Olympus PEN E-PL3 vs Panasonic Lumix DMC GF1 — Which Is Better?
Side by side47 specifications |
Olympus · Mirrorless · 12.3 MP · Micro Four Thirds · Full HD video
Olympus PEN E-PL3
42
WINNER
|
Panasonic · Mirrorless · 12.1 MP · Micro Four Thirds · Standard HD video
Panasonic Lumix DMC GF1
37
SCORE
|
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| General | ||
Read the General ComparisonGeneralThe Olympus PEN E-PL3 and the Panasonic Lumix DMC GF1 are both compact mirrorless cameras for the Micro Four Thirds system, so they share one native lens catalog. The E-PL3 arrived in 2011, two years after the GF1, and weighs 313 g against 385 g. The E-PL3 is the smaller camera, measuring 110 x 64 x 37 mm against the GF1's 119 x 71 x 36 mm, so it takes up less room in a bag. | ||
Released ⓘRefers to the year this camera was officially made available for sale. |
2011 | 2009 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
June 30, 2011 | September 2, 2009 |
| Camera type | ||
| Camera size | 110 x 64 x 37 mm | 119 x 71 x 36 mm |
| Camera weight | 313 g | 385 g |
| Optics | 47/100 | 39/100 |
Read the Optics ComparisonOpticsThe E-PL3 is the stronger choice for handheld shots in dim rooms and brief bursts of motion. Its in-body stabilisation steadies any mounted lens, a capability the GF1 lacks. It also shoots at 5.5 frames per second against 3 fps, useful for a child running toward the camera. Autofocus coverage favours the E-PL3 for off-centre subjects, with 35 AF points against 23. Its maximum ISO setting reaches 12800, while the GF1 tops out at 3200, giving more flexibility when light falls. Resolution is effectively matched at 12.3 MP versus 12.1 MP. Both use CMOS sensors of the same format and share a 1/4000 second maximum shutter speed. | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
12.3 MP050 | 12.1 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
4032 x 3024 | 4000 x 3000 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
CMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
13 x 17.3 | 13 x 17.3 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
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Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
5.5 fps045 | 3 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Micro 4/3 | Micro 4/3 |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
TruePic VI | Venus Engine HD |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
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Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
20030200 | 10030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
128003003280000 | 32003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
20030200 | 10030200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
128003003280000 | 32003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
6044080 | 6044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
400080032000 | 400080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
350300 | 230300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
No | |
Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
None | None |
| Viewfinder dots | N/A | N/A |
| Video | 56/100 | 47/100 |
Read the Video ComparisonVideoThe E-PL3 is the better pick for clips that hold up on a modern screen. It records Full HD video, while the GF1 tops out at Standard HD, so its footage looks softer on a television. Both capture up to 60 frames per second, keeping motion smooth. Recording formats differ. The E-PL3 writes AVCHD, while the GF1 also offers QuickTime Motion JPEG, handy for simple frame-by-frame editing. Neither has built-in timelapse recording, so interval work means manual shutter firing. | ||
Video ⓘIndicates if this camera is capable of recording video. |
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Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
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Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
1920 x 1080 | 1280 x 720 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
60 fps | 60 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
✗ | ✗ |
Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
AVCHD | AVCHD,QuickTime Motion JPEG |
| Features | 36/100 | 36/100 |
Read the Features ComparisonFeaturesThe GF1's built-in flash is a practical advantage for fill light on faces at a dim dinner table, something the E-PL3 cannot match without an external unit. Both support external flash for more power when needed. For composing, the two screens offer the same 3-inch size, 460000 dots and a tilt for waist-level or overhead framing. Neither has touch control, GPS, wireless connectivity or weather sealing, so neither suits remote transfer or rough conditions. | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
No | |
External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
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GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
✗ | ✗ |
| Screen type | LCD | TFT LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
✗ | ✗ |
| Screen size | 3" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
4600001150001500000 | 4600001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
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Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
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Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
✗ | ✗ |
Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
✗ | ✗ |
| Storage & battery | 16/100 | 21/100 |
Read the Storage & battery ComparisonStorage and BatteryThe GF1 has the longer battery rating, at 380 shots on its DMW-BLB13 pack against 300 shots for the E-PL3's BLS-5. Each uses its own battery type, so spares do not transfer. The E-PL3 accepts SD, SDHC and SDXC cards, so it can use high-capacity media for lengthy video recording. The GF1 takes SD, SDHC and MMC. Each has a single card slot and neither charges over USB. | ||
| Memory card | SD / SDHC / SDXC | SD / SDHC / MMC |
| Dual memory card slots | ✗ | ✗ |
| Battery type | BLS-5 | DMW-BLB13 |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
300 shots1505000 | 380 shots1505000 |
| USB charging | ✗ | ✗ |
Read: Verdict
Verdict
The E-PL3 is the better buy for most photographers. Its in-body stabilisation steadies handheld low-light shots with any lens, its 5.5 fps burst captures fleeting expressions the GF1's 3 fps may miss, and its Full HD video looks at home on current displays. The higher ISO ceiling adds indoor flexibility.
Choose the GF1 if a built-in flash for casual indoor fill and the longer 380-shot battery rating matter more than stabilisation and video detail. For handheld evening shots, moving children or shareable video, the E-PL3 is the clear winner.

