CameraReview

Canon RF 15-35mm F/2.8L IS USM vs Canon RF 24-70mm F/2.8L IS USM — Which Is Better?

Canon RF 15-35mm F/2.8L IS USM versus Canon RF 24-70mm F/2.8L IS USM
Side by side43 specifications
Canon · f/2.8 · Canon RF mount Canon RF 15-35mm F/2.8L IS USM
79
SCORE
Canon · f/2.8 · Canon RF mount Canon RF 24-70mm F/2.8L IS USM
79
SCORE
Canon RF 15-35mm F/2.8L IS USM
Canon RF 24-70mm F/2.8L IS USM
General
Read the General Comparison

General

The Canon RF 15-35mm F/2.8L IS USM and the Canon RF 24-70mm F/2.8L IS USM are sibling 2019 L-series zooms for the Canon EOS R system, both covering full frame with a constant f/2.8 maximum aperture. That shared brightness lets either lens keep shutter speeds usable indoors, from dim receptions to evening cityscapes, without changing aperture as you zoom.

Release Year 20192019
Production Status
ⓘ
Current status of lens manufacturing (e.g., in production, discontinued).
In ProductionIn Production
Version
ⓘ
The iteration or release number of a particular lens model.
N/AI
Pro Branding
ⓘ
Specific branding codes used for professional-tier lenses.
LL
Lens Mount
ⓘ
The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras.
Canon RFCanon RF
System
ⓘ
Indicates which camera system the lens is designed to attach to.
Canon EOS RCanon EOS R
Maximum Format
ⓘ
Largest sensor size compatible with the lens.
Full FrameFull Frame
Physical100/100100/100
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Physical

The 15-35mm is the lighter carry at 840 g, against 900 g for the 24-70mm, a 60 g difference for the bag. Lengths are practically identical, with the 15-35mm 1.1 mm longer, and both share the same 88.5 mm diameter.

Both lenses take the same 82mm front filters, so one polariser or ND set fits either without stepping rings. Each supports front filter attachment directly.

Lens Weight 840 g900 g
Lens Diameter
ⓘ
Width of the lens at its widest point
88.5 mm88.5 mm
Lens Length
ⓘ
How long the lens is from front to back.
126.8 mm125.7 mm
Front Filter Compatible
ⓘ
Some lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove.
YesYes
Front Filter Size
ⓘ
Diameter of attachable filters.
82 mm82 mm
Optics81/10081/100
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Optics

The 15-35mm is the pick when the scene itself is the subject, reaching a 15mm wide end for architecture, interiors and sweeping landscapes. The 24-70mm answers with a 70mm telephoto end for tighter portraits, candids and detail shots, where the 15-35mm tops out at 35mm.

For close work the 24-70mm focuses to 21 cm against 28 cm, and it delivers 0.3x maximum magnification versus 0.21x on the 15-35mm. Both use nine diaphragm blades and offer autofocus with a manual focusing ring for fine control.

Focal Range
ⓘ
Shortest to longest focal length of the lens (zoom range start - end )
15–35 mm24–70 mm
Aperture Range
ⓘ
Largest aperture at the lens's shortest focal length to longest focal length (aperture range start - end)
2.82.8
Focal Length Angle of View 110.53°–63.44°84.07°–34.35°
Flange Focal Distance
ⓘ
Distance from lens mount to sensor.
20 mm20 mm
Diaphragm Type
ⓘ
Structure and design of the aperture
AutomaticAutomatic
Blades
ⓘ
Number of diaphragm blades in aperture
90209020
Zoom Lens
ⓘ
Zoom allows you to vary the focal length, change between long shots and close-ups
YesYes
Zoom Mechanism
ⓘ
System enabling zoom function
ManualManual
Zoom Ring
ⓘ
If zooming is adjusted using a zoom ring
YesYes
Zoom Type
ⓘ
The design or approach to zooming
RotaryRotary
Closest Focusing Distance
ⓘ
Minimum distance for a subject to be in focus.
28 cm0150021 cm01500
Maximum Magnification
ⓘ
Largest size a subject can be reproduced
0.21x0.3x
Autofocus Mode YesYes
Manual Mode YesYes
Manual Focusing Ring YesYes
Features78/10078/100
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Features

Image stabilisation is a shared strength, with both lenses offering 5 stops, which helps handheld shooting in low light with either focal range. Both have weather sealing for outdoor work, and fluorine coatings on both front elements make fingerprints and water spots easier to wipe away.

One difference favours the 24-70mm for travel: it has a zoom lock, while the 15-35mm does not. Locking the barrel stops the lens extending on its own while carried on a strap or in a bag.

Weather Sealing
ⓘ
Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions.
YesYes
Fluorine Coating
ⓘ
Coating to repel water and oil from lens elements.
YesYes
Built In Lens Hood ✗✗
Lens Hood Type PetalPetal
Zoom Lock
ⓘ
Zoom lock allows the zoom ring to be locked at the desired focal length
NoYes
Teleconverter
ⓘ
A teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification
✗✗
Image Stabilization ✓✓
IS Efficiency
ⓘ
IS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides.
5 stops5 stops
Construction31/10031/100
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Construction

The 24-70mm carries the more complex optical path, with 21 elements in 15 groups including three low-dispersion elements. The 15-35mm has 16 elements in 12 groups with two low-dispersion elements, while both designs use three aspherical elements.

Neither lens uses internal focusing, so the barrel moves as focus changes on both. Both zoom by a rotary extending ring, which keeps handling familiar when swapping between them.

Elements
ⓘ
Lens elements refer to individual pieces of glass within the lens.
1621
Groups 1215
Aspherical Elements
ⓘ
The number of aspherical lens elements which can help correct aberrations such as spherical aberration.
33
Bi Aspherical Elements
ⓘ
Elements with two non-spherical surfaces
00
Low Dispersion
ⓘ
Elements that reduce chromatic aberration
23
Super Low Dispersion
ⓘ
Advanced elements further reducing chromatic aberration
00
CA Reduction
ⓘ
Built-in features to reduce chromatic aberration
00
Internal Focusing
ⓘ
Internal Focusing means that the lens does not change in size during focusing, and the front element does not rotate.
✗✗
Read: Verdict

Verdict

Choose the 15-35mm if wide is your working view, for grand interiors, architecture and starry landscapes where 15mm makes the difference.

The 24-70mm is the stronger all-rounder, covering the classic range from wide group shots to 70mm portraits, with closer 21 cm focusing and 0.3x magnification for near-detail work, plus a zoom lock for transport. Photographers who shoot one lens across events, weddings or travel get more from it, while wide-angle specialists get more from the 15-35mm.

Your comparison

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Shop Canon RF 15-35mm F/2.8L IS USM

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Shop Canon RF 24-70mm F/2.8L IS USM

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