
Sigma 28-105mm F2.8 DG DN Art
28–105 mm instead of 24–90 mm · f/2.8 instead of f/2.8–4
Leica · 24–90 mm · f/2.8–4 · Image Stabilization

This lens score is calculated from published specifications.
General | |
|---|---|
About This LensThis Leica standard zoom fits full-frame L-mount bodies and covers a wide spread of subjects. The 24–90mm range runs from a broad view for interiors, streets and landscapes to a short telephoto for portraits and details. Travel, events and general assignments suit it well. The main trade-off is bulk. The lens packs the whole range into one heavy barrel, and the 2 lb 8.2 oz (1140 g) weight is part of that trade-off wherever you shoot. Leica launched this design in 2015, and it remains in production today. That long run makes it an older design that is still current rather than superseded. | |
| Brand | Leica |
| Release Year | 2015 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Leica L |
System ⓘIndicates which camera system the lens is designed to attach to. | Leica L |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThis lens weighs 2 lb 8.2 oz (1140 g), a load you carry on the camera and in the bag. The barrel is large, at 3.46 in (88 mm) across and 5.43 in (138 mm) long. A screw-in filter must match the 82mm front thread. The physical specification scores 64/100. | |
| Lens Weight | 1140 g |
Lens Diameter ⓘWidth of the lens at its widest point | 88 mm |
Lens Length ⓘHow long the lens is from front to back. | 138 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 82 mm |
Optics68/100 | |
About the OpticsThe 24–90mm range lets you reframe a scene without changing lenses. At 24mm you can take in a room, a street or a wide landscape. At 90mm you can tighten on a face, a performer or a distant detail. That spread saves you swapping lenses when you cannot step back in a crowd. Between the ends, mid-range settings give a natural view for casual portraits and reportage. The 90mm setting compresses a scene, pulling a distant backdrop closer to your subject. The aperture starts at f/2.8 at 24mm and closes to f/4 at the long end. That keeps the wide setting bright for dim interiors and evening streets. At 90mm, f/4 still softens a portrait background, while dim rooms at that end may need a higher ISO. For close work, the lens focuses to 1 ft (30 cm). That suits food, flowers and product details on location. Maximum magnification reaches 0.26x. The optical specification scores 68/100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 24–90 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2.8–4 |
| Focal Length Angle of View | 82.4°–27.8° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 20 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 11020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 30 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.26x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features71/100 | |
About the FeaturesOptical stabilisation is built in, which compensates shake in the recorded image at slower shutter speeds. That helps indoors, at dusk, and at 90mm, where camera movement shows more in the frame. It compensates image movement, so a moving subject still needs a faster shutter. The body is weather sealed, which reduces the risk of dust and moisture entering the lens. A fluorine coating is included in the design. There is no zoom lock to hold the chosen focal length. The feature set scores 71/100. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | Yes |
IS Efficiency ⓘIS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides. | 3.5 stops |
Construction69/100 | |
About the ConstructionFour aspherical elements sit in the optical path. Their specially shaped surfaces help correct distortion and spherical aberration. Distortion can curve straight edges, a concern when you frame buildings or horizons at the wide end. The design also addresses chromatic aberration, the colour fringing that can appear along high-contrast edges. Focusing is internal, so the glass moves inside the barrel as you focus. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 18 |
| Groups | 15 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 4 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 1 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 1 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |

28–105 mm instead of 24–90 mm · f/2.8 instead of f/2.8–4


24–70 mm vs 24–90 mm · Telephoto f/2.8 vs f/4 · No lens stabilization


24–70 mm vs 24–90 mm · Telephoto f/2.8 vs f/4 · 0.37× vs 0.26× close-up reach


24–70 mm vs 24–90 mm · Telephoto f/2.8 vs f/4 · No lens stabilization