Side-by-side specs, scores and live prices. Start over
 72
SCORE
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✓ WINNER
 78
SCORE
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| General | ||
| Brand | Fujifilm | Sony |
| Model | X-Pro3 | a7C |
Released ⓘRefers to the year this camera was officially made available for sale. |
2019 | 2020 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
23/10/2019 | 01/11/2020 |
| Camera type | Mirrorless | Mirrorless |
| Camera size | 141 x 83 x 46 mm | 124 x 71 x 60 mm |
| Camera weight | 497 g | 509 g |
| Optics | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
26 MP050 | 24.2 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
6240 x 4160 | 6000 x 4000 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
CMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
23.5 x 15.6 | 23.8 x 35.6 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
APS-C | Full Frame |
Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
11 fps045 | 10 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Fujifilm X | Sony FE |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
X-Processor 4 | Bionz X |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
3:2 | 3:2 |
Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
16030200 | 10030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
128003003280000 | 512003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
8030200 | 5030200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
512003003280000 | 2048003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
90044080 | 3044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
3200080032000 | 400080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
1170300 | 6930300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
✗ | ✓ |
Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
Electronic | Electronic |
| Viewfinder dots | 369000009900000 | 236000009900000 |
| Video | ||
Video ⓘIndicates if this camera is capable of recording video. |
✓ | ✓ |
Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
4K | 4K |
Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
4096 x 2160 | 3840 x 2160 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
120 fps | 30 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
✓ | ✓ |
Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
MPEG-4, H.264 | XAVC S |
| Features | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
✗ | ✗ |
External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
✓ | ✓ |
GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
✓ | ✓ |
| Screen type | LCD | LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
✓ | ✓ |
| Screen size | 3" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
16200001150001500000 | 9216001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
✓ | ✓ |
Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
✓ | ✓ |
Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
✓ | ✓ |
Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
✓ | ✓ |
| Storage & battery | ||
| Memory card | SD / SDHC / SDXC (UHS-II compatible) | SD / SDHC / SDXC (UHS-II compatible) |
| Dual memory card slots | ✓ | ✗ |
| Battery type | NP-W126S | NP-FZ100 |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
400 shots1505000 | 740 shots1505000 |
| USB charging | ✓ | ✓ |
The Sony a7C outperforms the Fujifilm X-Pro3 with a score of 78 out of 100, compared to the X-Pro3’s 72 points. Both mirrorless cameras share the same launch price of $1799 and were released in 2019 and 2020, respectively. The Sony a7C’s advantage lies in its smaller size, measuring 124 x 71 x 60mm, while the Fujifilm X-Pro3 is larger at 141 x 83 x 46mm. However, the X-Pro3 is slightly lighter, weighing 497g compared to the a7C’s 509g.
Despite its smaller size, the Sony a7C delivers better performance, making it the winner in this comparison. The Fujifilm X-Pro3, though, has its merit in a lighter body. Both cameras offer great value for their price, with the a7C being the more compact and powerful option and the X-Pro3 catering to those who prioritize a lighter camera.
The Sony a7C outperforms the Fujifilm X-Pro3 in optics with a score of 80/100 compared to the X-Pro3’s 67/100. Both cameras share common specifications, such as CMOS sensors and similar megapixel counts (24.2 for the Sony a7C and 26 for the Fujifilm X-Pro3). Additionally, both have fast shooting speeds (10 fps for the Sony a7C and 11 fps for the Fujifilm X-Pro3).
The Sony a7C surpasses the Fujifilm X-Pro3 in several aspects. Its full-frame sensor size provides better image quality and low-light performance than the X-Pro3’s APS-C sensor. The a7C’s sensor has a DXOMARK score of 95, while the X-Pro3’s score is unavailable due to DXOMARK not scoring Fujifilm cameras. Furthermore, the Sony a7C offers image stabilization, which helps reduce camera shake and improve sharpness in handheld shots. This feature is not present in the Fujifilm X-Pro3.
On the other hand, the Fujifilm X-Pro3 has a slightly higher megapixel count (26) than the Sony a7C (24.2), which may result in marginally better image resolution. However, this difference is minimal and may not be noticeable in most shooting scenarios.
In terms of lens mounts, the Sony a7C uses the Sony FE mount, while the Fujifilm X-Pro3 uses the Fujifilm X mount. The choice between these two mounts depends on the user’s lens preferences and existing lens collection.
Considering the above points, the Sony a7C is the superior camera in terms of optics. Its full-frame sensor, image stabilization, and higher DXOMARK score contribute to its better performance. Although the Fujifilm X-Pro3 has a slightly higher megapixel count, this advantage is not significant enough to outweigh the benefits of the Sony a7C.
The Fujifilm X-Pro3 outperforms the Sony a7C in video capabilities, scoring 91/100 compared to the Sony’s 70/100. Both cameras share some common specifications, such as 4K video resolution and built-in time-lapse functionality. However, the Fujifilm X-Pro3 excels in certain areas, making it the better option for video.
The superior aspects of the Fujifilm X-Pro3 include a higher maximum video dimension of 4096 x 2160, compared to the Sony a7C’s 3840 x 2160. This difference allows for more detailed and sharper video quality. Additionally, the X-Pro3 boasts a significantly higher maximum video frame rate of 120fps, while the Sony a7C only offers 30fps. This higher frame rate enables the X-Pro3 to capture smooth slow-motion footage, which the a7C cannot achieve.
On the other hand, the Sony a7C does not have any specific advantages in video capabilities over the Fujifilm X-Pro3. Both cameras share the same 4K video resolution and time-lapse functionality, but the a7C fails to surpass the X-Pro3 in any other video-related aspects.
In the comparison of video capabilities, the Fujifilm X-Pro3 emerges as the clear winner due to its higher video dimensions and superior frame rate. The Sony a7C, while still offering 4K video and time-lapse functionality, does not provide any additional benefits that would make it a better choice for video. Therefore, for those prioritizing video performance, the Fujifilm X-Pro3 is the optimal choice.
The Fujifilm X-Pro3 wins in the features comparison with a score of 85/100, while the Sony a7C scores 81/100. Both cameras share several common specifications, such as a 3-inch touchscreen, flip screen, and the absence of GPS. Additionally, each camera is equipped with WiFi and Bluetooth connectivity.
The X-Pro3 outperforms the a7C in screen resolution with 1,620,000 dots, compared to the a7C’s 921,600 dots. This higher resolution provides a clearer and sharper viewing experience on the X-Pro3, making it easier to review images and navigate the camera’s menu. The difference in screen resolution contributes to the X-Pro3’s higher feature score.
On the other hand, the Sony a7C does not have a significant advantage over the Fujifilm X-Pro3. Both cameras share many similar features, and the a7C’s slightly lower score does not indicate a major weakness in its specifications. The a7C remains a strong competitor in the camera market.
Considering the feature scores and specifications, the Fujifilm X-Pro3 is the better camera due to its higher screen resolution, providing a superior user experience. The Sony a7C, while slightly behind in this comparison, remains a reliable and competitive option for photographers.
The Fujifilm X-Pro3 outperforms the Sony a7C in storage and battery with a score of 71/100 compared to the Sony a7C’s 45/100. Both cameras accept SD, SDHC, and SDXC memory cards and are UHS-II compatible. They also support USB charging.
The X-Pro3 excels with its dual memory card slots, offering more storage flexibility than the a7C’s single slot. This makes the X-Pro3 more suitable for professional use, where photographers may need to switch between cards or backup their work.
On the other hand, the Sony a7C boasts a superior battery life, delivering 740 shots per charge compared to the X-Pro3’s 400 shots. This advantage allows users to shoot for longer periods without the need for frequent battery replacements or recharging.
In terms of storage and battery, the Fujifilm X-Pro3’s dual memory card slots make it a better option for professionals, while the Sony a7C’s extended battery life is beneficial for extended shooting sessions.
Are you still undecided about which camera is right for you? Have a look at these popular comparisons that feature the Fujifilm X-Pro3 or the Sony a7C:
