Canon RF 28-70mm F/2L USM
Canon · 28–70 mm · f/2 · L

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Canon zoom spans 28–70mm on full-frame RF cameras. Its f/2 maximum aperture stays available across the range, which suits weddings and events in dim venues. The short end includes people with their surroundings, while the long end gives tighter views from the same position. Canon introduced it in 2018. The main trade-off is size. The lens is heavy and wide, so consider how you will carry it between locations and support it through a long session. It suits photographers who often need the bright aperture and can accommodate the bulk. | |
| Brand | Canon |
| Release Year | 2018 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | L |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon RF |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS R |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical99/100 | |
About the BuildThe lens weighs 3 lb 2.4 oz (1430 g) and measures 4.09 in (103.8 mm) across and 5.5 in (139.8 mm) long. Consider the camera and lens together when planning handheld work. Screw-in filters must match the 95mm front thread to attach directly. | |
| Lens Weight | 1430 g |
Lens Diameter ⓘWidth of the lens at its widest point | 103.8 mm |
Lens Length ⓘHow long the lens is from front to back. | 139.8 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 95 mm |
Optics82/100 | |
About the OpticsAt 28mm, you can include a group or show a venue with some surroundings. At 70mm, one person or a table detail becomes larger from the same position. How much of a room fits depends on where you stand. A wider lens can help in tight interiors. The maximum aperture remains f/2 throughout the zoom. You can retain that opening when framing changes, though a different part of the scene may need a different exposure. In dim light, f/2 gives more room for a faster shutter speed or lower ISO than a smaller opening. At close portrait distances, f/2 can give a thin zone of sharp focus. Focus on the eye that matters most. A background far behind the person can become soft. Stop down when more of the face or another person needs to stay sharp. Closest focus is 1.3 ft (39 cm), measured from the sensor. Maximum magnification is 0.18x, useful for food and everyday details. Tiny objects remain modest in the frame. Leave room ahead of the glass and avoid shading a nearby subject. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 28–70 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2 |
| Focal Length Angle of View | 75.38°–34.35° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 39 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.18x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesThere is no stabilization in the lens. A camera with body stabilization can help with shake for still scenes. Firm support also helps at slower shutter speeds. Opening the aperture may allow a faster shutter, but it does not provide stabilization or freeze every movement. Dust and moisture resistance help during outdoor events. Use cover in persistent rain. Fluorine coating helps water and oily marks wipe away from the front glass. Remove loose grit before using a cloth. The zoom lock secures the barrel at its retracted 28mm setting for carrying. Release it before changing focal length. This helps prevent unwanted extension between locations. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction32/100 | |
About the ConstructionFour aspherical elements help correct distortion and spherical aberration, which can bend lines or soften detail. Two UD elements and one Super UD element help reduce coloured fringes along high-contrast edges. A bright window behind a speaker is one place those fringes can appear. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 19 |
| Groups | 13 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 4 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 2 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 1 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |