Panasonic Lumix DG 25mm f/1.7 ASPH
Panasonic · 25 mm · f/1.7

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThe Panasonic LUMIX G25mm f/1.7 is a standard prime for Micro Four Thirds cameras. It suits street scenes, people and everyday details. A fixed focal length means you choose a position for the view you want, with no zoom ring to change framing from that spot. The bright f/1.7 aperture is the main reason to buy this lens. The trade-off is the fixed 25mm framing. You change the picture by moving closer or further away, not by turning a zoom ring. Panasonic introduced the lens in 2015. Its small body suits a light everyday kit. Check whether a standard view fits your subjects, especially in restricted spaces. There is no stabilisation or weather sealing. | |
| Brand | Panasonic |
| Release Year | 2015 |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Micro Four Thirds |
System ⓘIndicates which camera system the lens is designed to attach to. | Micro Four Thirds |
Maximum Format ⓘLargest sensor size compatible with the lens. | Micro Four Thirds |
Physical64/100 | |
About the BuildAt 4.4 oz (125 g), this is a light lens for a small body. It extends 2.05 in (52 mm) from the mount and spans 2.39 in (60.8 mm) wide, so it adds little bulk. A screw-in filter must match the 46mm thread. It scores 64/100 on physical specifications. | |
| Lens Weight | 125 g |
Lens Diameter ⓘWidth of the lens at its widest point | 60.8 mm |
Lens Length ⓘHow long the lens is from front to back. | 52 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 46 mm |
Optics83/100 | |
About the OpticsOn Micro Four Thirds, 25mm gives a standard view. It suits meals, family pictures and street scenes with some surroundings included. How much fits depends on the space available and your position. Moving closer changes perspective as well as framing, so check the relationship between the foreground and background. The f/1.7 maximum aperture lets in more light than a smaller opening. At the same shutter speed, it can allow a lower ISO in dim rooms. A nearby subject can have a soft background when there is enough space behind it. Focus carefully when working close with shallow depth of field. Closest focus is 0.8 ft (25 cm), measured from the sensor. It can help with food, flowers and tabletop objects. Leave enough room ahead of the lens for light to reach the subject. Stop down when more depth of field is needed, then adjust exposure for the reduced light. A distant subject occupies less of the frame than it would with a longer lens from the same position. Check this before choosing equipment for an event. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 25 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.7 |
| Focal Length Angle of View | 46.81° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 19.25 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 25 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.14x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features | |
About the FeaturesThe lens itself has no image stabilisation. Steady handheld work relies on sensible shutter speeds, a brace against a wall, or a tripod when light drops. Any stabilisation must come from the camera body, so check that before buying if dim-light handheld shots matter to you. There is no weather sealing, so protect the lens from rain, sea spray and heavy dust. Remove loose grit before wiping the front glass. Keep both ends capped in your bag, and check the mount is clean when changing lenses. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction38/100 | |
About the ConstructionThe optical path uses eight elements in seven groups, and two of them are aspherical. These specially shaped surfaces help correct distortion and spherical aberration. Distortion bows straight edges, so the correction matters for the lines in streets and interiors. One UHR element is also included in the design. This high-refractive-index glass helps the designer control the light path within a compact optical system. The formula describes design choices; it does not establish measured sharpness or autofocus performance on its own. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 8 |
| Groups | 7 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 2 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |