Canon RF 16mm F/2.8 STM
Canon · 16 mm · f/2.8

Score Breakdown
This lens score is calculated from published specifications.
General | |
|---|---|
About This LensThe Canon RF 16mm F/2.8 STM is a fixed wide-angle prime for Canon RF full-frame cameras. The 16mm view takes in broad scenes, so it suits interiors, streetscapes, landscapes and night sky work. It also serves travel and hiking, where a wide view captures the whole setting quickly. Released in 2021, it remains in production. The light body makes it easy to keep in a bag every day. The main trade-off is the fixed focal length. You frame by moving closer or stepping back, and there is no stabilization or weather sealing. For most wide-angle work, that is a fair exchange for the small size. | |
| Brand | Canon |
| Release Year | 2021 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon RF |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS R |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildAt 5.8 oz (165 g) and 1.58 in (40.1 mm) long, this lens adds little weight or length to the camera. It takes 43mm screw-in filters, which stay small and light. The physical specification scores 64 of 100. | |
| Lens Weight | 165 g |
Lens Diameter ⓘWidth of the lens at its widest point | 69.2 mm |
Lens Length ⓘHow long the lens is from front to back. | 40.1 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 43 mm |
Optics77/100 | |
About the OpticsThe fixed 16mm focal length frames very wide views. It fits a whole room, a tall building front or a broad stretch of coast without stepping back. Night sky work benefits too, since the frame spans plenty of stars above the horizon. In tight spaces it keeps working where a standard lens cannot. Landscapes gain a strong sense of space, because near objects read large against the distance. The f/2.8 maximum aperture admits plenty of light for dusk streets, dim interiors and night skies above a landscape. At 16mm, depth of field runs deep even wide open, so near and distant detail can stay sharp together. That depth of field also limits subject separation, so this is not the lens for isolating one face from a crowd. It focuses as close as 0.4 ft (13 cm). On its own, the maximum magnification reaches 0.26x, enough for small objects such as flowers or door fixtures to fill much of the frame. Pushed close to a foreground rock, the wide view still shows the scene behind. The optics specification scores 77 of 100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 16 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2.8 |
| Focal Length Angle of View | 107.03° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 13 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.26x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features0/100 | |
About the FeaturesThis lens has no built-in stabilization. At slower shutter speeds, handheld shots rely on steady technique. Some camera bodies offer their own stabilization, which can help. Brace your elbows or rest the camera on a solid surface for the slowest handheld shots. The wide 16mm view also works in your favour, because small camera shake shows less than at longer focal lengths. The lens has no weather sealing, so it needs care in rain, spray or dust. Carry a cover if you shoot coastlines or wet streets. The front glass also lacks a fluorine coating, which on some lenses helps repel water and oil. Expect to clean smudges and spray promptly and gently. A plain protective filter on the 43mm thread gives the front glass a simple shield. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction15/100 | |
About the ConstructionThe design includes aspherical elements. Their specially shaped surfaces help correct optical faults, including distortion and spherical aberration. Distortion can make straight edges appear curved, and a 16mm view often fills the frame with buildings and door lines. That correction is therefore relevant. The construction specification scores 15 of 100. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 9 |
| Groups | 7 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |