CameraReview

Olympus OM-D E-M5 Mark II vs Panasonic Lumix DMC-G7 — Which Is Better?

Olympus OM-D E-M5 Mark II versus Panasonic Lumix DMC-G7
Side by side47 specifications
Olympus · Mirrorless · 16.1 MP · Micro Four Thirds · Full HD video Olympus OM-D E-M5 Mark II
59
WINNER
Panasonic · Mirrorless · 16 MP · Micro Four Thirds · 4K video Panasonic Lumix DMC-G7
52
SCORE
Olympus OM-D E-M5 Mark II
Panasonic Lumix DMC-G7
General
Read the General Comparison

General

The Olympus OM-D E-M5 Mark II and the Panasonic Lumix DMC-G7 are both 2015 mirrorless cameras sharing the Micro Four Thirds mount, so any native Micro 4/3 lens fits either body without adaptation. The G7 is the lighter carry at 410 g against 469 g, while the E-M5 Mark II is the slimmer body at 45 mm deep against 77 mm, which suits smaller bags more easily.

Released
ⓘ
Refers to the year this camera was officially made available for sale.
20152015
Announcement date
ⓘ
Refers to the date the manufacturer publicly announced the upcoming release and general specs of this camera.
February 5, 2015May 18, 2015
Camera type MirrorlessMirrorless
Camera size 124 x 85 x 45 mm125 x 86 x 77 mm
Camera weight 469 g410 g
Optics58/10051/100
Read the Optics Comparison

Optics

The E-M5 Mark II is the stronger camera for handheld shooting in dim interiors or at dusk, because it has in-body image stabilisation while the G7 does not, steadying whatever lens you mount. It also suits fast action better, with a 10 fps burst against 7 fps and 81 autofocus points against 49. A 1/8000 top shutter speed, against 1/4000 on the G7, gives more control over wide apertures in bright daylight.

Resolution gives neither camera a meaningful edge, at 16.1 MP against 16 MP. Both offer the same 200 to 25600 standard ISO range and the same Micro Four Thirds sensor format. The electronic viewfinders match too, at 2,360,000 dots each, so neither offers an eye-level advantage.

Megapixels
ⓘ
The higher the number of megapixels, the more detail the cameras sensor can capture.
16.1 MP05016 MP050
Image resolution
ⓘ
Image resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution.
4608 x 34564592 x 3448
Sensor type
ⓘ
The camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality.
CMOSCMOS
Sensor size
ⓘ
The sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture.
13 x 17.317.3 x 13
Sensor format
ⓘ
Refers to the most commonly used sensor sizes.
Micro Four ThirdsMicro Four Thirds
Continuous shooting
ⓘ
The number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode.
10 fps0457 fps045
Lens mount
ⓘ
The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras.
Micro 4/3Micro 4/3
Image processor
ⓘ
The image processor in the camera converts the information collected on the sensor for digital storage on the memory card.
TruePic VIIUnspecified
Aspect ratio
ⓘ
The aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3.
4:34:3
Min ISO
ⓘ
Refers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image.
2003020020030200
Max ISO
ⓘ
Refers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise.
256003003280000256003003280000
Min ISO (expanded)
ⓘ
Expanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary.
1003020010030200
Max ISO (expanded)
ⓘ
Expanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary.
256003003280000256003003280000
Minimum shutter speed
ⓘ
The minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory.
60440806044080
Max shutter speed
ⓘ
The maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries.
800080032000400080032000
Autofocus points
ⓘ
Autofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings.
810300490300
In-body stabilisation
ⓘ
In-body Stabilization means the camera has a certain technology embedded that counteracts camera shake.
YesNo
Viewfinder type
ⓘ
The viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens.
ElectronicElectronic
Viewfinder dots 236000009900000236000009900000
Video70/10083/100
Read the Video Comparison

Video

The G7 is the clear choice for video work, recording 4K while the E-M5 Mark II is limited to Full HD. That extra resolution gives sharper footage and room to crop or reframe a clip in editing, useful for handheld travel films where you may want a tighter shot after the fact. Both cameras support frame rates up to 60 fps as their maximum, and both have built-in timelapse for condensing a sunset or city street into a short sequence.

Video
ⓘ
Indicates if this camera is capable of recording video.
YesYes
Max video resolution
ⓘ
The best resolution this camera can capture video in. Modern cameras can capture up to 8K video.
Full HD4K
Max video format
ⓘ
Video resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video.
1920 x 10803840 x 2160
Max video frame rate
ⓘ
How many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect.
60 fps60 fps
Timelapse built in
ⓘ
A built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video.
YesYes
Video file format
ⓘ
Different cameras can record in various video file formats. The File format you record in can impact how you edit and use the files.
MOV, AVIMPEG-4, MOV
Features70/10058/100
Read the Features Comparison

Features

The E-M5 Mark II is the better pick for shooting in dust and moisture, because it has weather sealing while the G7 does not. The G7 answers with a built-in flash, handy for fill light on backlit portraits when no external unit is packed. Its rear screen is also sharper, with 2,360,000 dots against 1,037,000, more than twice as many, for more precise manual focus checking.

On controls and sharing, the two are similar in ways that matter day to day. Each pairs a 3-inch LCD with touch input and an articulating design for waist-level or overhead framing, and each has Wi-Fi for transferring images to a phone.

Builtin flash
ⓘ
A built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it.
NoYes
External flash
ⓘ
External flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera.
YesYes
GPS
ⓘ
GPS features in a camera will include location metadata to each of your photographs.
✗✗
Weather sealing
ⓘ
Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions.
YesNo
Screen type LCDLCD
Touch screen
ⓘ
Touchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons.
YesYes
Screen size 3"3"
Screen dots
ⓘ
Screen dots indicate the resolution of the LCD screen by including each sub pixel.
1037000115000150000023600001150001500000
Flip screen
ⓘ
A flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles.
YesYes
Live view
ⓘ
Live View feature allows you to see a continuous live video of what is being seen through your lens.
YesYes
Wi-Fi
ⓘ
Built-in Wi-Fi allows you to connect your camera and share images wirelessly.
YesYes
Bluetooth
ⓘ
Bluetooth capabilities allow you wireless control of your camera with other external devices.
✗✗
Storage & battery21/10035/100
Read the Storage & battery Comparison

Storage and Battery

The G7 is the more convenient camera on a long day out, rated for 350 shots against 310 for the E-M5 Mark II. It charges over USB, so a power bank can top it up between locations. The E-M5 Mark II does not offer USB charging. It runs on a BLN-1 battery, while the G7 uses a DMW-BLC12E pack. Storage is a shared arrangement: each camera takes SD, SDHC and SDXC cards in a single slot.

Memory card SD / SDHC / SDXCSD / SDHC / SDXC
Dual memory card slots ✗✗
Battery type BLN-1DMW-BLC12E
Battery life
ⓘ
Approximately how long this cameras battery will last measured by how many photographs you will be able to take.
310 shots1505000350 shots1505000
USB charging NoYes
Read: Verdict

Verdict

For stills photographers, the E-M5 Mark II is the better buy. Its in-body stabilisation steadies handheld shots at slower shutter speeds indoors or at blue hour, and its weather sealing suits mixed-weather outings. Its 10 fps burst against 7 fps captures more frames of a moving subject, and 81 autofocus points against 49 give you more points to place over a subject.

Choose the G7 if video is part of your plan, since 4K recording, a sharper rear screen, a built-in flash and USB charging make it the more versatile all-rounder. At 410 g, it is also the lighter body to carry. If your work is almost entirely handheld stills in mixed weather, the E-M5 Mark II justifies itself despite the Full HD video limit.

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