Nikon AF-S NIKKOR 50mm F/1.4G
Nikon · 50 mm · f/1.4

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThe AF-S NIKKOR 50mm f/1.4G is a standard prime for Nikon F cameras. It covers full frame and was introduced in 2008. Its fixed view suits portraits, street scenes and everyday interiors. Check whether that framing fits your intended subjects, especially where walls or barriers limit movement. The f/1.4 maximum aperture is the main draw for dim rooms and evening light. The trade-off is the fixed focal length. You change position to adjust framing, so plan around the space available. A different lens may be useful when subjects move beyond the view you need. | |
| Brand | Nikon |
| Release Year | 2008 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Version ⓘThe iteration or release number of a particular lens model. | I |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Nikon F |
System ⓘIndicates which camera system the lens is designed to attach to. | Nikon F |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe lens weighs 9.9 oz (280 g) and measures 2.89 in (73.5 mm) across and 2.13 in (54 mm) long. Its short body takes little space in a small kit. Screw-in filters attach directly to the 58mm front thread. Allow room for the hood and caps when packing it beside a camera body. | |
| Lens Weight | 280 g |
Lens Diameter ⓘWidth of the lens at its widest point | 73.5 mm |
Lens Length ⓘHow long the lens is from front to back. | 54 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 58 mm |
Optics87/100 | |
About the OpticsThe f/1.4 maximum aperture admits more light than a smaller opening. At a given shutter speed, it can allow a lower ISO indoors or after dark. Available light still determines the exposure settings needed. Stop down when more depth of field is required, then check the resulting shutter speed. At close portrait distances, depth of field can be shallow with the aperture wide open. Place focus carefully on the important eye. A subject can stand out against a soft background when there is enough separation behind them. The amount of blur also depends on distance. On full frame, 50mm gives a standard view for people and everyday scenes. How much fits depends on where you stand. Moving closer makes the subject larger and changes perspective, with near features becoming larger relative to the background. Check the borders for distractions after changing position. Closest focus is 1.5 ft (45 cm), measured from the sensor, with 0.15x maximum magnification. This range can help with meals, flowers and objects on a table. The minimum distance is not the clearance ahead of the glass. Leave room for light and check that the camera does not shade the subject. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 50 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.4 |
| Focal Length Angle of View | 46.79627029668992° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 46.5 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 45 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.15x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features32/100 | |
About the FeaturesThere is no image stabilisation in the lens. Choose a shutter speed that suits both camera shake and subject movement. Firm support is useful for long exposures of still scenes, but a person can continue to move. Inspect a test frame when working in dim light. Keep the lens sheltered from rain, dust and sea spray. Protect the open mount during lens changes. Remove loose particles before wiping the front glass, and keep both ends capped during transport. Dry the exterior before storage after a damp session. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction | |
About the ConstructionThe optical design uses eight elements in seven groups. The focus ring allows manual adjustment when needed. Check the important detail before a sequence, particularly at close range with a wide aperture. A small change in subject or camera position can require a fresh focus adjustment. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 8 |
| Groups | 7 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 0 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |