Nikon AF-S DX NIKKOR 35mm F/1.8G
Nikon · 35 mm · f/1.8

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Nikon DX prime fits F mount bodies and covers the APS-C format. On that sensor, 35mm gives a natural view for everyday shooting. It suits street photography, indoor gatherings and pictures of people. At f/1.8, it suits handheld work in ordinary indoor light, and its low weight makes long days easy. The single focal length is the main trade-off for a lens of this kind. Nikon launched this lens in 2009 and still lists it in production today. Buyers get an older design with a long production run behind it. | |
| Brand | Nikon |
| Release Year | 2009 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Nikon F |
System ⓘIndicates which camera system the lens is designed to attach to. | Nikon F APS-C |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical57/100 | |
About the BuildAt 7.1 oz (200 g), the lens adds little to a camera's weight. It measures 2.76 in (70 mm) across and 2.07 in (52.5 mm) long, so it suits a small body. A screw-in filter must match the 52mm front thread to attach directly. Step-up rings can still adapt larger filters you may already own. | |
| Lens Weight | 200 g |
Lens Diameter ⓘWidth of the lens at its widest point | 70 mm |
Lens Length ⓘHow long the lens is from front to back. | 52.5 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 52 mm |
Optics81/100 | |
About the OpticsOn an APS-C sensor, 35mm gives a useful standard view between wide and telephoto. It can include a person and some surroundings for markets, travel and relaxed portraits. Perspective depends on your position. Leave more space between camera and subject when you want to avoid the exaggeration of very close framing. The f/1.8 maximum aperture is the key optical strength. It passes far more light than smaller apertures, so you can keep shutter speeds usable in dim rooms and hold ISO noise down. In a dim restaurant, that light may let you shoot without flash while keeping the mood of the room. The result still depends on light levels and subject movement. The same wide setting can blur a cluttered background when it is far enough behind a portrait subject. Focus continues down to 1 ft (30 cm), close enough to fill the frame with a plate of food or a row of books. There is no zoom range to fall back on, so you step closer or back away when the view needs to change. Our optics score for this lens is 81 out of 100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 35 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.8 |
| Focal Length Angle of View | 44.1° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 46.5 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 30 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.16x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features32/100 | |
About the FeaturesThis lens has no image stabilization. At a 35mm focal length, camera shake is less demanding than with a long telephoto. Even so, handheld shooting in poor light still needs a suitable shutter speed. Raising ISO lets you choose a faster exposure; bracing the camera or using firm support can also help. A rubber gasket at the lens mount helps protect that joint. This does not establish sealing throughout the barrel. Keep the lens covered in rain and avoid water splashes during outdoor work. There is no fluorine coating, so the front element lacks that specific water- and oil-repellent benefit. Use normal careful cleaning after fingerprints or dust. This does not mean the glass has no other optical coatings. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction15/100 | |
About the ConstructionThe optical formula uses eight elements in six groups, including one aspherical element. Its shaped surface helps correct distortion and spherical aberration. These faults can bend straight lines or soften detail, so correction matters for subjects such as doorframes and building edges. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 8 |
| Groups | 6 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |