
Canon EF 24-105mm F/4L IS II USM
Canon · 24–105 mm · f/4 · L · Image Stabilization

Score Breakdown
This lens score is calculated from published specifications.
General | |
|---|---|
About This LensThis Canon zoom spans 24–105mm on full-frame EF bodies, from wide scenes to short telephoto frames. One lens can cover a travel day, an event or everyday pictures of people without a swap. Canon introduced it in 2016 and still builds it today. The main trade-off is the f/4 maximum aperture. In dim rooms or late afternoon, it asks for a higher ISO than a brighter lens would. Background blur also stays moderate at the long end. Candlelit receptions and dim venues sit at the edge of its range. For most daylight and flash-lit work, that limit rarely bites. | |
| Brand | Canon |
| Release Year | 2016 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Version ⓘThe iteration or release number of a particular lens model. | II |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | L |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon EF |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical100/100 | |
About the BuildAt 1 lb 12 oz (795 g), this zoom is a solid but manageable carry for a full day. The body runs 4.65 in (118 mm) long and 3.29 in (83.5 mm) wide. A screw-in filter must match the 77mm thread on the front to fit directly. | |
| Lens Weight | 795 g |
Lens Diameter ⓘWidth of the lens at its widest point | 83.5 mm |
Lens Length ⓘHow long the lens is from front to back. | 118 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 77 mm |
Optics73/100 | |
About the OpticsAt 24mm the lens frames wide interiors, streets and landscapes without stepping back. Zoom to 105mm and distant subjects grow larger in the frame, which suits portraits and candid shots across a room. Between those ends, the range covers most framing choices a full-frame shooter meets in a day of varied work. The aperture stays at f/4 throughout the zoom. Your exposure settings carry over as you frame wider or tighter, which helps when light changes during an event. Ten blades shape the diaphragm, which keeps out-of-focus highlights round. Round highlights flatter evening lights and backlit leaves behind a portrait. Closest focus is 1.5 ft (45 cm), close enough to work a laid table or a market stall. The 0.24x maximum magnification brings food, flowers and small objects to a useful size in the frame. The f/4 ceiling shows indoors at 105mm, where light runs short. You raise ISO, or accept a slower shutter and steady the camera. The optics score for this lens is 73 out of 100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 24–105 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 4 |
| Focal Length Angle of View | 84.07°–23.29° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 44 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 10020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 45 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.24x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features73/100 | |
About the FeaturesImage stabilisation steadies the camera at slower shutter speeds. In shade, indoors or late in the day, it lets you keep shooting hand-held instead of reaching for a tripod. For travel and event work, that freedom matters at both ends of the zoom. Weather sealing helps keep dust and moisture out during outdoor work in wind or drizzle. A fluorine coating helps water and grease slide off the front, so a quick wipe restores the glass between frames. A zoom lock holds the lens at its set position. That stops the barrel sliding out while the camera hangs from a strap or rides over rough ground. The features score for this lens is 73 out of 100. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | Yes |
IS Efficiency ⓘIS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides. | 4 stops |
Construction15/100 | |
About the ConstructionThe optical design places aspherical elements among its 17 elements in 12 groups. Their shaped surfaces help reduce distortion and spherical aberration. Distortion can bow straight edges in wide shots, so the correction matters when buildings or interiors fill the frame at 24mm. The construction score is 15 out of 100. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 17 |
| Groups | 12 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |
Alternative Lenses to Canon EF 24-105mm F/4L IS II USM


Sigma 28-105mm F/2.8-4 Aspherical ZEN
28–105 mm instead of 24–105 mm · f/2.8–4 instead of f/4

Sigma 28-105mm F/2.8-4 DG
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Canon EF 24-105mm F/4L IS II USM versus Sigma 28-105mm F/4-5.6 UC ZEN
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