
Canon RF 20-50mm F4 L IS USM PZ
20–50 mm instead of 24–50 mm
Canon · 24–50 mm · f/4.5–6.3 · Image Stabilization

This lens score is calculated from published specifications.
General | |
|---|---|
About This LensThe Canon RF 24-50mm F/4.5-6.3 IS STM is a compact zoom for Canon RF full-frame cameras. Its 24-50mm range runs from wide angle to a normal view. That spread suits travel, street scenes, interiors, and family photography. Canon released this lens in 2023, and it remains in production today. Its clear priority is low weight over reach and speed. The zoom range stays short, and the maximum aperture drops to f/6.3 at the long end. Photographers who pack light gain a very small lens. Photographers who need tighter framing or brighter apertures will not find them here. | |
| Brand | Canon |
| Release Year | 2023 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon RF |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS R |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThis zoom weighs 7.4 oz (210 g). It measures about 2.74 in (69.6 mm) across and 2.28 in (58 mm) long, so it handles like a small prime lens. A screw-in filter must match its 58mm front thread, so check any filters already owned. The light weight suits long walking days and one-camera travel. | |
| Lens Weight | 210 g |
Lens Diameter ⓘWidth of the lens at its widest point | 69.6 mm |
Lens Length ⓘHow long the lens is from front to back. | 58 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 58 mm |
Optics51/100 | |
About the OpticsThe 24mm end frames wide subjects such as interiors, architecture, and landscapes. It also fits groups of people in tight rooms. At 50mm, the view suits portraits, street scenes, and everyday details. The zoom stops at 50mm, so tighter framing needs a step closer or a crop. The maximum aperture runs from f/4.5 at 24mm to f/6.3 at 50mm. That range is limited, so the lens works best in daylight or well-lit rooms. The f/4.5 wide end is brighter, which helps in dim interiors. Moving subjects indoors will often need raised ISO settings. Background blur at 50mm stays modest, so portraits keep much of their setting in focus. Close focusing at 1 ft (30 cm) suits near subjects such as food, flowers, or tabletop details. Focusing is internal, so the barrel does not extend while it focuses. This flexibility suits travel shooting, where food stalls and shop displays appear often. The wide 24mm setting also helps handheld video, because small camera movements show less in the frame. Its optics score is 51. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 24–50 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 4.5–6.3 |
| Focal Length Angle of View | 84°–46° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 30 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.19x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features25/100 | |
About the FeaturesImage stabilization helps steady handheld frames, and it permits slower shutter speeds indoors or at dusk. It supports static subjects such as interiors, evening streets, and product displays. Stabilization also steadies the framing while composing, which helps at 50mm where small movements show more. The rest of the feature list is thin. There is no weather sealing, so keep the lens sheltered in rain or dust. There is no fluorine coating on the front glass, so cleaning marks takes more care. A zoom lock is also absent, so nothing holds the barrel at its set length. The features score is 25. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | Yes |
IS Efficiency ⓘIS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides. | 4.5 stops |
Construction38/100 | |
About the ConstructionThe optical path uses 8 elements in 8 groups, including 2 aspherical elements. Aspherical surfaces have specially shaped profiles that help reduce distortion and spherical aberration, faults that bend straight lines and soften detail. That design role matters for the architecture and interior shots this lens invites. The construction score is 38. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 8 |
| Groups | 8 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 2 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |

20–50 mm instead of 24–50 mm


24–70 mm vs 24–50 mm · f/2.8 vs f/4.5 · 0.3× vs 0.19× close-up reach


28–70 mm vs 24–50 mm · f/2 vs f/4.5 · No lens stabilization