Samyang 135mm F/2 ED UMC
Samyang · 135 mm · f/2

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThe Samyang 135mm f/2 ED UMC is a manual-focus telephoto prime. Its optical design covers full frame, while some mount versions serve cameras with smaller sensors. Versions include Fujifilm X, Sony A, Sony E, Canon EF, Nikon F, Pentax K, Samsung NX, Canon EF-M and Micro Four Thirds. The fixed view suits portraits, performances and distant details. Choose the mount made for your camera and check whether the framing fits the spaces where you work. The main trade-off is manual focus, especially when subjects move towards or away from you. Samyang introduced this design in 2015. Consider the weight of the full camera kit and the support available for a long portrait or stage session. | |
| Brand | Samyang |
| Release Year | 2015 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Fujifilm X |
System ⓘIndicates which camera system the lens is designed to attach to. | Fujifilm X |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe Fujifilm X version weighs 1 lb 15 oz (880 g) and measures 5.84 in (148.4 mm) long and 3.23 in (82 mm) across. Other mount versions differ in weight and length. Allow room for the hood and caps when packing. Screw-in filters must match the 77mm front thread. | |
| Lens Weight | 880 g |
Lens Diameter ⓘWidth of the lens at its widest point | 82 mm |
Lens Length ⓘHow long the lens is from front to back. | 148.4 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 77 mm |
Optics69/100 | |
About the OpticsAt 135mm, the lens selects a small part of a distant scene. How much fits depends on subject size, camera position and sensor format. An APS-C or Micro Four Thirds sensor records a tighter view than full frame from the same position. Check the borders for distractions before taking a portrait. The f/2 maximum aperture admits more light than a smaller opening. At a given shutter speed, it can allow a lower ISO in a dim theatre or evening reception. A close subject can stand out against a soft background when there is enough space behind it. At close portrait distances, depth of field can be shallow at f/2. Focus carefully on the important detail, then check again after the person or camera moves. Stop down when more depth is needed for the face, and inspect the resulting shutter speed. Closest focus is 2.6 ft (80 cm), measured from the sensor. This range can help with flowers or small details. Leave room ahead of the glass for light and check that the camera does not shade the subject. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 135 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2 |
| Focal Length Angle of View | 18.209520027796565° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 17.7 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 80 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.25x |
| Autofocus Mode | No |
| Manual Mode | |
| Manual Focusing Ring | |
Features19/100 | |
About the FeaturesFocus is adjusted with the manual ring. Use a magnified view or other focus aid if your camera provides one. For a fixed composition, check focus before the moment arrives. Refocus when the subject changes distance; a previously sharp setting may no longer suit it. There is no image stabilisation in the lens. A camera with body stabilisation can help with shake. Firm support helps during long exposures of still subjects, but moving people still need a suitable shutter speed. The lens has no weather sealing, so keep it sheltered from rain and blowing sand. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | |
| Image Stabilization | No |
Construction38/100 | |
About the ConstructionED glass helps reduce chromatic aberration, where different colours focus at different points and leave fringes along high-contrast edges. Backlit portraits and stage lighting can create those edges. This design feature does not establish measured image quality. Focusing is internal, so the barrel length stays fixed as focus changes. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 11 |
| Groups | 7 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 0 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 1 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |