Samyang 12mm F/2 NCS CS
Samyang · 12 mm · f/2

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Samyang is a manual-focus 12mm prime designed for APS-C mirrorless cameras. Mount versions include Samsung NX, Canon EF-M, Fujifilm X and Sony E. Choose the version made for your camera. Introduced in 2014, the design suits interiors, architecture and landscapes where a wide view is useful. The f/2 maximum aperture is useful to consider for dim interiors or the night sky. The main trade-off is manual focus. Check how clearly your camera displays fine detail and which focus aids it offers, especially if subjects move towards or away from you. | |
| Brand | Samyang |
| Release Year | 2014 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Canon EF-M |
System ⓘIndicates which camera system the lens is designed to attach to. | Canon EOS M |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical57/100 | |
About the BuildThe Samsung NX version weighs 8.3 oz (235 g) and measures 2.03 in (51.6 mm) long and 2.85 in (72.5 mm) across. Other mounts differ in weight and length. Allow room for the hood and caps when packing. Screw-in filters must match the 67mm front thread. | |
| Lens Weight | 245 g |
Lens Diameter ⓘWidth of the lens at its widest point | 72.5 mm |
Lens Length ⓘHow long the lens is from front to back. | 59 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 67 mm |
Optics60/100 | |
About the OpticsThe 12mm focal length gives a wide view on APS-C. How much of a room or building fits depends on your position and the scene. Moving close to a rock or doorway makes it larger relative to the background. Check the frame edges for unwanted objects and foreground distractions. Closest focus is 0.7 ft (20 cm), measured from the sensor. This range can help place a flower or small detail in the foreground. The clearance ahead of the lens is shorter than the focus distance. Leave room for light and avoid shading the subject with the camera. The f/2 maximum aperture admits more light than a smaller opening. At a given shutter speed, it can allow a lower ISO in dim interiors or evening streets. For stars, check focus on a magnified view if the camera offers one. Test the exposure time for the amount of star movement you want. Depth of field depends on aperture and focus distance as well as focal length. A near foreground and distant buildings may need a smaller aperture to appear sharp together. Choose the focus position deliberately and inspect both parts of the scene. A wide view does not remove the need for accurate focus. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 12 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2 |
| Focal Length Angle of View | 96.35216716715522° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 6020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 20 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.05x |
| Autofocus Mode | No |
| Manual Mode | |
| Manual Focusing Ring | |
Features19/100 | |
About the FeaturesThere is no image stabilisation in the lens. A camera with body stabilisation can help with shake. Firm support helps during long exposures of still scenes, but passing people and wind-blown plants can continue to move. Choose shutter speed for the subject as well as your own hold. The lens has no weather sealing. Keep it sheltered from rain and blowing sand, and protect the open mount during lens changes. Remove loose grit before wiping the front glass. Keep both ends capped when the lens is off the camera. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | |
| Image Stabilization | No |
Construction31/100 | |
About the ConstructionThe 12-element, 10-group design includes one aspherical element, one hybrid aspherical element and three ED elements. Aspherical surfaces help correct distortion and spherical aberration. ED glass helps reduce coloured fringes along high-contrast edges, such as branches against bright sky. Their presence does not establish measured image quality. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 12 |
| Groups | 10 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 2 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 3 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |