Canon RF 24-240mm F/4-6.3 IS USM
Canon · 24–240 mm · f/4–6.3 · Image Stabilization

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Canon superzoom arrived in 2019 as an early travel option for the RF mount on Canon's full-frame mirrorless cameras. Its 24–240mm range covers wide scenes and distant detail, so one lens can serve a mixed day of shooting. You could frame a market street at 24mm, then tighten onto a rooftop figure at 240mm without changing lenses. The cost of that reach is a slow maximum aperture and a short feature list. The widest opening shrinks as you zoom, and the lens carries no weather sealing. In strong daylight those limits matter far less, and the reward is one-lens convenience. | |
| Brand | Canon |
| Release Year | 2019 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon RF |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS R |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe lens weighs 1 lb 10.5 oz (750 g) and measures 3.17 in (80.4 mm) across and 4.82 in (122.5 mm) long. Consider the weight of the camera and lens together when planning a day out. A screw-in filter attached directly must match the 72mm thread. Keep the front glass protected during transport. | |
| Lens Weight | 750 g |
Lens Diameter ⓘWidth of the lens at its widest point | 80.4 mm |
Lens Length ⓘHow long the lens is from front to back. | 122.5 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 72 mm |
Optics53/100 | |
About the OpticsThe 24mm end handles interiors, streets and open landscapes. Portraits of companions fit naturally at focal lengths in the middle of the range. Zooming toward 240mm makes distant subjects larger from the same position. A bird in a tree or a performer across a field are possible subjects. How much of the frame they fill depends on size and distance. Moving the camera changes perspective too, so inspect the background before taking the picture. The maximum aperture narrows from f/4 at 24mm to f/6.3 at 240mm. A higher ISO may help retain a fast shutter speed in shade or evening light. A close subject can still have a soft background when there is enough space behind it. Choose settings for both movement and depth of field. Closest focus is 1.6 ft (50 cm) at 24mm, measured from the sensor. The minimum distance becomes longer at 240mm. Maximum magnification is 0.26x at the long end. These limits apply at different settings, so check focus and framing as you zoom toward nearby food, flowers or objects on a market stall. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 24–240 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 4–6.3 |
| Focal Length Angle of View | 84.06668552322992°–10.302105895192994° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 50 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.26x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features26/100 | |
About the FeaturesBuilt-in image stabilisation helps reduce camera shake during handheld work. Small movements are more visible at the long end. A moving subject still needs enough shutter speed for its movement, even when the camera is steady. A zoom lock holds the barrel in place, stopping it from creeping out when the camera hangs from a strap. There is no weather sealing, so keep the lens sheltered in rain or dust. It also lacks a fluorine coating, a treatment that on other lenses helps water and grease slide off. Our features score is 26 out of 100. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | Yes |
IS Efficiency ⓘIS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides. | 5 stops |
Construction31/100 | |
About the ConstructionCanon includes aspherical elements in the design. These shaped surfaces help correct optical faults, including distortion that curves straight edges. That matters for architecture at the 24mm end, where curved lines would show. Low-dispersion glass helps reduce chromatic aberration, the coloured fringes that can appear along high-contrast edges. At 240mm those fringes can show on branches against a bright sky. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 21 |
| Groups | 15 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |