
Yongnuo YN 17mm f/1.7M
f/1.7 instead of f/1.2
OM System · 17 mm · f/1.2 · PRO

This lens score is calculated from published specifications.
General | |
|---|---|
About This LensThe M.Zuiko Digital ED 17mm f/1.2 PRO is a prime lens for the Micro Four Thirds mount and format. Its 17mm focal length gives a slightly wide, natural view for everyday photography. The f/1.2 maximum aperture is the main draw. OM System released this design in 2017. The trade-off is the fixed focal length: you frame by moving closer or stepping back, not by zooming. In return, the lens stays compact and easy to carry all day. The lens offers no stabilisation of its own. Instead it concentrates on optical speed in a sealed, portable body. | |
| Brand | OM System |
| Release Year | 2017 |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | PRO |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Micro Four Thirds |
System ⓘIndicates which camera system the lens is designed to attach to. | Micro Four Thirds |
Maximum Format ⓘLargest sensor size compatible with the lens. | Micro Four Thirds |
Physical100/100 | |
About the BuildThe lens weighs 13.8 oz (390 g). It measures 3.43 in (87 mm) long and 2.69 in (68.2 mm) wide, so it packs small. A screw-in filter attaches directly and must match the 62mm front thread. | |
| Lens Weight | 390 g |
Lens Diameter ⓘWidth of the lens at its widest point | 68.2 mm |
Lens Length ⓘHow long the lens is from front to back. | 87 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 62 mm |
Optics89/100 | |
About the OpticsA 17mm focal length on Micro Four Thirds gives a versatile, walk-around view. It takes in a street corner or a dinner table without the dramatic stretch of a wider lens. That makes it a good fit for reportage, interiors and environmental portraits, where the subject should keep its surroundings. The f/1.2 aperture is the headline specification. It admits far more light than a typical zoom, so you can hold usable shutter speeds in dim restaurants, bars and evening streets. Wide open, it also separates a near subject from a busy background. Nine aperture blades keep the opening round, which helps out-of-focus highlights stay smooth. The depth of field at 17mm is generous, so focus placement is forgiving at everyday distances. Focusing works down to 0.7 ft (20 cm). That lets you photograph a market stall or a plate on a table while keeping the wider scene in the frame. Our optics assessment scores the lens at 89. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 17 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.2 |
| Focal Length Angle of View | 65° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 19.25 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 20 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.15x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features32/100 | |
About the FeaturesThe lens is weather sealed against dust and rain. You can keep shooting through drizzle on a street walk or a dusty trail without bagging the camera. Full protection depends on a sealed camera body too. There is no image stabilisation in the lens. Any shake reduction has to come from the camera body. The bright aperture helps you keep shutter speeds high enough to hand-hold in low light, which softens the practical impact. The front element has no fluorine coating. That leaves no water- and oil-repellent layer, so a smudged or rain-spotted front glass needs more deliberate cleaning. The features score for this lens is 32. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction54/100 | |
About the ConstructionThe optical formula uses 15 elements in 11 groups. Three aspherical elements help correct distortion and spherical aberration. That matters here, because street scenes often include straight lines such as building edges and horizons. Five low-dispersion elements help reduce chromatic aberration, the coloured fringes that can show along high-contrast edges like branches against a bright sky. Internal focusing keeps the lens the same length while it focuses. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 15 |
| Groups | 11 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 3 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 5 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |

f/1.7 instead of f/1.2

f/1.8 instead of f/1.2

f/2.8 instead of f/1.2


f/1.8 vs f/1.2 · 0.08× vs 0.15× close-up reach · 112 g vs 390 g