Canon RF 85mm f/1.2 L USM
Canon · 85 mm · f/1.2 · L

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensCanon built this prime for full-frame RF-mount cameras. The fixed 85mm focal length suits portraits from several steps away. Wedding, fashion and studio photographers can use that space for tight framing without placing the camera very close to a face. It joined the RF system in 2019. The f/1.2 maximum aperture gives you more light than a smaller opening. It also offers shallow depth of field for separating a nearby person from their surroundings. The trade-off is a large, heavy body with no built-in stabilization. This combination suits photographers who can plan around one focal length. Leave enough room to move back when you need a full-length portrait. | |
| Brand | Canon |
| Release Year | 2019 |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | L |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon RF |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS R |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical100/100 | |
About the BuildAt 2 lb 10.2 oz (1195 g), this lens makes its presence felt through a long portrait session. It measures 4.06 in (103.2 mm) across and 4.62 in (117.3 mm) long, so it fills the hand. A screw-in filter must match the 82mm thread on the front. That size comes with the f/1.2 aperture. | |
| Lens Weight | 1195 g |
Lens Diameter ⓘWidth of the lens at its widest point | 103.2 mm |
Lens Length ⓘHow long the lens is from front to back. | 117.3 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 82 mm |
Optics88/100 | |
About the OpticsThe 85mm focal length helps frame head-and-shoulder portraits from several steps away. Step back for full-length views or move closer for tighter framing. Closest focus is 2.8 ft (85 cm), measured from the sensor. That is the focusing limit; your chosen portrait distance also depends on framing and facial proportions. In a candlelit reception or dim street, f/1.2 gives more room for a faster shutter speed or lower ISO than a smaller aperture. How far you can take either option depends on the light and the subject. Choose enough shutter speed when people move. Depth of field at f/1.2 can be very shallow at portrait distances. Focus on the eye nearest the camera when that is the detail you want sharp. Even small movements can shift it outside the sharp zone. A background placed well behind the person is easier to soften. Stop down when both eyes or several people need to stay clear. The aperture required depends on distance, face angle and the arrangement of the group. The optics specification score is 88 out of 100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 85 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.2 |
| Focal Length Angle of View | 28.56°–28.5° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 85 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.12x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesThere is no built-in stabilization. A camera with body stabilization can help reduce camera shake. At slower shutter speeds, a steady hold or firm support is useful. The features specification score is 52 out of 100. Weather sealing helps resist dust and moisture outdoors. Use cover during persistent rain. Fluorine coatings on the front and rear glass help water and oily marks wipe away, which makes cleaning easier between locations. A tripod or monopod can steady the camera for static portrait setups. For moving subjects, a faster shutter speed does that job instead. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction69/100 | |
About the ConstructionFocus movement happens inside the lens, so the overall length stays fixed while you focus. One aspherical element helps correct distortion and spherical aberration, which can bend straight edges or soften detail. One UD element and a BR element help reduce coloured fringes at high-contrast edges, such as backlit hair. The construction specification score is 69 out of 100. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 13 |
| Groups | 9 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 1 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |