Canon RF 10-20mm F4 L IS STM
Canon · 10–20 mm · f/4 · L · Image Stabilization

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Canon RF zoom covers 10–20mm on full frame, an ultra-wide range aimed at architecture, interiors and wide landscapes. It suits photographers who work in tight rooms or want strong perspective from a camera placed close to a foreground object. It was released in 2023 and remains in production. The main trade-off is aperture. The f/4 maximum stays constant through the zoom, which keeps exposure simple, but it is modest for dim interiors. Canon RF cameras accept it directly, and it covers the full-frame sensor without a crop. | |
| Brand | Canon |
| Release Year | 2023 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | L |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon RF |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS R |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical93/100 | |
About the BuildThe lens weighs 1 lb 4.1 oz (570 g). The body is 3.3 in (83.7 mm) wide and 4.41 in (112 mm) long, a manageable size for a full-frame zoom that starts at 10mm. It accepts no screw-in filter at the front, which shapes filter choices. The physical specification scores 93. | |
| Lens Weight | 570 g |
Lens Diameter ⓘWidth of the lens at its widest point | 83.7 mm |
Lens Length ⓘHow long the lens is from front to back. | 112 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | No |
Optics71/100 | |
About the OpticsThe 10–20mm range gives an extremely wide view on a full-frame camera. At 10mm you can frame a whole room from a doorway, or a broad sky above a foreground rock. Zooming to 20mm tightens the composition when the full width is too much. Interior and real-estate shooters will use the wide end most. Close focusing reaches 0.8 ft (25 cm), so you can set the camera almost against a foreground subject. Nearby objects then appear large while distant scenery stays small, a perspective effect many photographers choose an ultra-wide for. That near-far contrast gives wide compositions their depth. Maximum magnification reaches 0.12x, which gives near foreground objects real presence in the frame. The f/4 maximum aperture is constant, so the same aperture remains available at every focal length. It is not bright, though, and dim interiors may need higher ISO settings. Stabilisation helps by steadying the camera for handheld frames. Landscape and architecture work often stops down anyway, so the limit matters less there. The optics specification scores 71. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 10–20 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 4 |
| Focal Length Angle of View | 130.42°–94° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 25 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.12x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features78/100 | |
About the FeaturesImage stabilisation is built in. It steadies the camera rather than the subject, so it helps most with static scenes such as interiors or evening architecture. In dim rooms or at dawn it supports handheld shooting. It also lets you use slower shutter speeds handheld and keep the ISO lower in fading light. Weather sealing protects the lens against dust and moisture during outdoor work. That suits landscape and coastal shoots where conditions change through the day. A fluorine coating on the front glass helps water and dirt wipe away more easily afterwards. There is no zoom lock to hold the barrel at a setting during transport. The features specification scores 78. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | Yes |
IS Efficiency ⓘIS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides. | 5 stops |
Construction55/100 | |
About the ConstructionThree aspherical elements use specially shaped surfaces that help correct distortion. That matters here, because straight walls and doorframes are common ultra-wide subjects and distortion can bend them. One Super ED and three ED elements use low-dispersion glass, which helps reduce coloured fringes along high-contrast edges such as skies against rooflines. Internal focusing keeps the lens from extending as you focus. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 16 |
| Groups | 12 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 3 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 3 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 1 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |