Side-by-side specs, scores and live prices. Start over
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✓ WINNER
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 61
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| General | ||
| Brand | Panasonic | Sony |
| Model | Lumix DMC-GX8 | a6300 |
Released ⓘRefers to the year this camera was officially made available for sale. |
2015 | 2016 |
Announcement date ⓘRefers to the date the manufacturer publicly announced the upcoming release and general specs of this camera. |
16/07/2015 | 03/02/2016 |
| Camera type | Mirrorless | Mirrorless |
| Camera size | 133 x 78 x 63 mm | 120 x 67 x 49 mm |
| Camera weight | 487 g | 404 g |
| Optics | ||
Megapixels ⓘThe higher the number of megapixels, the more detail the cameras sensor can capture. |
20.3 MP050 | 24.2 MP050 |
Image resolution ⓘImage resolution is measured in pixels and megapixels, width by height. The higher the number, the higher its resolution. |
5184 x 3888 | 6000 x 4000 |
Sensor type ⓘThe camera sensor captures light and records the image. Sensors vary in physical size, the number of pixels, and quality. |
CMOS | CMOS |
Sensor size ⓘThe sensor size contributes to the overall quality as well as the dynamic and tonal range a camera can capture. As a rule of thumb, the more surface there is to read the light, the more information it will capture. |
13 x 17.3 | 15.6 x 23.5 |
Sensor format ⓘRefers to the most commonly used sensor sizes. |
Micro Four Thirds | APS-C |
Continuous shooting ⓘThe number of sequential frames per second the camera can write to the memory card when shooting in burst or continuous mode. |
10 fps045 | 11 fps045 |
Lens mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. |
Micro 4/3 | Sony E |
Image processor ⓘThe image processor in the camera converts the information collected on the sensor for digital storage on the memory card. |
Venus Engine | Bionz X |
Aspect ratio ⓘThe aspect ratio refers to the proportional difference between width and height. The most popular aspect ratios are 3:2 and 4:3. |
4:3 | 3:2 |
Min ISO ⓘRefers to the lowest native (or 'base') ISO setting. Lower ISO are less sensitive to light but make a cleaner image. |
20030200 | 10030200 |
Max ISO ⓘRefers to the highest native (or 'base') ISO setting. Higher ISO is necessary for low-light situations or night photography, but higher ISOs often introduce grain or noise. |
256003003280000 | 256003003280000 |
Min ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
10030200 | 10030200 |
Max ISO (expanded) ⓘExpanded (or extended) ISO is a digitally enhanced feature available on some cameras. It allows you to push beyond the native ISO range if necessary. |
256003003280000 | 512003003280000 |
Minimum shutter speed ⓘThe minimum shutter speed will tell you the longest exposure your camera can take without using an external accessory. |
6044080 | 3044080 |
Max shutter speed ⓘThe maximum shutter speed tells you the length inside 1 second the camera will capture. These can sometimes be extended with accessories such as extra external batteries. |
1600080032000 | 400080032000 |
Autofocus points ⓘAutofocus points show where the camera is focusing graphically as squares or brackets in Live View or on an electronic viewfinder. These points are also used for light meter readings. |
490300 | 4250300 |
In-body stabilisation ⓘIn-body Stabilization means the camera has a certain technology embedded that counteracts camera shake. |
✓ | ✗ |
Viewfinder type ⓘThe viewfinder type is either electronic or optical. Electronic viewfinders will have a small screen in the viewfinder. Optical viewfinders will use prisms and mirrors to look through the lens. |
Electronic | Electronic |
| Viewfinder dots | 236000009900000 | 235929609900000 |
| Video | ||
Video ⓘIndicates if this camera is capable of recording video. |
✓ | ✓ |
Max video resolution ⓘThe best resolution this camera can capture video in. Modern cameras can capture up to 8K video. |
4K | 4K |
Max video format ⓘVideo resolution measured by the greatest number of pixels possible in each frame, width by height. A higher resolution means more detail or clarity in your video. |
3840 x 2160 | 3840 x 2160 |
Max video frame rate ⓘHow many frames per second your video will capture. Most cameras have options for multiple frame rates, depending on the resolution you shoot in. For a general video, 24p or 30p is the standard, but more serious filmmakers may need a higher frame rate for creative effect. |
25 fps | 120 fps |
Timelapse built in ⓘA built in time-lapse mode will allow continuous shooting throughout a prolonged period of time to be compressed into a sped up video. |
✓ | ✓ |
Video file format ⓘDifferent cameras can record in various video file formats. The File format you record in can impact how you edit and use the files. |
AVCHD, MP4 | MPEG-4, XAVC S, AVCHD Ver. 2.0, H.264 |
| Features | ||
Builtin flash ⓘA built-in flash will often be positioned right above the lens. This will automatically pop up when you activate it. |
✗ | ✓ |
External flash ⓘExternal flashes are often connected through a hot shoe at the top of a camera, or a cable at the side of the camera. |
✓ | ✓ |
GPS ⓘGPS features in a camera will include location metadata to each of your photographs. |
✗ | ✗ |
Weather sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. |
✓ | ✓ |
| Screen type | OLED | LCD |
Touch screen ⓘTouchscreen allows you to change camera settings and access menus with a swipe of your finger, instead of using buttons. |
✓ | ✗ |
| Screen size | 3" | 3" |
Screen dots ⓘScreen dots indicate the resolution of the LCD screen by including each sub pixel. |
10400001150001500000 | 9216001150001500000 |
Flip screen ⓘA flip screen (or articulating screen) is a second screen which can flip out from the side or top of the camera. This rotating screen allows you more freedom to take photos at different angles. |
✓ | ✓ |
Live view ⓘLive View feature allows you to see a continuous live video of what is being seen through your lens. |
✓ | ✓ |
Wi-Fi ⓘBuilt-in Wi-Fi allows you to connect your camera and share images wirelessly. |
✓ | ✓ |
Bluetooth ⓘBluetooth capabilities allow you wireless control of your camera with other external devices. |
✗ | ✗ |
| Storage & battery | ||
| Memory card | SD / SDHC / SDXC | SD / SDHC / SDXC |
| Dual memory card slots | ✗ | ✗ |
| Battery type | DMW-BLC12 | NP-FW50 |
Battery life ⓘApproximately how long this cameras battery will last measured by how many photographs you will be able to take. |
330 shots1505000 | 400 shots1505000 |
| USB charging | ✗ | ✗ |
The Panasonic Lumix DMC-GX8 outperforms the Sony a6300 by a slight margin, scoring 63/100 compared to the Sony’s 61/100. Both cameras are mirrorless and were released in 2015 and 2016, respectively. They share similarities in their launch prices, with the GX8 priced at $1200 and the a6300 at $1000.
The GX8 stands out with its larger size, measuring 133 x 78 x 63mm and weighing 487g, providing a more substantial grip for users. On the other hand, the a6300 is more compact, measuring 120 x 67 x 49mm and weighing 404g, making it more portable and travel-friendly.
Taking these factors into account, the GX8’s higher score reflects its better handling for photographers who prefer a more solid grip, while the a6300 is a better choice for those prioritizing portability.
The Sony a6300 wins the optics comparison with a score of 68/100, while the Panasonic Lumix DMC-GX8 scores 65/100. Both cameras share certain specifications, including a CMOS sensor type and a similar shooting speed, with the a6300 at 11 frames per second and the GX8 at 10 frames per second.
The Sony a6300 surpasses the GX8 in terms of megapixels, offering 24.2 compared to the GX8’s 20.3. Additionally, the a6300 has a higher DXOMARK score for its sensor at 85, while the GX8 scores 75. The a6300 also features a larger APS-C sensor size and a Sony E lens mount, which contribute to its superior image quality.
On the other hand, the Panasonic Lumix DMC-GX8 has its own advantages, such as built-in image stabilization, which the a6300 lacks. This feature helps reduce camera shake and improve image clarity. The GX8 also has a Micro Four Thirds sensor size and a Micro 4/3 lens mount, which allows for a wider range of compatible lenses.
While both cameras have their merits, the Sony a6300 takes the lead in image quality due to its higher megapixel count, superior sensor performance, and larger sensor size. However, the Panasonic Lumix DMC-GX8 offers the advantage of built-in image stabilization and a more versatile lens mount. Ultimately, the choice between these cameras depends on the user’s specific needs and priorities.
The Sony a6300 outperforms the Panasonic Lumix DMC-GX8 in video capabilities, scoring 91 out of 100 compared to the GX8’s 70. Both cameras share some common specifications, such as 4K max video resolution and 3840 x 2160 max video dimensions. They also both have built-in time-lapse functionality.
The Sony a6300’s superiority in video performance is largely due to its impressive 120fps max video frame rate, which is significantly higher than the GX8’s 25fps. This higher frame rate allows the a6300 to capture smoother, more detailed slow-motion footage, making it a more versatile option for videographers.
On the other hand, the Panasonic Lumix DMC-GX8 still has respectable video capabilities, with a 4K resolution and time-lapse functionality. While it may not match the a6300’s frame rate, it is still a capable camera for video recording. However, its lower score suggests that it may not be the ideal choice for those who prioritize video performance.
When considering these points, it becomes clear that the Sony a6300 is the better choice for videographers who require top-notch video capabilities, while the Panasonic Lumix DMC-GX8 remains a decent option for those who do not require the same level of performance.
The Panasonic Lumix DMC-GX8 emerges as the winner in this comparison with a feature score of 70/100, while the Sony a6300 scores 54/100. Both cameras share some common specifications, such as a 3-inch screen size, flip screen, no GPS, WIFI connectivity, and no Bluetooth.
The winning camera, Panasonic Lumix DMC-GX8, stands out with its higher screen resolution of 1,040,000 dots, compared to the Sony a6300’s 921,600 dots. Additionally, the DMC-GX8 has a touchscreen, which the Sony a6300 lacks. This feature allows users to navigate menus and settings more efficiently, making the DMC-GX8 more user-friendly.
On the other hand, the Sony a6300 may not have any specific advantages over the Panasonic Lumix DMC-GX8 in terms of features, but it still offers a decent range of options for photographers. Its flip screen and WIFI connectivity are valuable assets, making it a good choice for those who do not prioritize touchscreen capabilities.
Based on these points, the Panasonic Lumix DMC-GX8 proves to be a superior choice due to its higher feature score, which stems from its better screen resolution and touchscreen capabilities. The Sony a6300, while lacking in these areas, remains a suitable option for those who can overlook the absence of a touchscreen.
The Sony a6300 wins the storage and battery comparison with a score of 24/100, while the Panasonic Lumix DMC-GX8 scores 21/100. Both cameras have one memory card slot, accepting SD, SDHC, and SDXC cards. Neither camera offers USB charging.
The Sony a6300 has a longer battery life of 400 shots per charge, compared to the Panasonic Lumix DMC-GX8’s 330 shots. This advantage allows the a6300 users to take more photos before needing to replace or recharge the battery. The a6300 uses the NP-FW50 battery type.
On the other hand, the Panasonic Lumix DMC-GX8 uses the DMW-BLC12 battery type. Although it has a shorter battery life, it still provides a decent amount of shots per charge.
Considering the storage and battery aspects, the Sony a6300 outperforms the Panasonic Lumix DMC-GX8 with its longer battery life, making it a better choice for extended shooting sessions.
Are you still undecided about which camera is right for you? Have a look at these popular comparisons that feature the Panasonic Lumix DMC-GX8 or the Sony a6300:
