
Fujifilm FUJINON XF 35mm F/1.4 R
f/1.4 instead of f/2
Fujifilm · 35 mm · f/2 · XC

This lens score is calculated from published specifications.
General | |
|---|---|
About This LensThis prime fits Fujifilm X cameras with APS-C sensors. The 35mm focal length gives a natural, everyday view on this format. That view suits street scenes, informal portraits, food and indoor rooms. Fujifilm introduced the lens in 2020, and it remains in production. On a compact X body it makes a discreet combination for street work. The f/2 maximum aperture lets you shoot indoors under lamps and window light. It also softens backgrounds for closer portraits. The trade-off is a bare feature set: no stabilization, no sealing and a simple build. Choose it for light, everyday photography rather than protection in rough conditions. | |
| Brand | Fujifilm |
| Release Year | 2020 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | XC |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Fujifilm X |
System ⓘIndicates which camera system the lens is designed to attach to. | Fujifilm X |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical57/100 | |
About the BuildThe lens weighs 4.6 oz (130 g) and runs 1.83 in (46.5 mm) long, with a body 2.3 in (58.4 mm) wide. It adds almost nothing to a camera bag. The 43mm thread takes screw-in filters of that exact size. | |
| Lens Weight | 130 g |
Lens Diameter ⓘWidth of the lens at its widest point | 58.4 mm |
Lens Length ⓘHow long the lens is from front to back. | 46.5 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 43 mm |
Optics82/100 | |
About the OpticsA 35mm prime on APS-C sits between wide and tight views. You can frame a doorway scene or step back for a small group. Since the focal length is fixed, you compose by moving, and that habit builds a consistent framing style. The f/2 aperture works for light and for depth. Indoors, it collects enough light to hold shutter speeds usable under window light. At portrait range it blurs the background behind a subject, though the effect stays gentle at this focal length rather than dramatic. Outdoors at f/2 you can isolate a single figure against a busy market or plaza. The nine blades keep the aperture opening close to round as you stop down. That round shape helps out-of-focus highlights render smoothly when you work at middle apertures. Optics score 82/100 in our specification assessment. Closest focus sits at 1.1 ft (35 cm). That distance suits plates of food, books and small objects on a table, where you frame the whole subject from nearby. Maximum magnification is 0.14x, so subjects render at a modest scale rather than enlarged. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 35 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2 |
| Focal Length Angle of View | 44.01° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 17.7 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 35 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.14x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features0/100 | |
About the FeaturesThe lens has no image stabilization. For handheld shots in dim rooms, set a shutter speed fast enough for sharp results or raise the ISO. The f/2 aperture gives you a head start, since more light reaches the sensor at that setting. A doorway or table edge gives extra support when you prefer to keep noise low. There is no weather sealing. Treat it as a fair-weather lens for street, cafe and travel days, and keep it under cover in rain or spray. No fluorine coating is fitted either. The front glass does not shed water or oil the way a treated surface does, so carry a blower and a soft cloth. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction15/100 | |
About the ConstructionThe optical unit holds nine elements in six groups. Aspherical elements are part of the design. Their specially shaped surfaces help correct distortion and spherical aberration. Distortion can curve straight lines, and spherical aberration can soften wide-open focus. Straight lines appear throughout street scenes and interiors, so these corrections suit this lens's likely work. Construction scores 15/100. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 9 |
| Groups | 6 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |

f/1.4 instead of f/2

f/1.8 instead of f/2





f/1.7 vs f/2 · 170 g vs 130 g


f/1.4 vs f/2 · Manual focus instead of autofocus · 180 g vs 130 g