

Fujifilm FUJINON XF 8-16mm F/2.8 R LM WR versus Sigma 10-18mm F2.8 DC DN
10–18 mm vs 8–16 mm · 0.25× vs 0.1× close-up reach · 250 g vs 805 g
Fujifilm · 8–16 mm · f/2.8 · XF

This lens score is calculated from published specifications.
General | |
|---|---|
About This LensFujifilm's XF 8-16mm F/2.8 R LM WR is an ultra-wide zoom for the Fujifilm X mount on APS-C cameras. The 8–16mm span runs from an extreme wide view to a more moderate one. That suits tight interiors, architecture, broad landscapes and night-sky work. Fujifilm launched it in 2018, and it remains in production today. The constant f/2.8 aperture is the main draw for demanding shooters. It suits interior photographers who work without flash and night-sky shooters who need light. The trade-off is size. At 1 lb 12.4 oz (805 g), this lens carries real weight on an APS-C body. | |
| Brand | Fujifilm |
| Release Year | 2018 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | XF |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Fujifilm X |
System ⓘIndicates which camera system the lens is designed to attach to. | Fujifilm X |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical85/100 | |
About the BuildAt 1 lb 12.4 oz (805 g), this is a heavy lens for a wide-angle zoom. The barrel measures 3.46 in (88 mm) across and 4.78 in (121.5 mm) long. There is no front filter thread, so no screw-in filter can attach directly. That rules out screw-in polarisers and ND filters for skies and water. | |
| Lens Weight | 805 g |
Lens Diameter ⓘWidth of the lens at its widest point | 88 mm |
Lens Length ⓘHow long the lens is from front to back. | 121.5 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | No |
Optics80/100 | |
About the OpticsThe 8–16mm range shapes how you frame subjects. At 8mm you can capture a whole room from a corner, or a tower from a narrow street. Zooming to 16mm still gives a wide view, with less edge stretch, which often flatters buildings. For interior work, the range lets you fine-tune how much of a room you include without changing position. The f/2.8 maximum aperture stays constant through the zoom. Indoors, that admits more light for handheld shots in dim hallways and churches. After dark, it helps keep shutter speeds short enough at 8mm to render stars as points rather than trails. The aperture stays constant, but depth of field still changes with focal length. At 16mm and f/2.8, distant backgrounds separate more from your subject than they do at 8mm. The lens focuses as close as 0.8 ft (25 cm). That lets you set a foreground rock or plant right next to the camera. A close foreground gives an ultra-wide frame its sense of depth. Stop down the aperture, and both that foreground and the horizon can stay sharp. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 8–16 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2.8 |
| Focal Length Angle of View | 121.02°–82.96° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 17.7 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 25 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.1x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesWeather sealing protects the lens against rain and dust. That suits landscape work on exposed coasts and hills, and it pairs with a weather-sealed Fujifilm X body for a protected kit. A fluorine coating on the front glass helps water and oil slide off. Sea spray and fingerprints wipe away more easily, which is useful when conditions turn messy outdoors. There is no image stabilization. Wide views tolerate slower handheld speeds than long lenses do, but night work and video still need a steady support or a fast shutter. No zoom lock is fitted either. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction32/100 | |
About the ConstructionThe optical formula uses 20 elements in 13 groups, including aspherical, low-dispersion and super low-dispersion types. Aspherical surfaces help correct distortion, useful when straight building edges fill an ultra-wide frame. The low-dispersion glasses help reduce chromatic aberration, which appears as coloured fringes along high-contrast edges such as branches against a bright sky. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 20 |
| Groups | 13 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 1 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |


10–18 mm vs 8–16 mm · 0.25× vs 0.1× close-up reach · 250 g vs 805 g


11–18 mm vs 8–16 mm · 320 g vs 805 g · Closest focus 19 cm vs 25 cm


11–20 mm vs 8–16 mm · 0.25× vs 0.1× close-up reach · 335 g vs 805 g