
7Artisans M 35mm f/2.8
f/2.8 instead of f/1.2
Leica · 35 mm · f/1.2 · Noctilux

This lens score is calculated from published specifications.
General | |
|---|---|
About This LensThis Noctilux is a fast 35mm prime for Leica M cameras, covering the full frame. The focal length suits street photography, reportage and environmental portraits, where you work near your subject and keep some of the scene around them. Leica released it in 2026, and it remains in production, so this is a current design. The wide f/1.2 aperture is the reason to choose this lens, and it shapes the trade-off. Focusing is entirely manual, with no autofocus motor of any kind. Anyone who enjoys focusing slowly and deliberately will feel at home. Anyone who needs to grab focus quickly may not. | |
| Brand | Leica |
| Release Year | 2026 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | Noctilux |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Leica M |
System ⓘIndicates which camera system the lens is designed to attach to. | Leica M |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe lens weighs 14.7 oz (416 g). It measures 2.54 in (64.6 mm) wide and 1.98 in (50.2 mm) long, so it stays compact on the camera. The size keeps the camera discreet for street work. Screw-in filters must match its 49mm thread. | |
| Lens Weight | 416 g |
Lens Diameter ⓘWidth of the lens at its widest point | 64.6 mm |
Lens Length ⓘHow long the lens is from front to back. | 50.2 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 49 mm |
Optics76/100 | |
About the OpticsThe 35mm focal length frames a scene with a natural sense of perspective. It is wide enough to hold context around a figure, yet not so wide that faces look stretched at portrait distance. That balance suits subjects that share their setting, from markets to interiors. Wide open at f/1.2, the lens takes in far more light than a typical f/2 or f/2.8 standard. In dim interiors, evening streets or lamplit rooms you can keep shooting handheld without pushing ISO as high as you otherwise would. The same aperture also gives very shallow depth of field, so a portrait subject separates from a softly blurred background. Eleven aperture blades keep the opening close to circular when you stop down. Out-of-focus highlights then render as smooth discs rather than hard-edged shapes, which suits night streets with point lights. Stopping down also deepens depth of field when you want a face and its setting both sharp. Closest focus sits at 1.6 ft (50 cm). That is comfortable for single figures and small groups at a natural working distance. On our specification rating it scores 76 for optics. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 35 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.2 |
| Focal Length Angle of View | 63.3° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 27.8 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 11020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 50 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.09x |
| Autofocus Mode | No |
| Manual Mode | |
| Manual Focusing Ring | |
Features0/100 | |
About the FeaturesThis is a plainly equipped lens. It has no image stabilisation, so there is no in-lens help for slower handheld exposures. Steadying the frame rests with the camera body or with your own steady handling. That matters most when light drops and shutter speeds lengthen. There is no weather sealing, so in rain or dust you need to shield the lens yourself. The front element also has no fluorine coating, which means it lacks the easy-clean, water-shedding surface such coatings provide. For anyone shooting mostly in fair conditions, none of this need hold you back. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction15/100 | |
About the ConstructionThe optical path uses 10 elements in 5 groups, including three aspherical elements. Aspherical surfaces are specially shaped to help correct optical faults such as distortion, which makes straight edges appear curved. That correction matters when buildings and horizons fill the frame, as they often do at 35mm. On our specification rating it scores 15 for construction. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 10 |
| Groups | 5 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 3 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |

f/2.8 instead of f/1.2

f/1.7 instead of f/1.2

f/2 instead of f/1.2


f/2 vs f/1.2 · 0.18× vs 0.09× close-up reach · 320 g vs 416 g


f/2 vs f/1.2 · 0.057× vs 0.09× close-up reach · 252 g vs 416 g


0.11× vs 0.09× close-up reach · 338 g vs 416 g · Closest focus 40 cm vs 50 cm