection fits only the matching thread size. | ||
| Lens Weight | 500 g | 805 g |
Lens Diameter ⓘWidth of the lens at its widest point |
84 mm | 89 mm |
Lens Length ⓘHow long the lens is from front to back. |
97 mm | 113 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. |
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Front Filter Size ⓘDiameter of attachable filters. |
77 mm | 82 mm |
| Optics | 67/100 | 81/100 |
Read the Optics ComparisonOpticsThe f/2.8 aperture makes the 24-70mm II the stronger choice for dim reception halls and candlelit interiors, where the 17-40mm is limited to f/4 throughout its range. The wider aperture also allows shallower depth for separating a portrait subject from a busy background. Each lens covers focal lengths the other cannot: the 17-40mm opens at an ultra-wide 17mm for sweeping views, while the 24-70mm II reaches 70mm for tighter framing of people. Close focusing favours the 17-40mm, which focuses as close as 0.9 ft (28 cm) against 1.2 ft (38 cm), and its maximum magnification is higher at 0.24x against 0.21x. Its internal zoom also keeps the barrel at a fixed length while zooming, where the 24-70mm II extends. | ||
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) |
17–40 mm | 24–70 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) |
4 | 2.8 |
| Focal Length Angle of View | 103.68°–56.82° | 84.07°–34.35° |
Flange Focal Distance ⓘDistance from lens mount to sensor. |
44 mm | 44 mm |
Diaphragm Type ⓘStructure and design of the aperture |
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Blades ⓘNumber of diaphragm blades in aperture |
7020 | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups |
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Zoom Mechanism ⓘSystem enabling zoom function |
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Zoom Ring ⓘIf zooming is adjusted using a zoom ring |
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Zoom Type ⓘThe design or approach to zooming |
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Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. |
28 cm01500 | 38 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced |
0.24x | 0.21x |
| Autofocus Mode | ||
| Manual Mode | ||
| Manual Focusing Ring | ||
| Features | 32/100 | 52/100 |
Read the Features ComparisonFeaturesBoth lenses are weather sealed, so dust and rain protection is not a deciding factor here. Neither offers image stabilization, and neither is teleconverter compatible. The 24-70mm II adds a fluorine coating that helps dust and water slide off the front element for easier cleaning. It also has a zoom lock to stop the barrel creeping downward when carried. The 17-40mm has neither. | ||
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
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Fluorine Coating ⓘCoating to repel water and oil from lens elements. |
No | |
| Built In Lens Hood | ✗ | ✗ |
| Lens Hood Type | ||
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length |
No | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification |
✗ | ✗ |
| Image Stabilization | ✗ | ✗ |
| Construction | 32/100 | 32/100 |
Read the Construction ComparisonConstructionThe 24-70mm II carries the more complex optical formula, with 18 elements in 13 groups against 12 elements in 9 groups for the 17-40mm. Their special-glass choices match: each lens uses one aspherical element plus low-dispersion glass that includes a super-low-dispersion element. | ||
Elements ⓘLens elements refer to individual pieces of glass within the lens. |
12 | 18 |
| Groups | 9 | 13 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. |
1 | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces |
0 | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration |
1 | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration |
1 | 1 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration |
0 | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. |
✗ | ✗ |
Read: Verdict
Verdict
Choose the Canon EF 24-70mm F/2.8L II USM for people photography: its f/2.8 aperture handles indoor events and low light, and 70mm frames portraits with tighter perspective. Choose the Canon EF 17-40mm F/4L USM for wide work: 17mm captures sweeping landscapes and interiors, its 0.9 ft (28 cm) close focus suits foreground detail, and it is 305 g lighter to carry.

