Laowa Argus 35mm f/0.95
Laowa · 35 mm · f/0.95 · Argus

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThe Argus 35mm f/0.95 is a manual-focus prime for full frame cameras. Laowa released it in 2021, and it remains in production. It comes in Canon RF, Nikon Z and Sony E versions, so choose the version made for your system. The f/0.95 aperture is the reason to own it. That aperture suits candlelit portraits, dim interiors and night street work. The 35mm focal length frames people with their surroundings, which favours environmental portraits and reportage. The trade-off is focusing: you turn the ring yourself, so the pace is slower and each frame needs a moment of care. | |
| Brand | Laowa |
| Release Year | 2021 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | Argus |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Nikon Z |
System ⓘIndicates which camera system the lens is designed to attach to. | Nikon Z |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical93/100 | |
About the BuildAt 1 lb 10.6 oz (755 g), this lens is heavy for a 35mm prime. The 4.06 in (103 mm) length makes its presence felt on a mirrorless body. The front accepts 72mm screw-in filters, which must match that thread. | |
| Lens Weight | 755 g |
Lens Diameter ⓘWidth of the lens at its widest point | 76.8 mm |
Lens Length ⓘHow long the lens is from front to back. | 103 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 72 mm |
Optics76/100 | |
About the OpticsThe 35mm focal length gives a natural view of people in context. In a restaurant or a dusk street, you can frame a subject together with the room or the street around them. Moving closer turns the same lens into a half-length portrait tool. The f/0.95 maximum aperture passes far more light than a typical f/1.8 35mm. Shutter speeds stay usable where light barely reaches the subject. In a candlelit room or a night market, that margin often decides whether the frame is possible at all. Wide open, the depth of field is thin. You can place focus on a face and let the background fall away softly. At 35mm the effect stays gentler than on a portrait telephoto, which suits scenes where the setting should remain readable behind the subject. Fifteen aperture blades keep the opening close to round when you stop down. Out-of-focus highlights stay circular and even instead of forming hard-edged shapes. Rounded highlights suit night scenes, where point lights fill the background. Closest focus is 1.6 ft (50 cm), near enough for head-and-shoulders framing. The optics specification score is 76. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 35 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 0.95 |
| Focal Length Angle of View | 63.4° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 16 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 15020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 50 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.1x |
| Autofocus Mode | No |
| Manual Mode | |
| Manual Focusing Ring | |
Features | |
About the FeaturesThere is no image stabilization. At 35mm, handholding is steadier than with a long lens. The bright aperture also helps keep shutter speeds up, so the gap matters less here than on a telephoto. For static subjects such as interiors, a tripod or a brace restores the steadiness the lens lacks. The lens also skips weather sealing and a fluorine coating. There is no protection against rain or dust, so keep it covered in rough conditions. Without the coating, the front element needs gentle, deliberate cleaning when smears build up. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction54/100 | |
About the ConstructionFourteen elements in nine groups make up the optical path, and one of them is aspherical. Its specially shaped surface helps correct distortion and spherical aberration, a correction that matters when interiors put straight lines near the frame edges. Laowa also includes low-dispersion glass, which helps reduce chromatic aberration, the colored fringes that can appear along high-contrast edges at wide apertures. The construction specification score is 54. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 14 |
| Groups | 9 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 1 |
Low Dispersion ⓘElements that reduce chromatic aberration | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |