Fujifilm GFX 50S vs Panasonic Lumix DMC-GH3 Comparison
Fujifilm GFX 50S
Panasonic Lumix DMC-GH3
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Brand | Fujifilm | Panasonic | |
Model | GFX 50S | Lumix DMC-GH3 | |
Released Refers to the year this camera was officially made available for sale. | 2016 | 2012 | |
Announcement Date Refers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. | September 19, 2016 | September 17, 2012 | |
Camera Type |  Mirrorless | Mirrorless | |
Camera Size | |||
Camera Weight |
The Fujifilm GFX 50S outperforms the Panasonic Lumix DMC-GH3 with a score of 78/100 compared to 53/100. Both cameras are mirrorless and were released in 2016 and 2012, respectively. They share similar dimensions, with the GFX 50S being slightly larger at 148 x 94 x 91mm and heavier at 920g, while the GH3 is 133 x 93 x 82mm and weighs 550g.
The GFX 50S justifies its higher score and price of $6499 with better overall performance. On the other hand, the GH3 has the advantage of being more compact and lightweight, as well as having a more affordable launch price of $1300.
Taking these factors into account, the Fujifilm GFX 50S offers superior performance for those willing to invest, while the Panasonic Lumix DMC-GH3 provides a more budget-friendly and portable option.
Fujifilm GFX 50S vs Panasonic Lumix DMC-GH3 Overview and Optics
The Fujifilm GFX 50S outperforms the Panasonic Lumix DMC-GH3 in optics with a score of 77/100 compared to the GH3’s 50/100. Both cameras share common specifications like the CMOS sensor type and a processor for image processing. However, the similarities end there, and each camera excels in different areas.
The Fujifilm GFX 50S boasts a higher megapixel count of 51, a medium format sensor size, and a Fujifilm G lens mount. These features contribute to the camera’s superior image quality and resolution. Additionally, the GFX 50S has image stabilization, which helps in capturing sharp images even in challenging shooting conditions.
On the other hand, the Panasonic Lumix DMC-GH3 has a lower megapixel count of 16.05, a smaller micro four-thirds sensor size, and a Micro 4/3 lens mount. Despite its lower score, the GH3 offers a faster shooting speed of 20 frames per second, which is advantageous for capturing fast-moving subjects. However, it lacks image stabilization, which may result in less sharp images in certain situations.
The Fujifilm GFX 50S is the clear winner in terms of optics, offering better image quality, resolution, and image stabilization. This camera is ideal for photographers who prioritize high-quality images and require a versatile camera for various shooting conditions.
The Panasonic Lumix DMC-GH3, while not as strong in optics, excels in shooting speed, making it a suitable choice for action photography or situations where capturing fast-moving subjects is crucial. However, the lack of image stabilization may limit its performance in some scenarios. Ultimately, the choice between these two cameras depends on the individual’s specific needs and priorities in photography.
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Optics
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Fujifilm GFX 50S
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Panasonic Lumix DMC-GH3
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Megapixels The higher the number of megapixels, the more detail the cameras sensor can capture. | 51 MP | 16.05 MP | |
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Image Resolution Image resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. | 8256 x 6192 px | 4608 x 3456 px | |
Sensor Type The camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. | CMOS | CMOS | |
Sensor Size The sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. | 44 x 33 mm | 13 x 17.3 mm | |
Sensor Format Refers to the most commonly used sensor sizes. |  Medium Format |  Micro Four Thirds | |
Frame Rate The number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. | 3 fps | 20 fps | |
Lens Mount The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Fujifilm G | Micro 4/3 | |
Image Processor The image processor in the camera converts the information collected on the sensor for digital storage on the memory card. | X-Processor Pro | Venus Engine VII FHD | |
Aspect Ratio The aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |  3:2 |  4:3 | |
Minimum ISO (Native) Refers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. | 100 | 200 | |
Maximum ISO (Native) Refers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. | 12,800 | 12,800 | |
Minimum ISO (Expanded) Expanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. | 100 | 125 | |
Maximum ISO (Expanded) Expanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. | 102400 | 25600 | |
Minimum Shutter Speed The minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. | 360 s | 60 s | |
Maximum Shutter Speed The maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. | 1/ 4000 s | 1/ 4000 s | |
Autofocus Points Autofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. | 425 | 23 | |
In-body Stabilization In-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |   | | |
Viewfinder Type The viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. | Electronic | Electronic | |
Viewfinder Resolution | 3,690,000 dots | 1,744,000 dots |
Fujifilm GFX 50S vs Panasonic Lumix DMC-GH3 Video Performance
When comparing the video capabilities of the Fujifilm GFX 50S and the Panasonic Lumix DMC-GH3, it is essential to note that the Fujifilm GFX 50S does not have any video functionality. This fact sets the two cameras apart in terms of video capabilities. Therefore, the comparison focuses solely on the video features of the Panasonic Lumix DMC-GH3.
The Panasonic Lumix DMC-GH3 has a video score of 70 out of 100. This camera offers Full HD video recording with a maximum resolution of 1920 x 1080 pixels. It provides a maximum video frame rate of 60 frames per second, ensuring smooth and high-quality video capture. Additionally, the Lumix DMC-GH3 features built-in time-lapse functionality, allowing users to create stunning time-lapse sequences without the need for external equipment or software.
Taking into account the video capabilities of the Panasonic Lumix DMC-GH3, it is clear that this camera is suitable for users who require video functionality in addition to still photography. The absence of video features in the Fujifilm GFX 50S makes it less versatile for those who need a camera that can handle both photo and video tasks. However, it is essential to remember that a camera’s overall quality is not solely determined by its video capabilities.
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Video
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Fujifilm GFX 50S
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Panasonic Lumix DMC-GH3
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Video Indicates if this camera is capable of recording video. |  |  | |
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Max Video Resolution The best resolution this camera can capture video in. Modern cameras can capture up to 8K video. | N/A |  Full HD | |
Max Video Dimensions Video resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. | N/A | 1920 x 1080 px | |
Max Video Frame Rate How many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. | N/A | 60 p | |
Time-Lapse Built In A built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |  | | |
Video File Format Different cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. | N/A | MOV, MPEG |
Fujifilm GFX 50S vs Panasonic Lumix DMC-GH3 Features and Benefits
The Fujifilm GFX 50S outperforms the Panasonic Lumix DMC-GH3 with a feature score of 87/100, while the GH3 scores 65/100. Both cameras share several specifications, including touchscreen capabilities, the absence of GPS, and WIFI connectivity.
The Fujifilm GFX 50S is superior in several aspects. Its screen size of 3.2 inches is larger than the GH3’s 3-inch screen, providing a better viewing experience. The screen resolution of the GFX 50S, at 2,360,000 dots, far exceeds the GH3’s 614,000 dots, resulting in a crisper and clearer display. Additionally, the GFX 50S offers Bluetooth connectivity, which the GH3 lacks.
On the other hand, the Panasonic Lumix DMC-GH3 does have one advantage over the GFX 50S: its flip screen. This feature allows for greater flexibility in shooting angles and can be particularly useful for capturing images from challenging perspectives or for vlogging purposes.
Taking these points into consideration, the Fujifilm GFX 50S emerges as the superior camera in terms of features, with its larger and higher-resolution screen and added Bluetooth connectivity. However, the GH3’s flip screen may appeal to those who require more versatility in their shooting angles. Ultimately, the choice between these two cameras depends on the specific needs and preferences of the user.
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Features
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Fujifilm GFX 50S
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Panasonic Lumix DMC-GH3
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Built-in Flash A built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |  | | |
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External Flash External flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |  | | |
GPS GPS features in a camera will include location metadata to each of your photographs. |  | | |
Weather Sealing Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |  | | |
Screen Type | TFT LCD | OLED | |
Touch Screen Touchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |  | | |
Screen Size |  3.2" |  3" | |
Screen Resolution Screen dots indicate the resolution of the LCD screen by including each sub pixel. | 2,360,000 dots | 614,000 dots | |
Flip Screen A flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |  | | |
Live View Live View feature allows you to see a continuous live video of what is being seen through your lens. |  | | |
Wi-Fi |  | | |
Bluetooth Bluetooth capabilities allow you wireless control of your camera with other external devices. |  | | |
Fujifilm GFX 50S vs Panasonic Lumix DMC-GH3 Storage and Battery
The Fujifilm GFX 50S outperforms the Panasonic Lumix DMC-GH3 in the storage and battery category, scoring 57/100 compared to the GH3’s 27/100. Both cameras accept SD, SDHC, and SDXC memory cards, but the GFX 50S has a clear advantage with its two memory card slots versus the GH3’s single slot. This feature allows users to store more images and video files, or even separate file types for better organization.
In terms of battery life, the Lumix GH3 holds a slight edge with 540 shots per charge, compared to the GFX 50S’s 400 shots. However, this advantage is not enough to overcome the significant difference in overall storage and battery scores.
Despite the GH3’s longer battery life, the Fujifilm GFX 50S is the superior choice in this category due to its dual memory card slots and compatibility with faster UHS-II cards. The Panasonic Lumix DMC-GH3’s single memory card slot and lower score make it a less attractive option for those prioritizing storage and battery capabilities.
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Storage and Battery
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Fujifilm GFX 50S
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Panasonic Lumix DMC-GH3
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Memory Card | SD / SDHC / SDXC (UHS-II Compatible) | SD / SDHC / SDXC | |
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Dual Memory Card Slots |  | | |
Battery Type | NP-T125 | Li-ion, 1600 mAh | |
Battery Life Approximately how long this cameras battery will last measured by how many photographs you will be able to take. | 400 shots | 540 shots | |
USB Charging |  | |
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DXOMARK Scores
Sensor scores tested by DXOMARK |
Fujifilm GFX 50S
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Panasonic Lumix DMC-GH3
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Overall Score DXOMARK overall sensor score. | N/A | ||
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Portrait (Color Depth) As described by DXOMARK 'The Portrait score in our camera sensor reviews defines color depth performance and its unit is a number of bits. A color depth of 22 bits is excellent; differences below 1 bit are barely noticeable.' | N/A | 22.3 bits | |
Landscape (Dynamic Range) As described by DXOMARK 'The Landscape score in our camera sensor tests defines the maximum dynamic range of the camera sensor and its unit is an exposure value (EV). A value of 12 EV is excellent with differences below 0.5 EV usually not noticeable.' | N/A | 11.7 EVs | |
Sports (Low-Light ISO) Described by DXOMARK as 'The maximal value of ISO sensitivity needed to reach a given value of Signal-to-Noise Ratio (SNR). The greater the value, the better' | N/A | 660 |
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Scores
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Fujifilm GFX 50S
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Panasonic Lumix DMC-GH3
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Fujifilm GFX 50S vs Panasonic Lumix DMC-GH3 – Our Verdict
Are you still undecided about which camera is right for you? Have a look at these popular comparisons that feature the Fujifilm GFX 50S or the Panasonic Lumix DMC-GH3:
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User Scores
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Fujifilm GFX 50S
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Panasonic Lumix DMC-GH3
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B&H photo video | N/A |
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