Canon RF 45mm F1.2 STM
Canon · 45 mm · f/1.2

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Canon prime fits full-frame RF-mount bodies. Introduced in 2025, it pairs a 45mm focal length with a large f/1.2 maximum aperture. The standard view suits everyday scenes in rooms and streets, including portraits with some surroundings. It suits portraits, street photography and indoor gatherings such as family parties. The wide opening gives room for useful shutter speeds as light fades and can separate nearby people from their surroundings. The trade-off is one fixed view and no built-in stabilization, so position and exposure choices matter. | |
| Brand | Canon |
| Release Year | 2025 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon RF |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS R |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe lens weighs 12.2 oz (346 g) and measures 3.07 in (78 mm) across and 2.95 in (75 mm) long. That light, compact build keeps the camera comfortable through a full day of walking. The front accepts 67mm screw-in filters directly, and a polariser can cut glare on glass and water in street scenes. | |
| Lens Weight | 346 g |
Lens Diameter ⓘWidth of the lens at its widest point | 78 mm |
Lens Length ⓘHow long the lens is from front to back. | 75 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 67 mm |
Optics88/100 | |
About the OpticsOn full frame, 45mm gives a standard view suited to individual portraits and everyday scenes with useful surroundings. Perspective depends on where you stand. Leave some space around a face to avoid exaggerating nearby features, and move back when the composition needs more of the room. At f/1.2, the lens admits more light than a smaller opening. In an evening street or dim shop, you can use that difference for a faster shutter speed or lower ISO. Choose which benefit matters most for the subject in front of you. At close portrait distances, f/1.2 can leave only a thin area sharp. Focus on the nearer eye when that is the detail you want clear, and watch for small movements. A background well behind the person becomes easier to soften. Stop down when more of the face or setting must remain sharp. Closest focus is 1.5 ft (45 cm), measured from the sensor, with 0.13x maximum magnification. That suits modest details on a table. Portraits normally benefit from more distance than the minimum. The optics specification score is 88 out of 100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 45 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.2 |
| Focal Length Angle of View | 51.333° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 45 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.13x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features | |
About the FeaturesThere is no built-in stabilization. A camera with sensor stabilization can help reduce camera shake for still subjects. Otherwise, a steady hold or firm support can help. In dim light, f/1.2 gives more room for a faster shutter speed than a smaller opening. Weather sealing is absent too, so rain, spray, and blowing dust call for care or a cover. The front element also lacks a fluorine coating. Fluorine repels water and oil on lenses that have it, so expect cleaning smudges to take a little more effort here. For indoor sessions, you can choose your position and support in advance. That can make the fixed framing easier to work with. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction15/100 | |
About the ConstructionNine elements in seven groups form a straightforward optical formula. One element is aspherical. Specially shaped surfaces like this help reduce distortion and spherical aberration. Distortion can curve straight edges, so this correction helps when door frames, rooflines, and horizons appear in street and travel shots. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 9 |
| Groups | 7 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |