Olympus PEN E-P5 vs Panasonic Lumix DMC G5 — Which Is Better?
Side by side47 specifications |
Olympus · Mirrorless · 16.1 MP · Micro Four Thirds · Full HD video
Olympus PEN E-P5
53
WINNER
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Panasonic · Mirrorless · 16.05 MP · Micro Four Thirds · Full HD video
Panasonic Lumix DMC G5
47
SCORE
|
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| General | ||
Read the General ComparisonGeneralThe Olympus PEN E-P5 and the Panasonic Lumix DMC G5 are both Micro Four Thirds mirrorless cameras, so any lens in that mount fits either body. The E-P5 arrived in May 2013, the G5 in July 2012. Their shapes differ most in depth: the E-P5 is 122 x 69 x 37 mm, the G5 a deeper 120 x 83 x 71 mm. The G5 is also lighter at 396 g against 420 g. | ||
Released ⓘRefers to the year this camera was officially made available for sale. |
2013 | 2012 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
May 10, 2013 | July 18, 2012 |
| Camera type | ||
| Camera size | 122 x 69 x 37 mm | 120 x 83 x 71 mm |
| Camera weight | 420 g | 396 g |
| Optics | 55/100 | 46/100 |
Read the Optics ComparisonOpticsThe E-P5 is the stronger choice for handheld shooting in dim rooms, with in-body stabilisation the G5 lacks. That stabilisation steadies the sensor itself, so it works with any lens you mount. It also offers 9 fps against the G5's 6, with 35 autofocus points against 23. Its 1/8000 second top shutter, against 1/4000, keeps wide apertures usable in bright light, and its standard ISO ceiling is 25600 against 12800. The G5 answers with a built-in electronic viewfinder of 1,440,000 dots, while the E-P5 has none and must be composed on its rear screen. Neither gives more cropping room, as resolution is effectively matched at 16.1 versus 16.05 megapixels on CMOS sensors in the shared Micro Four Thirds format. | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
16.1 MP050 | 16.05 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
4608 x 3456 | 4608 x 3456 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
CMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
13 x 17.3 | 13 x 17.3 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
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Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
9 fps045 | 6 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Micro 4/3 | Micro 4/3 |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
TruePic VI | Venus Engine VII FHD |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
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Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
20030200 | 16030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
256003003280000 | 128003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
10030200 | 16030200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
256003003280000 | 128003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
6044080 | 6044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
800080032000 | 400080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
350300 | 230300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
No | |
Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
None | Electronic |
| Viewfinder dots | N/A | 144000009900000 |
| Video | 57/100 | 56/100 |
Read the Video ComparisonVideoFor smoother motion the G5 is the clear winner, with a maximum video frame rate of 60 fps against the E-P5's 30. The doubled frame rate lets you slow footage to half speed in editing without stutter. Both cameras cap at Full HD resolution, so neither offers 4K. The E-P5 counters for timelapse work with a built-in timelapse function the G5 lacks. File formats differ too: the E-P5 writes MOV and AVI, the G5 AVCHD and MP4, useful if your editing workflow prefers one container. | ||
Video ⓘIndicates if this camera is capable of recording video. |
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Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
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Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
1920 x 1080 | 1920 x 1080 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
30 fps | 60 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
No | |
Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
MOV, AVI | AVCHD, MP4 |
| Features | 57/100 | 54/100 |
Read the Features ComparisonFeaturesThe G5's flip screen makes awkward angles easier, letting you frame waist-level portraits or overhead shots without crouching. The E-P5's screen is fixed. The E-P5 instead has Wi-Fi for wireless transfer to a phone, which the G5 lacks, so transfers need a card reader or cable. Both have 3-inch touch screens, but the E-P5's shows 1,036,800 dots against the G5's 920,000. Each camera also has a built-in flash and supports external flash units. Neither offers GPS for geotagging travel images, and neither is weather sealed. | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
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External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
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GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
✗ | ✗ |
| Screen type | LCD | TFT LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
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| Screen size | 3" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
10368001150001500000 | 9200001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
No | |
Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
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Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
No | |
Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
✗ | ✗ |
| Storage & battery | 21/100 | 21/100 |
Read the Storage & battery ComparisonStorage and BatteryStorage is a shared arrangement: each camera records to a single SD, SDHC or SDXC card, with no second slot for backup or overflow. The batteries differ, with the E-P5 using a BLN-2 and the G5 a DMW-BLC12, so spares do not carry between bodies. Rated battery life is nearly identical, with the E-P5 at 330 shots and the G5 at 320. | ||
| Memory card | SD / SDHC / SDXC | SD / SDHC / SDXC |
| Dual memory card slots | ✗ | ✗ |
| Battery type | BLN-2 | DMW-BLC12 |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
330 shots1505000 | 320 shots1505000 |
| USB charging | ✗ | ✗ |
Read: Verdict
Verdict
Choose the E-P5 for handheld low-light shooting, 9 fps bursts, timelapse and Wi-Fi transfer. Its stabilisation works with every lens you own, and its faster top shutter helps in bright light. Choose the G5 for eye-level composing through its electronic viewfinder, odd-angle framing with its flip screen, or smoother video motion.

