7Artisans 35mm f/1.4 III
7Artisans · 35 mm · f/1.4

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis 7Artisans prime is a compact manual-focus lens for full-frame mirrorless cameras. It comes in Sony E, Canon RF, Nikon Z and Leica L mounts, so you buy the version made for your own system. A 35mm lens frames a person together with their surroundings. That suits street, travel and everyday photography, where context matters as much as the subject. Released in 2024, it remains in production. The trade-off is simplicity. You focus by hand, and the lens offers no sealing, stabilization or fluorine coating. In exchange, it stays very small and light, with a bright f/1.4 maximum aperture. For a photographer who likes working slowly, that is a fair deal. | |
| Brand | 7Artisans |
| Release Year | 2024 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Version ⓘThe iteration or release number of a particular lens model. | III |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Leica L |
System ⓘIndicates which camera system the lens is designed to attach to. | Leica L |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildIt weighs 9.7 oz (274 g) and measures 1.97 in (50 mm) long, so it takes up little room in a bag. The barrel is 2.48 in (63 mm) across. A screw-in filter must match the 52mm thread, a common size that makes filters easy to find. | |
| Lens Weight | 274 g |
Lens Diameter ⓘWidth of the lens at its widest point | 63 mm |
Lens Length ⓘHow long the lens is from front to back. | 50 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 52 mm |
Optics76/100 | |
About the OpticsThe f/1.4 maximum aperture is the main reason to choose this lens. It passes far more light than a typical zoom, so dim rooms and evening streets stay workable without pushing ISO high. Depth of field at f/1.4 is thin. A portrait subject stands out softly against a busy background, and stopping down a little restores detail where you need it. Ten aperture blades help keep the opening round as the lens stops down, which tends to keep out-of-focus highlights smooth. The 35mm focal length suits reportage and travel. It frames people with their setting rather than isolating them tightly, and it focuses to 1.1 ft (33 cm). That is close enough for a plate on a table or a stall in a market. You step in closer for a tighter head-and-shoulders view. Focusing is manual, using the ring on the barrel. This suits deliberate work such as portraits, still life and quiet street scenes, but fast action is hard to follow. The lens carries an optics specification score of 76. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 35 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.4 |
| Focal Length Angle of View | 42° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 10020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 33 cm01500 |
| Autofocus Mode | No |
| Manual Mode | |
| Manual Focusing Ring | |
Features | |
About the FeaturesThere is no image stabilization, so handheld shots in low light depend on shutter speed and steady hands. The bright aperture helps keep shutter speeds short, and at 35mm the needed speeds are modest anyway. A steady support, such as a wall or tripod, helps when light drops further. The lens has no weather sealing. It is not protected against dust and moisture, so change lenses out of the wind and rain, and keep the camera covered in poor weather. The front element has no fluorine coating, so dust and water do not slide off easily. A blower and a careful wipe with a soft cloth handle most cleaning. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction15/100 | |
About the ConstructionThe lens uses 7 elements in 5 groups, including one low-dispersion element. Low-dispersion glass helps reduce chromatic aberration, where colours focus at slightly different points and leave coloured fringes along high-contrast edges. On this lens, those edges could be a roofline against a bright sky in a street scene. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 7 |
| Groups | 5 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 0 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |