CameraReview

Olympus PEN E-P1 vs Panasonic Lumix DMC G1 — Which Is Better?

Olympus PEN E-P1 versus Panasonic Lumix DMC G1
Side by side50 specifications
Olympus · Mirrorless · 12.3 MP · Micro Four Thirds · Standard HD video Olympus PEN E-P1
40
WINNER
Panasonic · Mirrorless · 12.1 MP · Micro Four Thirds · Standard HD video Panasonic Lumix DMC G1
36
SCORE
Olympus PEN E-P1
Panasonic Lumix DMC G1
General
Read the General Comparison

General

The Olympus PEN E-P1 and the Panasonic Lumix DMC G1 are both mirrorless cameras built on the Micro Four Thirds format, and both use the Micro 4/3 lens mount. Any native Micro 4/3 lens therefore fits either body, so lens choice never separates them, and the decision comes down to how each body is built and equipped.

Their body designs differ more than their size numbers suggest. The 2008 G1 is the taller and deeper body at 124 x 84 x 45 mm, while the slimmer 2009 E-P1 measures 121 x 70 x 36 mm. Weight is nearly identical at 355 g versus 360 g, so the practical difference is shape, not carry.

Released
ⓘ
Refers to the year this camera was officially made available for sale.
20092008
Announcement date
ⓘ
Refers to the date the manufacturer publicly announced the upcoming release and general specs of this camera.
June 16, 2009September 12, 2008
Camera type MirrorlessMirrorless
Camera size 121 x 70 x 36 mm124 x 84 x 45 mm
Camera weight 355 g360 g
Optics45/10038/100
Read the Optics Comparison

Optics

The E-P1 is the steadier pick for handheld shooting in dim interiors, because it offers in-body stabilisation that works with any Micro 4/3 lens attached. The G1 has no in-body stabilisation. The E-P1 also reaches 6400 ISO against the G1's 3200 ISO ceiling, giving extra exposure headroom as light falls.

The G1 answers with two advantages of its own. Its 23 autofocus points cover more of the frame than the E-P1's 11, helping keep off-centre subjects sharp, and its electronic viewfinder with 202000 dots allows eye-level shooting, while the E-P1 has no viewfinder at all. Resolution is effectively shared at 12.3 versus 12.1 megapixels, and both offer a 1/4000 second top shutter speed and 3 fps burst.

Megapixels
ⓘ
The higher the number of megapixels, the more detail the cameras sensor can capture.
12.3 MP05012.1 MP050
Image resolution
ⓘ
Image resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution.
4032 x 30244000 x 3000
Sensor type
ⓘ
The camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality.
NMOSCMOS
Sensor size
ⓘ
The sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture.
13 x 17.313 x 17.3
Sensor format
ⓘ
Refers to the most commonly used sensor sizes.
Micro Four ThirdsMicro Four Thirds
Continuous shooting
ⓘ
The number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode.
3 fps0453 fps045
Lens mount
ⓘ
The lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras.
Micro 4/3Micro 4/3
Image processor
ⓘ
The image processor in the camera converts the information collected on the sensor for digital storage on the memory card.
TruePic VVenus Engine HD II
Aspect ratio
ⓘ
The aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3.
4:34:3
Min ISO
ⓘ
Refers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image.
1003020010030200
Max ISO
ⓘ
Refers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise.
6400300328000032003003280000
Min ISO (expanded)
ⓘ
Expanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary.
1003020010030200
Max ISO (expanded)
ⓘ
Expanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary.
6400300328000032003003280000
Minimum shutter speed
ⓘ
The minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory.
60440806044080
Max shutter speed
ⓘ
The maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries.
400080032000400080032000
Autofocus points
ⓘ
Autofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings.
110300230300
In-body stabilisation
ⓘ
In-body Stabilization means the camera has a certain technology embedded that counteracts camera shake.
YesNo
Viewfinder type
ⓘ
The viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens.
NoneElectronic
Viewfinder dots N/A20200009900000
Video34/10034/100
Read the Video Comparison

Video

Video capability matches here, and it is basic: both cameras record Standard HD footage at up to 30 fps, enough for casual clips of family and travel rather than demanding video work. Each captures Motion JPEG, with the E-P1 wrapping its files in AVI, and neither offers a built-in timelapse mode. For occasional HD movies alongside stills, either body serves.

Video
ⓘ
Indicates if this camera is capable of recording video.
YesYes
Max video resolution
ⓘ
The best resolution this camera can capture video in. Modern cameras can capture up to 8K video.
Standard HDStandard HD
Max video format
ⓘ
Video resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video.
1280 x 7201280 x 720
Max video frame rate
ⓘ
How many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect.
30 fps30 fps
Timelapse built in
ⓘ
A built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video.
✗✗
Video file format
ⓘ
Different cameras can record in various video file formats. The File format you record in can impact how you edit and use the files.
AVI Motion JPEGMotion JPEG
Features36/10036/100
Read the Features Comparison

Features

The G1's rear LCD is the clearer tool for framing and checking focus, with 460000 dots against 230000 on the E-P1, double the screen detail. Its display also flips out, so you can shoot from waist level or hold the camera overhead above a crowd, while the E-P1's fixed screen keeps you composing from directly behind the camera. A built-in flash on the G1 adds instant fill for backlit portraits, and both accept external flash units.

Connectivity is minimal on both. Neither offers Wi-Fi, Bluetooth or GPS, so images move off the camera by card reader, and neither has weather sealing or a touch screen for trips outdoors or quick settings changes.

Builtin flash
ⓘ
A built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it.
NoYes
External flash
ⓘ
External flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera.
YesYes
GPS
ⓘ
GPS features in a camera will include location metadata to each of your photographs.
✗✗
Weather sealing
ⓘ
Weather sealing capabilities will give you more confidence when shooting in unfavourable conditions.
✗✗
Screen type LCDLCD
Touch screen
ⓘ
Touchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons.
✗✗
Screen size 3"3"
Screen dots
ⓘ
Screen dots indicate the resolution of the LCD screen by including each sub pixel.
23000011500015000004600001150001500000
Flip screen
ⓘ
A flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles.
NoYes
Live view
ⓘ
Live View feature allows you to see a continuous live video of what is being seen through your lens.
YesYes
Wi-Fi
ⓘ
Built-in Wi-Fi allows you to connect your camera and share images wirelessly.
✗✗
Bluetooth
ⓘ
Bluetooth capabilities allow you wireless control of your camera with other external devices.
✗✗
Storage & battery16/10021/100
Read the Storage & battery Comparison

Storage and Battery

The G1's battery lasts longer, rated for 380 shots against 300 for the E-P1, an 80-shot advantage in the rating. Both take proprietary batteries with no USB charging, and both have a single card slot. Storage support differs slightly: the G1 accepts MMC cards alongside SD and SDHC, while the E-P1 takes SD and SDHC only.

Memory card SD / SDHCSD / SDHC / MMC
Dual memory card slots ✗✗
Battery type BLS-1DMW-BLB13
Battery life
ⓘ
Approximately how long this cameras battery will last measured by how many photographs you will be able to take.
300 shots1505000380 shots1505000
USB charging ✗✗
Meta
Field provenance [object Object]—
Score validation
Version
ⓘ
The iteration or release number of a particular lens model.
camera-spec-score-v1-sheet-2026-08-20—
Status complete—
Read: Verdict

Verdict

Choose the Panasonic Lumix DMC G1 for varied everyday photography. Its electronic viewfinder, flipping screen, built-in flash, broader 23-point autofocus coverage and 380-shot battery rating make it the more complete tool for portraits, events and hand-held travel work framed at eye level.

Pick the Olympus PEN E-P1 if you shoot handheld stills in dim interiors or evening streets, where its in-body stabilisation steadies any attached lens and its 6400 ISO ceiling gives extra exposure headroom. Its slimmer body slips into a smaller bag, and the shared Micro 4/3 mount carries your lenses over if you switch bodies later.

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