CameraReview

Canon EF 35mm F/1.4L II USM vs Canon EF 50mm F/1.2L USM — Which Is Better?

Canon EF 35mm F/1.4L II USM versus Canon EF 50mm F/1.2L USM
Side by side38 specifications
Canon · f/1.4 · Canon EF mount Canon EF 35mm F/1.4L II USM
79
WINNER
Canon · f/1.2 · Canon EF mount Canon EF 50mm F/1.2L USM
71
SCORE
Canon EF 35mm F/1.4L II USM
Canon EF 50mm F/1.2L USM
General
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General

The Canon EF 35mm F/1.4L II USM and the Canon EF 50mm F/1.2L USM are full-frame prime lenses for the Canon EOS system, each carrying Canon's professional L-series branding. The 35mm arrived in 2015, eight years after the 2007 50mm, making it the newer design of the pair. Both cover full-frame sensors, so either one uses the complete sensor area on a full-frame EOS body.

Release Year 20152007
Production Status
ⓘ
Current status of lens manufacturing (e.g., in production, discontinued).
In ProductionIn Production
Version
ⓘ
The iteration or release number of a particular lens model.
IIN/A
Pro Branding
ⓘ
Specific branding codes used for professional-tier lenses.
LL
Lens Mount
ⓘ
The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras.
Canon EFCanon EF
System
ⓘ
Indicates which camera system the lens is designed to attach to.
Canon EOSCanon EOS
Maximum Format
ⓘ
Largest sensor size compatible with the lens.
Full FrameFull Frame
Physical100/100100/100
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Physical

The EF 50mm F/1.2L is the lighter, shorter carry: 580 g and 66 mm long, against 760 g and 105.5 mm for the EF 35mm F/1.4L II. The 35mm is the slimmer of the two at 80.4 mm wide versus 86 mm. Both lenses share the Canon EF mount and 72mm front filter threads, so one set of 72mm filters fits either lens directly.

Lens Weight 760 g580 g
Lens Diameter
ⓘ
Width of the lens at its widest point
80.4 mm86 mm
Lens Length
ⓘ
How long the lens is from front to back.
105.5 mm66 mm
Front Filter Compatible
ⓘ
Some lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove.
YesYes
Front Filter Size
ⓘ
Diameter of attachable filters.
72 mm72 mm
Optics87/10086/100
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Optics

Focal length does the practical work here: the 35mm frames more context for reportage and environmental portraits, while the 50mm gives a tighter perspective for classic head-and-shoulders portraits. The 50mm also offers the brighter maximum aperture at F/1.2 against F/1.4, which helps in candlelit interiors and evening street scenes.

The 35mm is the better close-up tool, focusing to 28 cm against 45 cm and reaching 0.21x magnification versus 0.15x, which suits tighter detail shots of food or flowers. Both are primes with autofocus, automatic diaphragms and manual focusing rings, so switching between them demands no change in shooting habit.

Focal Range
ⓘ
Shortest to longest focal length of the lens (zoom range start - end )
35 mm50 mm
Aperture Range
ⓘ
Largest aperture at the lens's shortest focal length to longest focal length (aperture range start - end)
1.41.2
Focal Length Angle of View 63.44°46.8°
Flange Focal Distance
ⓘ
Distance from lens mount to sensor.
44 mm44 mm
Diaphragm Type
ⓘ
Structure and design of the aperture
AutomaticAutomatic
Blades
ⓘ
Number of diaphragm blades in aperture
90208020
Zoom Lens
ⓘ
Zoom allows you to vary the focal length, change between long shots and close-ups
✗✗
Closest Focusing Distance
ⓘ
Minimum distance for a subject to be in focus.
28 cm0150045 cm01500
Maximum Magnification
ⓘ
Largest size a subject can be reproduced
0.21x0.15x
Autofocus Mode YesYes
Manual Mode YesYes
Manual Focusing Ring YesYes
Features52/10032/100
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Features

Fluorine coating is the useful extra on the EF 35mm F/1.4L II, helping the front element shed dust and fingerprints for quicker cleaning between shots. Both lenses are weather-sealed for shooting in rain or dust, and neither offers image stabilisation or teleconverter support. Without stabilisation on either lens, steady handheld technique matters at slower shutter speeds.

Weather Sealing
ⓘ
Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions.
YesYes
Fluorine Coating
ⓘ
Coating to repel water and oil from lens elements.
YesNo
Built In Lens Hood ✗✗
Lens Hood Type PetalRound
Teleconverter
ⓘ
A teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification
✗✗
Image Stabilization ✗✗
Construction47/10015/100
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Construction

The EF 35mm F/1.4L II carries the more elaborate optical formula, with 14 elements in 11 groups, including a super-low-dispersion element aimed at reducing chromatic aberration in high-contrast scenes. The 50mm uses a simpler 8-element, 6-group construction. Both lenses include one aspherical element, and neither uses internal focusing.

Elements
ⓘ
Lens elements refer to individual pieces of glass within the lens.
148
Groups 116
Aspherical Elements
ⓘ
The number of aspherical lens elements which can help correct aberrations such as spherical aberration.
11
Bi Aspherical Elements
ⓘ
Elements with two non-spherical surfaces
00
Low Dispersion
ⓘ
Elements that reduce chromatic aberration
10
Super Low Dispersion
ⓘ
Advanced elements further reducing chromatic aberration
10
CA Reduction
ⓘ
Built-in features to reduce chromatic aberration
10
Internal Focusing
ⓘ
Internal Focusing means that the lens does not change in size during focusing, and the front element does not rotate.
✗✗
Read: Verdict

Verdict

Choose the EF 50mm F/1.2L USM if you mainly shoot portraits in dim venues and want the lighter, shorter carry of the pair at 580 g. Choose the EF 35mm F/1.4L II USM for reportage, environmental portraits and closer detail work at 28 cm. Its 2015 design adds dispersion-controlled optics and a fluorine coating for easier front-element cleaning, making it the more modern tool for mixed shooting.

Your comparison

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