Olympus PEN E-P2 vs Panasonic Lumix DMC G1 — Which Is Better?
Side by side50 specifications |
Olympus · Mirrorless · 12.3 MP · Micro Four Thirds · Standard HD video
Olympus PEN E-P2
40
WINNER
|
Panasonic · Mirrorless · 12.1 MP · Micro Four Thirds · Standard HD video
Panasonic Lumix DMC G1
36
SCORE
|
|---|---|---|
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| General | ||
Read the General ComparisonGeneralThe Olympus PEN E-P2 and the Panasonic Lumix DMC G1 are both early Micro Four Thirds mirrorless cameras, so either body takes the same native lenses. The G1 arrived in 2008 as a DSLR-style body with an electronic viewfinder. The E-P2 followed in 2009 in a slimmer rangefinder-style design that relies on its LCD for framing. The E-P2 is the slimmer, lighter body at 121 x 70 x 36 mm and 355 g, against 124 x 84 x 45 mm and 360 g for the G1, so it packs into smaller spaces. | ||
Released ⓘRefers to the year this camera was officially made available for sale. |
2009 | 2008 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
November 5, 2009 | September 12, 2008 |
| Camera type | ||
| Camera size | 121 x 70 x 36 mm | 124 x 84 x 45 mm |
| Camera weight | 355 g | 360 g |
| Optics | 45/100 | 38/100 |
Read the Optics ComparisonOpticsThe E-P2 is the steadier choice for handheld work with unstabilised primes, because it offers in-body stabilisation and the G1 does not. Its standard ISO range also reaches 6400 against the G1's 3200, so you can raise sensitivity further as the light drops. The G1 answers with more autofocus points, 23 versus 11, for off-centre subjects. Neither camera gives a cropping edge, as 12.3 megapixels on the E-P2 sits 0.2 megapixels above the G1's 12.1 on the same Micro Four Thirds sensor format. Burst and shutter limits match too, at 3 fps and a 1/4000 second top speed on both. | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
12.3 MP050 | 12.1 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
4032 x 3024 | 4000 x 3000 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
NMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
13 x 17.3 | 13 x 17.3 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
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Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
3 fps045 | 3 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Micro 4/3 | Micro 4/3 |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
TruePic V | Venus Engine HD II |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
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Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
10030200 | 10030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
64003003280000 | 32003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
10030200 | 10030200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
64003003280000 | 32003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
6044080 | 6044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
400080032000 | 400080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
110300 | 230300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
No | |
Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
None | Electronic |
| Viewfinder dots | N/A | 20200009900000 |
| Video | 34/100 | 34/100 |
Read the Video ComparisonVideoBoth cameras record Standard HD video, and both have a 30 fps maximum frame rate, so neither offers a resolution or slow-motion advantage. The remaining difference is the wrapper, as the E-P2 writes AVI Motion JPEG and the G1 records Motion JPEG. Neither camera offers built-in timelapse, so interval work would need an external trigger on either body. | ||
Video ⓘIndicates if this camera is capable of recording video. |
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Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
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Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
1280 x 720 | 1280 x 720 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
30 fps | 30 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
✗ | ✗ |
Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
AVI Motion JPEG | Motion JPEG |
| Features | 36/100 | 36/100 |
Read the Features ComparisonFeaturesThe G1 is the more convenient camera at eye level and arm's length. Its built-in flash gives instant fill light without carrying a separate unit, while the E-P2 leaves that to an external flash. The G1's LCD also tilts for waist-level and overhead framing, and its sharper display shows 460,000 dots against the E-P2's 230,000. Live view is shared, and both provide a flash shoe for external units. Neither includes GPS, Wi-Fi or Bluetooth. | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
No | |
External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
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GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
✗ | ✗ |
| Screen type | LCD | LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
✗ | ✗ |
| Screen size | 3" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
2300001150001500000 | 4600001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
No | |
Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
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Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
✗ | ✗ |
Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
✗ | ✗ |
| Storage & battery | 16/100 | 21/100 |
Read the Storage & battery ComparisonStorage and BatteryThe G1's battery rating is the higher one, at 380 shots against 300 for the E-P2 under their respective test conditions. Both use proprietary packs, a DMW-BLB13 in the G1 and a BLS-1 in the E-P2, and neither charges over USB, so a separate charger travels with either body. Card support differs in one respect. The G1 accepts MMC cards alongside SD and SDHC, while the E-P2 takes SD and SDHC only. Both have a single card slot, so there is no second card for backup. | ||
| Memory card | SD / SDHC | SD / SDHC / MMC |
| Dual memory card slots | ✗ | ✗ |
| Battery type | BLS-1 | DMW-BLB13 |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
300 shots1505000 | 380 shots1505000 |
| USB charging | ✗ | ✗ |
| Meta | ||
| Field provenance | [object Object] | — |
| Score validation | ||
Version ⓘThe iteration or release number of a particular lens model. |
camera-spec-score-v1-sheet-2026-08-20 | — |
| Status | complete | — |
Read: Verdict
Verdict
Pick the Panasonic Lumix DMC G1 if you mostly shoot daylight scenes. Its electronic viewfinder, tilting LCD, built-in flash and longer rated battery make it the easier camera for everyday framing and quick fill light.
Pick the Olympus PEN E-P2 if you shoot unstabilised primes indoors or on evening streets, where its in-body stabilisation and higher ISO ceiling help keep shutter speeds usable. Both share the Micro Four Thirds mount, so lenses bought for either body carry across to the other.

