Side-by-side specs, scores and live prices. Start over
| General | ||
| Brand | Panasonic | Sony |
| Model | Lumix DMC-G7 | a6400 |
Released ⓘRefers to the year this camera was officially made available for sale. |
2015 | 2019 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
18/05/2015 | 15/01/2019 |
| Camera type | Mirrorless | Mirrorless |
| Camera size | 125 x 86 x 77 mm | 120 x 67 x 60 mm |
| Camera weight | 410 g | 403 g |
| Optics | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
16 MP050 | 24.2 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
4592 x 3448 | 6000 x 4000 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
CMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
17.3 x 13 | 15.6 x 23.5 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
Micro Four Thirds | APS-C |
Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
7 fps045 | 11 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Micro 4/3 | Sony E |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
Unspecified | Bionz X |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
4:3 | 3:2 |
Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
20030200 | 10030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
256003003280000 | 320003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
10030200 | 10030200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
256003003280000 | 1024003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
6044080 | 3044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
400080032000 | 400080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
490300 | 4250300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
✗ | ✗ |
Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
Electronic | Electronic |
| Viewfinder dots | 236000009900000 | 235929609900000 |
| Video | ||
Video ⓘIndicates if this camera is capable of recording video. |
✓ | ✓ |
Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
4K | 4K |
Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
3840 x 2160 | 3840 x 2160 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
60 fps | 120 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
✓ | ✓ |
Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
MPEG-4, MOV | MPEG-4, AVCHD Ver. 2.0, XAVC S |
| Features | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
✓ | ✓ |
External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
✓ | ✓ |
GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
✗ | ✓ |
| Screen type | LCD | LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
✓ | ✓ |
| Screen size | 3" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
23600001150001500000 | 9216001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
✓ | ✓ |
Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
✓ | ✓ |
Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
✓ | ✓ |
Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
✗ | ✓ |
| Storage & battery | ||
| Memory card | SD / SDHC / SDXC | SD / SDHC / SDXC, Memory Stick Duo (UHS-I compatible) |
| Dual memory card slots | ✗ | ✗ |
| Battery type | DMW-BLC12E | NP-FW50 |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
350 shots1505000 | 410 shots1505000 |
| USB charging | ✓ | ✓ |
The Sony a6400 takes the lead with a score of 70/100, outperforming the Panasonic Lumix DMC-G7, which scores 52/100. Both mirrorless cameras share similarities in their launch prices, with the G7 at $799 and the a6400 at $900. They also have comparable weights, with the G7 weighing 410g and the a6400 at 403g.
The a6400 surpasses the G7 due to its more recent release in 2019, providing updated technology and features. Additionally, the a6400 has a more compact size, measuring 120x67x60mm compared to the G7’s 125x86x77mm.
On the other hand, the Panasonic G7, released in 2015, still offers respectable performance despite its lower score. Its advantage lies in its slightly lower launch price, making it a more affordable option.
Comparing the two, the Sony a6400 stands out as the better camera, offering updated technology and a more compact design. However, the Panasonic G7 remains a viable choice for those seeking a more budget-friendly option.
The Sony a6400 outperforms the Panasonic Lumix DMC-G7 in optics, scoring 68/100 compared to the G7’s 51/100. Both cameras share some specifications, such as a CMOS sensor, no image stabilisation, and the same aspect ratios of 3:2 and 4:3 respectively.
The Sony a6400 excels with its higher megapixel count of 24.2, allowing for more detailed images, compared to the G7’s 16 megapixels. Additionally, the a6400’s shooting speed of 11 frames per second (fps) surpasses the G7’s 7 fps, making it better suited for capturing fast-moving subjects. The a6400 also boasts a superior DXOMARK sensor score of 83 and an APS-C sensor size, while the G7 has a score of 75 and a smaller Micro Four Thirds sensor. Furthermore, the a6400 features a Bionz X processor, contributing to better image quality and processing speed.
On the other hand, the Panasonic Lumix DMC-G7 has a Micro 4/3 lens mount, which offers a wider selection of lenses compared to the Sony E mount. This could be advantageous for photographers seeking a specific lens type or wanting to experiment with different lenses.
Taking these factors into account, the Sony a6400 emerges as the better option for those prioritizing image quality, speed, and performance. However, the Panasonic Lumix DMC-G7 may still appeal to photographers who value lens versatility and a broader lens selection.
The Sony a6400 emerges as the winner in the video capabilities comparison, boasting a video score of 91 compared to the Panasonic Lumix DMC-G7’s score of 83. Both cameras share some common specifications in this regard, such as 4K video resolution and dimensions of 3840 x 2160. Additionally, they both have built-in time-lapse functionality, making them suitable for capturing dynamic scenes.
The Sony a6400 outperforms the Panasonic G7 in terms of video frame rate, offering a remarkable 120 frames per second (fps) as opposed to the G7’s 60fps. This higher frame rate allows the a6400 to capture smoother and more detailed slow-motion footage, making it an ideal choice for videographers who require this feature for their projects.
On the other hand, the Panasonic G7 still holds its ground with a respectable video score of 83. While it may not offer the same level of frame rate as the Sony a6400, its 60fps capability is sufficient for most casual users and even some professional applications. This shows that the G7 is not entirely outclassed in the video department and remains a viable option for those with different priorities or budget constraints.
Taking these factors into account, the Sony a6400 proves to be the superior choice for video capabilities due to its higher video score and impressive 120fps frame rate. However, the Panasonic G7 remains a competent contender, offering solid video performance that may be adequate for the needs of many users. Ultimately, the decision will depend on the specific requirements and preferences of the individual photographer or videographer.
The Sony a6400 emerges as the winner with a feature score of 81/100, compared to the Panasonic Lumix DMC-G7’s score of 58/100. Both cameras share several common specifications, such as a 3-inch screen size, touchscreen capabilities, flip screens, and the absence of GPS. They also both offer WIFI connectivity.
The Sony a6400 excels in a few areas, giving it the higher feature score. The most significant advantage is the screen resolution, with 921,600 dots, providing a clearer and sharper display than the Lumix G7’s 2,360,000 dots. Additionally, the a6400 includes Bluetooth connectivity, which the G7 lacks. This feature allows for seamless pairing with other devices and easier file sharing.
In contrast, the Lumix G7 has a few advantages over the Sony a6400, despite its lower feature score. The G7’s screen resolution is higher, which may lead to better image preview and review capabilities. However, this difference may not be significant enough for most users to notice.
Considering the feature scores and shared specifications, the Sony a6400 is the superior camera. Its higher screen resolution and Bluetooth connectivity set it apart from the Lumix G7. However, the G7’s higher screen resolution should not be entirely dismissed, as it may benefit some users. Ultimately, the choice between these cameras will depend on individual preferences and priorities.
The Sony a6400 wins in the storage and battery category with a score of 37/100, while the Panasonic Lumix DMC-G7 scores 35/100. Both cameras have one memory card slot and accept SD, SDHC, and SDXC cards. Additionally, both offer USB charging capability.
The a6400 outperforms the G7 in battery life, providing 410 shots compared to the G7’s 350 shots. This longer battery life is beneficial for extended shooting sessions. The a6400 also has the advantage of accepting Memory Stick Duo cards, which adds versatility to its storage options.
On the other hand, the G7 does not have any significant advantages over the a6400 in the storage and battery category. Both cameras have similar storage capabilities, and the G7’s battery life is shorter than the a6400’s.
Considering the longer battery life and additional storage compatibility, the Sony a6400 is the better choice in terms of storage and battery capabilities. The Panasonic Lumix DMC-G7, while not far behind, falls short in this comparison.

Are you still undecided about which camera is right for you? Have a look at these popular comparisons that feature the Panasonic Lumix DMC-G7 or the Sony a6400: