Panasonic Lumix DC-S5 vs Sony a7S III — Which Is Better?
Side by side47 specifications |
Panasonic · Mirrorless · 24.2 MP · Full Frame · 4K video
Panasonic Lumix DC-S5
79
WINNER
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Sony · Mirrorless · 12.1 MP · Full Frame · 4K video
Sony a7S III
74
SCORE
|
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| General | ||
Read the General ComparisonGeneralThe Panasonic Lumix DC-S5 and the Sony a7S III are both mirrorless cameras, announced in February 2021 and July 2020 respectively. The Sony is marginally the smaller and lighter body at 129 x 97 x 81 mm and 699 g, against 133 x 97 x 82 mm and 714 g for the S5. | ||
Released ⓘRefers to the year this camera was officially made available for sale. |
2021 | 2020 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
February 9, 2021 | July 28, 2020 |
| Camera type | ||
| Camera size | 133 x 97 x 82 mm | 129 x 97 x 81 mm |
| Camera weight | 714 g | 699 g |
| Optics | 78/100 | 69/100 |
Read the Optics ComparisonOpticsThe S5 is the stronger choice for heavy cropping and large prints: its 24.2-megapixel sensor carries twice the pixel count of the a7S III's 12.1-megapixel sensor, leaving far more latitude to reframe a distant animal. At the eye, the a7S III pulls ahead with a 9,440,000-dot viewfinder that shows four times the detail of the S5's 2,360,000-dot panel, making focus easier to judge. The a7S III reaches a native ISO ceiling of 102400, double the S5's 51200. For fast action the Sony has the quicker burst, 10 fps against 7 fps, catching more frames of a sprinter mid-stride, plus 759 autofocus points to the S5's 225. Both cameras share a 1/8000-second maximum shutter and in-body stabilisation. The mounts differ: Leica L on the S5, Sony FE on the a7S III, each with its own native lens range. | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
24.2 MP050 | 12.1 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
6000 x 4000 | 4240 x 2832 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
CMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
23.8 x 35.6 | 23.8 x 35.6 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
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Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
7 fps045 | 10 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Leica L | Sony FE |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
Venus Engine | Bionz XR |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
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Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
10030200 | 8030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
512003003280000 | 1024003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
5030200 | 4030200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
2048003003280000 | 4096003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
6044080 | 3044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
800080032000 | 800080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
2250300 | 7590300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
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Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
Electronic | Electronic |
| Viewfinder dots | 236000009900000 | 944000009900000 |
| Video | 83/100 | 77/100 |
Read the Video ComparisonVideoThe a7S III is the better pick for slow motion. Its maximum video frame rate reaches 120 fps, twice the S5's 60 fps, giving fast action twice the slow-motion headroom in the edit. Both cameras share 4K as their maximum video resolution. The S5 answers with a built-in interval timer for timelapse sequences, which the a7S III does not offer, covering day-to-night transitions without an external trigger. For hybrid shooters, the video choice is whether slow-motion headroom or in-camera timelapse matters more. | ||
Video ⓘIndicates if this camera is capable of recording video. |
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Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
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Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
3840 x 2160 | 3840 x 2160 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
60 fps | 120 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
No | |
Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
MP4, MOV | XAVC S, XAVC HS |
| Features | 85/100 | 83/100 |
Read the Features ComparisonFeaturesBoth cameras offer a 3-inch flip-out touchscreen with live view for framing at waist level or overhead. The S5's screen resolves more dots, 1,840,000 against 1,440,000, a modest edge for checking focus. Wi-Fi and Bluetooth come on both for transfer and remote control, both accept external flash with no built-in flash, and both are weather sealed. Neither includes GPS, so geotagging a wildlife library needs a phone or separate accessory with either body. | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
✗ | ✗ |
External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
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GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
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| Screen type | TFT LCD | LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
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| Screen size | 3" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
18400001150001500000 | 14400001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
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Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
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Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
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Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
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| Storage & battery | 71/100 | 76/100 |
Read the Storage & battery ComparisonStorage and BatteryThe a7S III has the higher rated battery life, 600 shots against 440 on the S5. The two use different battery types, so a spare for one will not power the other. Dual card slots and UHS-II SD support are shared, and both recharge over USB from a laptop or power bank. The a7S III also accepts CFexpress Type A, an additional fast card option for heavy video recording. | ||
| Memory card | SD / SDHC / SDXC (UHS-II compatible) | SD / SDHC / SDXC (UHS-II compatible), CFexpress Type A |
| Dual memory card slots | ||
| Battery type | DMW-BLK22 | NP-FZ100 |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
440 shots1505000 | 600 shots1505000 |
| USB charging | ||
Read: Verdict
Verdict
Choose the Panasonic Lumix DC-S5 if stills come first. Its 24.2-megapixel sensor leaves room to crop wildlife or portraits and still print large, and the built-in interval timer covers day-to-night timelapses without extra gear.
Choose the Sony a7S III if video or fast action dominates. Its 120 fps maximum video frame rate opens stronger slow motion, its 10 fps burst catches more of an action sequence, and its 759 autofocus points spread coverage widely. Photographers who crop and print large should lean Panasonic, while filmmakers and action shooters should lean Sony.

