Canon EF 85mm F/1.4L IS USM vs Sigma 85mm F/1.4 DG HSM | A — Which Is Better?
Side by side38 specifications |
Canon · f/1.4 · Canon EF mount
Canon EF 85mm F/1.4L IS USM
79
WINNER
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Sigma · f/1.4 · Nikon F mount
Sigma 85mm F/1.4 DG HSM | A
75
SCORE
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|---|---|---|
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| General | ||
Read the General ComparisonGeneralThe Canon EF 85mm F/1.4L IS USM and the Sigma 85mm F/1.4 DG HSM | Art are both full-frame 85mm prime lenses. The Canon carries the L designation and was released in 2017; the Sigma belongs to the Art line from 2016. The mount is the first buying decision. This Canon record is the EF version for Canon EOS bodies, while this Sigma record is the Nikon F version. The Sigma Art line is also offered in a Canon EF mount, so Canon shooters can weigh both directly. | ||
| Release Year | 2017 | 2016 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). |
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Pro Branding ⓘSpecific branding codes used for professional-tier lenses. |
L | Art |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Canon EF | Nikon F |
System ⓘIndicates which camera system the lens is designed to attach to. |
Canon EOS | Nikon F |
Maximum Format ⓘLargest sensor size compatible with the lens. |
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| Physical | 100/100 | 92/100 |
Read the Physical ComparisonPhysicalThe Canon is the lighter and more compact lens, at 950 g against the Sigma's 1130 g, a 180 g difference. It is also shorter at 105.4 mm versus 126.2 mm, and slimmer at 88.6 mm versus 94.7 mm. Filter threads differ. The Canon takes 77 mm filters and the Sigma takes the larger 86 mm size, so direct-fit filters do not transfer between them. Both accept front filters directly. | ||
| Lens Weight | 950 g | 1130 g |
Lens Diameter ⓘWidth of the lens at its widest point |
88.6 mm | 94.7 mm |
Lens Length ⓘHow long the lens is from front to back. |
105.4 mm | 126.2 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. |
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Front Filter Size ⓘDiameter of attachable filters. |
77 mm | 86 mm |
| Optics | 86/100 | 86/100 |
Read the Optics ComparisonOpticsBoth lenses give the same framing and the same maximum aperture, so dim reception halls and studio shoots are equally well served by either. Each is an 85 mm prime with an f/1.4 maximum aperture and a nine-blade automatic diaphragm. Close work matches as well. Both focus down to 85 cm and reach approximately 0.12x magnification, enough for tight head-and-shoulders portraits. Both support autofocus and manual focus with a focusing ring. | ||
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) |
85 mm | 85 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) |
1.4 | 1.4 |
| Focal Length Angle of View | 28.56° | 28.560464963937992° |
Flange Focal Distance ⓘDistance from lens mount to sensor. |
44 mm | 44 mm |
Diaphragm Type ⓘStructure and design of the aperture |
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Blades ⓘNumber of diaphragm blades in aperture |
9020 | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups |
✗ | ✗ |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. |
85 cm01500 | 85 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced |
0.12x | 0.12x |
| Autofocus Mode | ||
| Manual Mode | ||
| Manual Focusing Ring | ||
| Features | 73/100 | 52/100 |
Read the Features ComparisonFeaturesThe Canon is the better pick for handheld shooting in dim venues, because it offers image stabilisation rated at four stops while the Sigma has none. That stabiliser helps hold the framing steady for static subjects indoors without a tripod. Protection and cleaning match. Both lenses have weather sealing for outdoor sessions, and both carry a fluorine coating that helps the front element shrug off dust and smudges. | ||
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
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Fluorine Coating ⓘCoating to repel water and oil from lens elements. |
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| Built In Lens Hood | ✗ | ✗ |
| Lens Hood Type | ||
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification |
✗ | ✗ |
| Image Stabilization | ✓ | ✗ |
IS Efficiency ⓘIS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides. |
4 stops | N/A |
| Construction | 15/100 | 31/100 |
Read the Construction ComparisonConstructionThe two designs share the same element count of 14, including one aspherical element each, and neither uses internal focusing, so the barrel moves during focusing on both. The Sigma's layout differs where it counts for aberration control. It splits its elements into 12 groups against the Canon's 10 and includes one low-dispersion element, a glass type used to counter chromatic aberration. | ||
Elements ⓘLens elements refer to individual pieces of glass within the lens. |
14 | 14 |
| Groups | 10 | 12 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. |
1 | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces |
0 | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration |
0 | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration |
0 | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration |
0 | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. |
✗ | ✗ |
Read: Verdict
Verdict
For handheld available-light portraiture at weddings and indoor events, the Canon EF 85mm F/1.4L IS USM is the stronger choice. Its four-stop stabiliser steadies framing in dim venues where tripods are impractical.
Nikon F shooters should choose this Sigma 85mm F/1.4 DG HSM | Art, which pairs the same f/1.4 aperture with a low-dispersion element for chromatic aberration control. On Canon EOS bodies the stabilised Canon is the natural pick.

