OM System M.Zuiko Digital ED 40-150mm f/2.8 PRO
OM System · 40–150 mm · f/2.8 · PRO

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis OM System zoom spans 40–150mm on Micro Four Thirds cameras. That range covers short telephoto portraits through to tighter, distant subjects such as stage performers and wildlife at moderate range. The range suits portraits, events and sport when you need to change framing from a fixed position. The f/2.8 maximum aperture stays available throughout the zoom. Check whether the short end is wide enough for groups in the spaces where you usually work. Olympus introduced the design in 2014. There is no stabilisation inside the lens, so consider the camera body, shutter speed and support you will use. Weight is another factor when planning a kit for a long walking session. | |
| Brand | OM System |
| Release Year | 2014 |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | PRO |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Micro Four Thirds |
System ⓘIndicates which camera system the lens is designed to attach to. | Micro Four Thirds |
Maximum Format ⓘLargest sensor size compatible with the lens. | Micro Four Thirds |
Physical100/100 | |
About the BuildThe lens weighs 1 lb 10.8 oz (760 g) without the tripod adapter and measures 6.3 in (160 mm) long and 3.13 in (79.4 mm) across. Allow room for the adapter, hood and caps when packing. A tripod can take the weight during a fixed session. Screw-in filters must match the 72mm front thread. | |
| Lens Weight | 760 g |
Lens Diameter ⓘWidth of the lens at its widest point | 79.4 mm |
Lens Length ⓘHow long the lens is from front to back. | 160 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 72 mm |
Optics81/100 | |
About the OpticsAt 40mm, the view includes more of a person and their setting. At 150mm, a distant player or performer occupies more of the frame from the same spot. The zoom can refine a composition when a barrier prevents moving closer. Changing camera position changes perspective as well as framing. The f/2.8 maximum aperture stays available throughout the range. At a given shutter speed, it can allow a lower ISO in a dim gym or theatre. A close subject can have a soft background when there is enough space behind it. Available light still determines the exposure settings needed. A constant maximum aperture does not keep depth of field unchanged as you zoom. Focus distance and focal length also matter. Stop down when more depth is needed for a group, then check whether the resulting shutter speed suits the people in it. Closest focus is 2.3 ft (70 cm) throughout the zoom, measured from the sensor. Native maximum magnification is 0.21x. This range can help with flowers or details at an event. Leave room ahead of the glass for lighting and check that the camera does not shade the subject. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 40–150 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2.8 |
| Focal Length Angle of View | 30°–8.2° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 19.25 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 70 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.21x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features71/100 | |
About the FeaturesThe body is designed to resist dust and moisture. Use cover in persistent rain and protect the open mount during lens changes. Dry the exterior before storage after a damp session. There is no image stabilisation in the lens. A camera with body stabilisation can help with shake. Firm support helps during long exposures of still subjects, but moving people still need a suitable shutter speed. There is no zoom lock switch; check the selected focal length before a sequence. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | |
| Image Stabilization | No |
Construction55/100 | |
About the ConstructionFocusing is internal, so the barrel length stays fixed as focus changes. The design includes two aspherical elements, three ED elements and one element that combines both types, plus one Super ED element. Aspherical surfaces help correct distortion and spherical aberration. ED glass helps reduce coloured fringes along high-contrast edges. Their presence does not establish measured image quality. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 16 |
| Groups | 10 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 3 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 4 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 1 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |