
Samyang AF 35mm F/2.8 FE
Samyang · 35 mm · f/2.8

Score Breakdown
This lens score is calculated from published specifications.
General | |
|---|---|
About This LensThis Samyang prime is a fixed 35mm lens for Sony E-mount full-frame cameras. That focal length suits street photography, travel and everyday pictures at home. Landscapes and interiors also fit its view. It frames a subject together with their surroundings, which suits reportage rather than tight head shots. The trade-off is size against speed and features. The maximum aperture is F/2.8, and there is no stabilization. In return the lens is very small and light. Samyang introduced it in 2017, and it remains in production. As a light alternative to a zoom, it makes sense for anyone who values a small kit. | |
| Brand | Samyang |
| Release Year | 2017 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical64/100 | |
About the BuildThe lens weighs just 3 oz (85.6 g) and measures 1.3 in (33 mm) long. The 2.43 in (61.8 mm) barrel stays slim next to the body. It adds little to the camera's bulk, so carrying it all day is easy. Filters screw directly into a 49mm thread, a common size among compact primes. | |
| Lens Weight | 85.6 g |
Lens Diameter ⓘWidth of the lens at its widest point | 61.8 mm |
Lens Length ⓘHow long the lens is from front to back. | 33 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 49 mm |
Optics76/100 | |
About the OpticsOn a full-frame body, 35mm gives a natural walking view of the world. Street scenes, café interiors and market stalls sit comfortably in the frame. It also works well for environmental portraits, where the person and the room both matter. A fixed focal length means you frame by moving, which many street photographers prefer. F/2.8 is the widest setting, and that shapes how the lens handles light. Indoors or at dusk you will often raise ISO rather than risk blur. Wide open, the aperture gives gentle background separation rather than strong blur. Step closer to the subject when you want more separation. It focuses as close as 1.1 ft (35 cm). That is close enough for a plate on a table or a detail at a stall. Seven aperture blades shape the out-of-focus highlights behind your subject. Its Optics score is 76 out of 100. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 35 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2.8 |
| Focal Length Angle of View | 63.443975666842476° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 7020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 35 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.12x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features19/100 | |
About the FeaturesThe feature list here is short. The lens has no image stabilization, so handheld sharpness depends on shutter speed and a steady hold. At 35mm, moderate handheld shutter speeds usually suffice, which softens the loss in daylight. After dark or indoors, a railing or tabletop can steady the camera instead. It also has no weather sealing. In rain or blowing dust, put the camera under a coat or back in the bag. For street sessions that run into poor weather, a simple cover makes sense. Its Features score is 19 out of 100. The front element also has no fluorine coating. Without it, dust and fingerprints cling more readily, so a small cleaning cloth is worth packing. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | No |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | |
| Image Stabilization | No |
Construction54/100 | |
About the ConstructionThe optical unit has seven elements in six groups, including aspherical elements. Shaped surfaces like these help correct distortion and spherical aberration, faults that curve straight edges and soften detail. For street scenes with buildings and doorframes, that correction matters. The design also aims to reduce chromatic aberration, the colored fringing you see along high-contrast edges. Focusing is internal, so the lens does not change length as it focuses. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 7 |
| Groups | 6 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 1 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |
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