

Nikon DX NIKKOR Z 16-50mm F/3.5-6.3 VR versus Nikon Z DX 16-50mm f/2.8 VR
f/2.8 vs f/3.5 · 330 g vs 135 g · Closest focus 15 cm vs 20 cm
Nikon · 16–50 mm · f/3.5–6.3 · Image Stabilization

This lens score is calculated from published specifications.
General | |
|---|---|
About This LensThis is a compact standard zoom for Nikon Z cameras with APS-C sensors. Nikon introduced it in 2019 and it remains in production today. On a DX body, the 16–50mm range runs from wide views to a short telephoto. That spread suits travel, everyday pictures, interiors, street scenes and relaxed portraits without changing lenses. The trade-off is a slow variable aperture and a plain feature set, exchanged for a body that carries almost anywhere. It makes a sensible first zoom for a new Z-mount DX camera. | |
| Brand | Nikon |
| Release Year | 2019 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Nikon Z |
System ⓘIndicates which camera system the lens is designed to attach to. | Nikon Z APS-C |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical57/100 | |
About the BuildIt weighs 4.8 oz (135 g) and measures about 2.76 in (70 mm) across and 1.26 in (32 mm) long. A zoom this small slips into a jacket pocket or a small camera bag. Screw-in filters must match the 46mm thread. The short barrel keeps a small Z body easy to stow. | |
| Lens Weight | 135 g |
Lens Diameter ⓘWidth of the lens at its widest point | 70 mm |
Lens Length ⓘHow long the lens is from front to back. | 32 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 46 mm |
Optics54/100 | |
About the OpticsAt 16mm the lens frames tight rooms, building interiors and group shots without stepping back. The 50mm end suits portraits and picks out details from a natural working distance. Street photographers can move from environmental scenes to tighter candid frames with one twist. You can cover a whole outing on this single range. The maximum aperture starts at f/3.5 at 16mm and falls to f/6.3 at 50mm. Daylight and bright interiors are comfortable at either end. Overcast days and window-lit rooms are fine too. In dim rooms at 50mm, f/6.3 passes little light, so you will raise ISO or rest the camera somewhere steady. Indoor events under mixed lighting are the hardest cases. Depth of field at f/6.3 on an APS-C sensor stays deep. Backgrounds behind portraits remain fairly sharp, so the lens favours convenience over background blur. Closest focus is 0.7 ft (20 cm), close enough for food, flowers and tabletop details. At 16mm, focusing close also lets foreground details lead the frame. It scores 54/100 for optics. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 16–50 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 3.5–6.3 |
| Focal Length Angle of View | 82.9°–31.56° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 16 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 20 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.2x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features25/100 | |
About the FeaturesVR image stabilisation helps steady the camera at slower shutter speeds, which supports handheld shooting indoors and at dusk. It corrects your own movement, not a moving subject, so it will not freeze a walking person or a waving hand. Static subjects like interiors and still lifes benefit most. A zoom lock holds the barrel in place, so it cannot extend inside a bag. There is no weather sealing, so keep the lens sheltered in rain, spray or dust. Dusty trails and beaches call for extra care. The front element also lacks a fluorine coating, so it will not shed water and smudges as easily. A blower or soft cloth handles most cleaning. The feature set scores 25/100. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | Yes |
IS Efficiency ⓘIS efficiency refers to the effectiveness of the image stabilization system in compensating for the blurring effects of camera shake, quantified by the number of stops of stabilization it provides. | 4.5 stops |
Construction31/100 | |
About the ConstructionThe design includes aspherical elements, whose specially shaped surfaces help correct distortion, where straight edges appear curved. That matters for wide interior views, where walls and doorframes sit near the frame edges. Low-dispersion glass helps reduce chromatic aberration, where colours focus differently and create coloured fringes along high-contrast edges. Fringes can show along bright window frames on sunny streets. It scores 31/100 for construction. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 9 |
| Groups | 7 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |


f/2.8 vs f/3.5 · 330 g vs 135 g · Closest focus 15 cm vs 20 cm


17–70 mm vs 16–50 mm · f/2.8 vs f/3.5 · 540 g vs 135 g


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