Nikon AF-S NIKKOR 105mm F/1.4E ED
Nikon · 105 mm · f/1.4

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Nikon prime is made for full-frame Nikon F cameras. Its 105mm focal length gives a telephoto view that suits portraits and selecting people within an event. The f/1.4 maximum aperture helps when available light is limited. Check how much space your intended framing requires. The main trade-offs are weight and fixed framing. There is no zoom or built-in stabilisation. Nikon introduced the lens in 2016. It suits photographers who want a wide maximum aperture and can plan a suitable position for portraits, weddings or indoor events. | |
| Brand | Nikon |
| Release Year | 2016 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Nikon F |
System ⓘIndicates which camera system the lens is designed to attach to. | Nikon F |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThis is a heavy prime at 2 lb 2.7 oz (985 g), 4.17 in (106 mm) long and 3.72 in (94.5 mm) wide. The 82mm front thread takes screw-in filters directly, so any filter you buy must match that size. | |
| Lens Weight | 985 g |
Lens Diameter ⓘWidth of the lens at its widest point | 94.5 mm |
Lens Length ⓘHow long the lens is from front to back. | 106 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 82 mm |
Optics86/100 | |
About the OpticsThe 105mm focal length gives a narrower view than a standard lens from the same position. A head-and-shoulders portrait needs less space than a full-length composition at the same subject size. Check the room or location before a session. Moving to change framing also changes perspective, so choose distance for the picture you want. The f/1.4 maximum aperture admits more light than a smaller opening. At a given shutter speed, it can allow a lower ISO in dim rooms, evening receptions and window-lit interiors. Available light still determines practical settings. Check that your shutter speed accounts for subject movement. Depth of field at f/1.4 is very shallow. A portrait subject's eyes can stay sharp while the background blurs, which helps separate a face from busy surroundings. Focus carefully; a small head movement can shift the plane of sharpness. Many photographers stop down slightly for a touch more depth on two-person portraits. Closest focus is 3.3 ft (100 cm), measured from the sensor. This is a minimum limit, not a fixed portrait distance. Choose your position for the subject size and background you want, then check the frame before asking someone to hold a pose. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 105 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.4 |
| Focal Length Angle of View | 23.29° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 46.5 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 100 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.13x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesThere is no image stabilisation in the lens. A camera with body stabilisation can help with shake. The wide aperture may allow a faster shutter speed, but it does not steady the camera. Firm support helps with static subjects; a moving person still needs a suitable exposure time. The barrel carries dust and moisture sealing, which suits outdoor portrait and wedding work on damp or dusty days. It is built to resist the conditions, not to shrug off heavy rain. A fluorine coating on the front element helps keep dust, water and oil from sticking. Fingerprints and smudges wipe away more easily, which is handy between shots on a busy shoot. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction38/100 | |
About the ConstructionThe optical design holds 14 elements in 9 groups. It uses ED glass, a low-dispersion type that helps reduce chromatic aberration. Chromatic aberration appears as coloured fringes along high-contrast edges, such as rim light on a subject's hair in backlit portraits. ED glass helps limit that fringing, though it does not erase every trace. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 14 |
| Groups | 9 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 0 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 3 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |