Nikon NIKKOR Z 50mm F/1.2 S
Nikon · 50 mm · f/1.2 · S-Line

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis is Nikon's fast standard prime for Z-mount full-frame cameras. Nikon launched it in 2020, and it remains in production. A 50mm focal length and a very wide f/1.2 aperture point it at portraits, dim interiors and evening work. It suits photographers who shoot people in dim venues and want strong background separation. The trade-off is bulk. This is a large, heavy lens for a 50mm, and it carries no stabilisation, so steadier support matters in fading light. There is no zoom. You frame by moving closer or stepping back, which suits a deliberate, unhurried style. | |
| Brand | Nikon |
| Release Year | 2020 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | S-Line |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Nikon Z |
System ⓘIndicates which camera system the lens is designed to attach to. | Nikon Z |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical100/100 | |
About the BuildThe lens weighs 2 lb 6.4 oz (1090 g). It measures 3.52 in (89.5 mm) across and 5.91 in (150 mm) long, a large tube for a 50mm prime. A screw-in filter must match the 82mm thread on the front. | |
| Lens Weight | 1090 g |
Lens Diameter ⓘWidth of the lens at its widest point | 89.5 mm |
Lens Length ⓘHow long the lens is from front to back. | 150 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 82 mm |
Optics88/100 | |
About the OpticsA 50mm focal length gives a standard view on full frame. It suits portraits, table scenes and everyday subjects without including as much of a room as a wider lens. Leave enough distance for your chosen framing. Standing very close can exaggerate facial features, so position matters as much as focal length. The f/1.2 aperture gives you more light than a smaller opening at the same shutter speed. In a dim venue, you can use that advantage for a faster exposure or a lower ISO. Light levels and subject movement still decide how far you can take either choice. At close portrait distances, f/1.2 can give very shallow depth of field. Place focus on the eye you want sharp and watch for small head movements. A background well behind the person becomes easier to soften. Stop down when hair, clothing or another face must also remain clear. Closest focus is 1.5 ft (45 cm), measured from the sensor. That suits details such as place settings, while portraits usually benefit from more space. Maximum magnification is 0.15x. The optics specification score is 88 out of 100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 50 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.2 |
| Focal Length Angle of View | 46.8° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 16 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 45 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.15x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features32/100 | |
About the FeaturesWeather sealing is present. That helps when a portrait session moves outdoors into drizzle, or when dust hangs over an evening event. The sealing suits a working day in which the lens stays mounted through changing conditions. There is no built-in stabilization. A camera with body stabilization can help with still subjects; firm support can also steady the view. A faster shutter speed reduces blur from camera shake, and f/1.2 gives more room for that choice than a smaller opening in the same light. No fluorine coating sits on the front glass. That treatment helps water and oil slide off, so expect to clean the element with more care after damp or dusty work. Our features specification score is 32/100. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction54/100 | |
About the ConstructionThe formula holds 17 elements in 15 groups. Three aspherical elements use shaped surfaces to curb distortion and spherical aberration. Distortion can bow straight edges, such as door frames behind a sitter. Two low-dispersion elements help reduce chromatic aberration, which can leave coloured fringes along high-contrast edges. Our construction specification score is 54/100. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 17 |
| Groups | 15 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 3 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 2 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |