
Panasonic LUMIX G Series 20mm f/1.7
f/1.7 instead of f/1.4
OM System · 20 mm · f/1.4 · PRO

This lens score is calculated from published specifications.
General | |
|---|---|
About This LensThis OM System prime, introduced in 2021, was made for Micro Four Thirds cameras. Its 20mm focal length gives a natural, walk-around view, close to what a standard lens shows on full frame. Street, travel and everyday photography fit that view well, and the bright f/1.4 maximum aperture extends the same work into dim interiors and evening streets. The trade-off is the prime design. You carry one focal length, so you frame by moving rather than zooming. There is no in-lens stabilization either, so poor-light handheld work leans on that wide aperture. | |
| Brand | OM System |
| Release Year | 2021 |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | PRO |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Micro Four Thirds |
System ⓘIndicates which camera system the lens is designed to attach to. | Micro Four Thirds |
Maximum Format ⓘLargest sensor size compatible with the lens. | Micro Four Thirds |
Physical100/100 | |
About the BuildAt 8.7 oz (247 g), it adds little weight to a bag. The barrel is 2.5 in (63.4 mm) wide and 2.43 in (61.7 mm) long. That size suits the compact Micro Four Thirds bodies it mounts on. A screw-in filter must match the 58mm front thread. | |
| Lens Weight | 247 g |
Lens Diameter ⓘWidth of the lens at its widest point | 63.4 mm |
Lens Length ⓘHow long the lens is from front to back. | 61.7 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 58 mm |
Optics86/100 | |
About the OpticsA 20mm lens on Micro Four Thirds frames the world much as your eye does, so people and objects sit at natural, conversational distances. That suits street scenes, market stalls, interiors and groups of friends. The lens focuses as close as 0.8 ft (25 cm), so you can work near a subject and keep the scene around it. The f/1.4 maximum aperture is the reason to choose this lens. In a candle-lit cafe or an evening street, it lets you keep shutter speeds fast enough to shoot handheld and ISO low. You can also stay discreet indoors without a flash. Depth of field stays fairly deep at 20mm, even wide open. You get gentle background softening for environmental portraits rather than strong isolation of a subject from its surroundings. Nine aperture blades help the opening stay roughly circular when stopped down. For layered scenes where context matters as much as the subject, that deep focus works in your favour. Stopping down deepens focus further for landscape, interior and architectural frames. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 20 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.4 |
| Focal Length Angle of View | 57° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 19.25 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 25 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.11x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features52/100 | |
About the FeaturesWeather sealing makes this a lens you can keep using when the rain starts or the dust rises. For street and travel work that runs through changing conditions, that is a practical advantage. A fluorine coating on the front glass helps water bead off and makes fingerprints easier to wipe away. If you shoot often and clean quickly between frames, that saves time. The lens itself offers no image stabilization. The wide aperture goes some way toward offsetting that gap, and the 20mm focal length shows camera shake less than a longer lens would. Even so, a steady hand or support still matters in poor light. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction55/100 | |
About the ConstructionThe 11 elements in 10 groups include two aspherical elements, three ED elements and one Super ED element. Aspherical surfaces help correct distortion, the bending of straight lines, which can matter when buildings or horizons fill the frame. The low-dispersion glass helps reduce chromatic aberration, the coloured fringes that can appear along high-contrast edges such as streetlights at dusk. Focusing is internal, so the barrel does not extend as you focus. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 11 |
| Groups | 10 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 2 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 3 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 1 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |

f/1.7 instead of f/1.4