Canon RF 24-105mm F2.8 L IS USM Z
Canon · 24–105 mm · f/2.8 · L · Image Stabilization

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Canon zoom spans 24–105mm on full-frame RF-mount cameras. It suits weddings, events and documentary work where the distance to a subject changes. You can show a room, then give one person more of the frame. Canon introduced it in 2023. Its main trade-off is weight. A constant f/2.8 maximum aperture across this range comes in a substantial body. Consider how often you work handheld and how far you carry your equipment. It can reduce lens changes during an event. | |
| Brand | Canon |
| Release Year | 2023 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | L |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon RF |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS R |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical99/100 | |
About the BuildIt weighs 2 lb 14.9 oz (1330 g), with a barrel 3.48 in (88.5 mm) across and 7.83 in (199 mm) long. Our physical specifications score is 99 out of 100. Filters screw directly into an 82mm thread, so a polariser or ND filter must match that size before you buy. On long days, a strap or monopod helps. | |
| Lens Weight | 1330 g |
Lens Diameter ⓘWidth of the lens at its widest point | 88.5 mm |
Lens Length ⓘHow long the lens is from front to back. | 199 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 82 mm |
Optics83/100 | |
About the OpticsThe maximum aperture stays at f/2.8 throughout the zoom. You can retain that opening when you change framing, though a different part of the scene may need a different exposure. Compared with a smaller opening, f/2.8 gives more room for a faster shutter speed or lower ISO in a dim venue. At close subject distances, f/2.8 can give a portrait a soft background. At 105mm, look for space between the person and the guests or decorations behind them. Stop down when several people must remain sharp. At 24mm, you can include more of an interior from the same position. Closest focus is 1.5 ft (45 cm) throughout the zoom, measured from the sensor. Maximum magnification reaches 0.29x at 105mm. That suits food, flowers and table details. The front glass sits closer to the subject, so leave room and watch for shadows. Very small objects will still occupy a modest part of the frame. The range also helps when your position is fixed. During a speech, you can change between a wider view of the gathering and a tighter view of the speaker. The framing available still depends on your distance. The optics specification score is 83 out of 100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 24–105 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2.8 |
| Focal Length Angle of View | 84°–23.33° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 11020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 45 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.29x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features79/100 | |
About the FeaturesBuilt-in stabilization reduces camera shake for still subjects at slower shutter speeds. It helps with handheld views of interiors or quiet moments at dusk. A person who moves still needs enough shutter speed for that movement. Weather sealing helps resist dust and moisture outdoors. Use cover in persistent rain. Fluorine coating helps water and oily marks wipe away from the glass during field cleaning. The zoom ring works manually. An optional PZ-E2 or PZ-E2B adapter adds powered zoom for controlled changes while recording video. The adapter is a separate accessory, so include it in the equipment you assess for that use. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | Yes |
IS Efficiency ⓘIS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides. | 5.5 stops |
Construction54/100 | |
About the ConstructionThree aspherical elements help correct distortion, which matters for interior shots at 24mm where straight edges run across the frame. Four low-dispersion elements help reduce chromatic aberration, the colour fringing that can appear along high-contrast edges such as a dark suit against a bright window. Focusing is internal, so the barrel does not extend while the lens focuses. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 23 |
| Groups | 18 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 3 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 4 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |