7Artisans MF 50mm f/0.95
7Artisans · 50 mm · f/0.95

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis 7Artisans prime is a 50mm manual-focus lens for APS-C mirrorless cameras. It is sold in Canon EF-M, Canon RF, Fujifilm X, Micro Four Thirds, Nikon Z and Sony E versions. Choose the one made for your system. Released in 2021, it remains in production. On APS-C, the 50mm framing suits portraits, street work and low-light interiors. The f/0.95 maximum aperture is the main reason to buy this lens. It keeps indoor and evening shooting practical. The trade-off is control: focusing is manual only, and the lens offers no stabilisation or weather sealing. | |
| Brand | 7Artisans |
| Release Year | 2021 |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon RF |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS R |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical57/100 | |
About the BuildThe front thread takes 62mm screw-in filters directly, so any polariser or ND filter you buy must match that size. A polariser can cut glare in daytime portraits; an ND filter allows longer exposures in bright light. The Canon EF-M version is compact at 2.37 in (60.2 mm) long and 2.66 in (67.5 mm) wide. Measurements for other mounts differ. | |
| Lens Weight | 420 g |
Lens Length ⓘHow long the lens is from front to back. | 60.2 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 62 mm |
Optics77/100 | |
About the Opticsf/0.95 is an unusually wide aperture for an APS-C prime. It passes far more light than a typical f/1.8 lens. You can keep the ISO low in a dim room or on an evening street. That suits indoor portraits and night scenes where flash would spoil the mood. Depth of field is the other side of that speed. Wide open at portrait distances, the sharp zone is extremely thin, so a near eye stays crisp while an ear already softens. The manual focusing ring gives direct control for fine adjustment, and it rewards slow, deliberate work. Rushed moving subjects fit poorly. A dim stage with a moving performer is the toughest combination. Stopping down a little eases that pressure. Thirteen blades keep the opening close to round as it closes, so out-of-focus points stay smooth and circular. City lights behind a subject render as soft discs. Closest focus sits at 1.5 ft (45 cm). That is short enough for tight portraits and still-life details on APS-C. The optics specification scores 77/100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 50 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 0.95 |
| Focal Length Angle of View | 31.8°–31.6° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 13020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 45 cm01500 |
| Autofocus Mode | No |
| Manual Mode | |
| Manual Focusing Ring | |
Features | |
About the FeaturesThe lens offers no image stabilisation. At 50mm on APS-C, handheld shots need a shutter speed quick enough to stay sharp, or a braced stance. Some camera bodies stabilise the sensor instead; check yours if shaky results concern you. The wide aperture helps, because f/0.95 keeps that speed available in poor light. There is no weather sealing, so keep rain and dust away from it. The front element also carries no fluorine coating, so dust and smears cling more readily and need gentle cleaning. Each version fits a single mount. Check your system before buying, since a Canon EF-M copy will not serve a Canon RF body. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction15/100 | |
About the ConstructionSeven elements in five groups include two low-dispersion elements. Low-dispersion glass helps reduce chromatic aberration, where colours focus at slightly different points. The result is coloured fringes along high-contrast edges, such as bright sky behind a portrait subject. The Canon EF-M version lists no aspherical elements. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 7 |
| Groups | 5 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 2 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |