Sigma 16-28mm F/2.8 DG DN | C
Sigma · 16–28 mm · f/2.8 · Contemporary

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensThis Sigma zoom covers 16–28mm on full-frame cameras and comes in Sony E and L-Mount versions. Sigma introduced it in 2022. Its wide range suits interiors, landscapes and travel scenes where you want to include a large part of the surroundings from one position. The f/2.8 maximum aperture stays available throughout the zoom. The main trade-off is reach. Even at 28mm, distant details remain relatively small. It works as a wide-angle part of a kit, while a longer lens can cover tighter portraits or details farther away. | |
| Brand | Sigma |
| Release Year | 2022 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | Contemporary |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical93/100 | |
About the BuildThe lens weighs 15.9 oz (450 g) and measures 3.04 in (77.2 mm) across. The L-Mount version is 3.96 in (100.6 mm) long; the Sony E version is slightly longer. The internal zoom keeps the barrel length unchanged when you zoom. Screw-in filters must match the 72mm front thread. | |
| Lens Weight | 450 g |
Lens Diameter ⓘWidth of the lens at its widest point | 77.2 mm |
Lens Length ⓘHow long the lens is from front to back. | 102.6 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 72 mm |
Optics81/100 | |
About the OpticsAt 16mm, you can include more of a room or landscape than at 28mm from the same position. This helps when space limits where you can stand. Check the edges for your shadow, equipment or objects that do not help the composition. Moving close makes a foreground object look prominent against distant scenery. The change in viewpoint creates that perspective. Keep people away from the frame edges when their proportions matter, and avoid crowding a face with the camera. Small position changes can make a large difference to a wide composition. The maximum aperture remains f/2.8 as you zoom. You can retain that opening when framing changes, though a different part of the scene may need a different exposure. In dim interiors, f/2.8 gives more room for a faster shutter speed or lower ISO than a smaller opening. A nearby subject can have a soft background at f/2.8. For a landscape with foreground and distant detail, stop down and choose focus carefully. A wide view does not automatically make everything sharp. Inspect important details when depth of field is central to the picture. Closest focus is 0.8 ft (25 cm), measured from the sensor. Maximum magnification is about 0.18x, useful for larger details shown with their setting. Leave room ahead of the front glass, and avoid shading a nearby subject with the lens or camera. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 16–28 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 2.8 |
| Focal Length Angle of View | 107.03100741996673°–75.38498656029279° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 9020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | |
Zoom Mechanism ⓘSystem enabling zoom function | |
Zoom Ring ⓘIf zooming is adjusted using a zoom ring | |
Zoom Type ⓘThe design or approach to zooming | |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 25 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.18x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features32/100 | |
About the FeaturesThere is no stabilization in the lens. A camera with body stabilization can reduce shake for still scenes. A tripod gives a firm base for carefully arranged interiors, night landscapes and long exposures. Moving people in the frame still need enough shutter speed for their movement. The rotary zoom ring changes framing manually. There is no zoom lock switch. Keep the lens supported when carrying the camera, and use cover in persistent rain or blowing dust. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Zoom Lock ⓘZoom lock allows the zoom ring to be locked at the desired focal length | No |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction54/100 | |
About the ConstructionFour aspherical elements help correct distortion and spherical aberration, which can bend lines or soften detail. Five FLD elements help reduce coloured fringes along high-contrast edges, such as a roof against bright sky. The element count describes the design rather than proving measured sharpness. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 16 |
| Groups | 11 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 4 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 0 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 5 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | |