Sigma 85mm F/1.4 DG DN | A
Sigma · 85 mm · f/1.4 · Art

Score Breakdown
Scores combine our editorial testing with published lab data.
General | |
|---|---|
About This LensSigma introduced this 85mm f/1.4 Art prime in 2020. It covers full-frame mirrorless cameras, with separate versions for L-Mount and Sony E. Choose the lens that matches your camera mount. The focal length and bright aperture suit portraits, weddings and evening events. Its main trade-off is fixed framing. You move closer or farther away to change the composition when the space permits. At a crowded reception or in a small room, that movement can be limited. A wider lens includes more of the scene from the same position. | |
| Brand | Sigma |
| Release Year | 2020 |
Production Status ⓘCurrent status of lens manufacturing (e.g., in production, discontinued). | |
Pro Branding ⓘSpecific branding codes used for professional-tier lenses. | Art |
Lens Mount ⓘThe lens mount will tell you what type of lens range you can fit onto the camera body. Often the same camera company will have different lens ranges for different cameras. | Sony E |
System ⓘIndicates which camera system the lens is designed to attach to. | Sony E |
Maximum Format ⓘLargest sensor size compatible with the lens. | |
Physical93/100 | |
About the BuildThe L-Mount version weighs 1 lb 6.2 oz (630 g) and measures 3.26 in (82.8 mm) across and 3.7 in (94.1 mm) long. The Sony E version is slightly lighter and longer. Both use a 77mm thread, so a screw-in filter must match that size to attach directly. | |
| Lens Weight | 625 g |
Lens Diameter ⓘWidth of the lens at its widest point | 82.8 mm |
Lens Length ⓘHow long the lens is from front to back. | 96.1 mm |
Front Filter Compatible ⓘSome lenses are compatible with front filters, some are compatible with back filters and some are compatible with both. Front filters are usually more convenient to add and remove. | |
Front Filter Size ⓘDiameter of attachable filters. | 77 mm |
Optics88/100 | |
About the OpticsFor a head-and-shoulders portrait, 85mm lets you stand farther back than a wide-angle lens at the same subject size. That change of position alters perspective and gives the person more space. The focal length also suits tighter views of ceremonies where you cannot stand beside the subject. The f/1.4 maximum aperture gives more light than a smaller opening. In a dim reception, that gives more room to choose a faster shutter speed or lower ISO. The available light still sets the limit. A person dancing or walking needs enough shutter speed for their movement. At close portrait distances, f/1.4 gives a thin zone of sharp focus. Focus on the eye that matters most and check the result if the person turns. A distant background can become soft. Stop down when more of the face or a second person must stay sharp. Closest focus is 2.8 ft (85 cm), measured from the sensor. Maximum magnification is 0.12x, so very small details remain modest in the frame. For a close portrait or table object, check the framing before you settle on a shooting position. Leave space ahead of the front glass. | |
Focal Range ⓘShortest to longest focal length of the lens (zoom range start - end ) | 85 mm |
Aperture Range ⓘLargest aperture at the lens's shortest focal length to longest focal length (aperture range start - end) | 1.4 |
| Focal Length Angle of View | 28.560464963937992° |
Flange Focal Distance ⓘDistance from lens mount to sensor. | 18 mm |
Diaphragm Type ⓘStructure and design of the aperture | |
Blades ⓘNumber of diaphragm blades in aperture | 11020 |
Zoom Lens ⓘZoom allows you to vary the focal length, change between long shots and close-ups | No |
Closest Focusing Distance ⓘMinimum distance for a subject to be in focus. | 85 cm01500 |
Maximum Magnification ⓘLargest size a subject can be reproduced | 0.12x |
| Autofocus Mode | |
| Manual Mode | |
| Manual Focusing Ring | |
Features32/100 | |
About the FeaturesDust and splash resistance help during outdoor portrait sessions. Use cover in persistent rain. Keep the lens mount clean and dry when changing lenses so moisture does not enter at the camera connection. There is no built-in stabilization. A camera with body stabilization can help with shake for still subjects. Steady support is useful during slow exposures or long posed sessions. Opening the aperture can allow a faster shutter speed, but it does not provide stabilization. Both versions have a water- and oil-repellent front coating. It helps spots and fingerprints wipe away during cleaning. Remove loose grit before using a cloth. | |
Weather Sealing ⓘWeather sealing capabilities will give you more confidence when shooting in unfavourable conditions. | |
Fluorine Coating ⓘCoating to repel water and oil from lens elements. | No |
| Built In Lens Hood | No |
| Lens Hood Type | |
Teleconverter ⓘA teleconverter (extender) is an extra piece of equipment that fits between the lens and the camera body to enhance magnification | No |
| Image Stabilization | No |
Construction31/100 | |
About the ConstructionThe design uses 15 elements in 11 groups. One aspherical element helps correct distortion and spherical aberration, which can bend lines or soften detail. Five SLD elements help reduce chromatic aberration, the coloured fringes that can appear along high-contrast edges such as backlit hair. | |
Elements ⓘLens elements refer to individual pieces of glass within the lens. | 15 |
| Groups | 11 |
Aspherical Elements ⓘThe number of aspherical lens elements which can help correct aberrations such as spherical aberration. | 1 |
Bi Aspherical Elements ⓘElements with two non-spherical surfaces | 0 |
Low Dispersion ⓘElements that reduce chromatic aberration | 5 |
Super Low Dispersion ⓘAdvanced elements further reducing chromatic aberration | 0 |
CA Reduction ⓘBuilt-in features to reduce chromatic aberration | 0 |
Internal Focusing ⓘInternal Focusing means that the lens does not change in size during focusing, and the front element does not rotate. | No |